• The Love That Dare Not Speaks Its Name – Why It’s Still Not Cool To Like Progressive Rock

    November 7, 2013 - By 

    There’s a certain school of thought that declares punk rock as the saviour of music, wiping away an era of awful, bloated sounds. It was essentially the ‘Second Coming’ of good music, without needing a ‘First Coming’ to justify that title. “NO FUTURE!” screamed the punks, but what they really meant was “NO PAST”, and over the years, as the music press has become populated by the disciples of punk, this has become accepted as fact. And of all the victims of this cull, none fell further than progressive rock. With the way people listen to music having irreparably changed,…

  • My Problem With Modern Horror

    October 31, 2013 - By 

    Fuck Horror. As grandiose as a statement that it is, I hate most modern horror films. Not because I intrinsically hate the genre, nor because I am a cynical, hate filled cretin. No, I hate modern horror because it categorically spoils the things necessary for horror films to work. To be blunt, horror has always been somewhat of a second string cinematic genre. With it’s central aim being prick-teasing animal instincts, it’s no wonder that most horror films have been the kind of cheese ridden b-movie that one associates with Hammer and Christopher Lee. For the greater part of cinema…

  • Silent Hill 2 – A Psychological Horror Masterpiece

    October 31, 2013 - By 

    Silent Hill 2 is a masterpiece. It’s not a masterpiece in the traditional sense, where every aspect of the work is perfect. It’s a masterpiece in the sense that, despite being fundamentally broken in many ways, it still feels like a brutal, cohesive, human experience. Silent Hill 2 is not perfect – but it’s alive. This sequel is, for all intents and purposes, a reboot. Removing the B-movie cult storyline that the original was based on, Silent Hill 2 unshackles itself from the continuity of the franchise. The foggy town of Silent Hill is no longer the manifestation of tortured…

  • Classic Album: The Wicker Man OST (1973)

    October 31, 2013 - By 

    What is the sound of fear? Over the years, musicians and composers have tried various things, and certain tropes have emerged: the stabbing strings, the gothic grandeur, the discordant noise, or the Theremins and strange electronic sounds. But back in 1973, Paul Giovanni and Magnet took a completely different path, tapping into an altogether more earth vein of horror, capturing the cruel majesty of The Wicker Man. For many people, The Wicker Man is one of the towering giants of horror (if you’ll pardon the pun), a masterpiece of sustained dread that digs deep into our hearts to unearth a…

  • Horror songs: The Intense Humming Of Evil

    October 30, 2013 - By 

    There is no denying that the Manic Street Preachers’ third album, The Holy Bible, is a distressing listen. The album represents some of the final days of Richey James Edwards and gives us an insight into a mind that is as unsettling as it is compelling. Edwards penned songs about self-destruction, societal breakdown and the holocaust with a level of poeticism seldom seen in rock music. This poeticism gives way to terror on more than one occasion and is best typified with the gut-curdling holocaust themed ‘The Intense Humming Of Evil’. We begin with the sound of clanging metal and gaseous release. We begin…

  • Exclusive EP stream: Katharine Philippa – Broken To Be Rebuilt

    October 30, 2013 - By 

    Ahead of its release tonight at Belfast’s McMordie Hall, we are delighted to present an exclusive stream of the spectacular Broken To Be Rebuilt, the eagerly-anticipated new EP from singer-songwriter Katharine Philippa. Co-produced, mixed and master by Matt Duke, the six-track EP features extra instrumentation from five different musicians, including Duke himself. The closing track is an orchestra quartet version of the album’s title track, bookending a release that perfectly captures Philippa’s spectral and sublime craft. Stream the EP in full below.

  • That’s The Story of my Life – The Life and Death of Lou Reed

    October 28, 2013 - By 

    When all is said and done, Lou Reed was never the easiest figure to love. For someone who is so intrinsic to the very notion of what we consider popular music to be, for someone who tore up the rulebook so fundamentally and set us all free, it’s rarely been an easy ride. And now that he has moved on, that journey will only become more difficult. Like all the truly great artists, to be “into” Lou Reed is to be “into” a variety of different personas, of different masks, of different ideologies. The snarling twenty-something, sunglasses strapped permanently to…

  • Lou Reed: A Tribute Playlist

    October 27, 2013 - By 

    Arguably punk’s greatest ancestor, Velvet Underground founder and uncompromising solo artist and collaborator for the last five decades, Lou Reed has passed away the age of 71. One of the finest songwriters of the twentieth century (and, for many, beyond) his songs and art traversed genre, sentiment and style, dividing critics and fans from his 1972 self-titled effort right up his notoriously at odds collaboration with Metallica in 2011. From heroin and the NYC underground to Diet Coke and t’ai chi, Reed came a long way from the sixties, constantly re-affirming his right to be restless and fearlessly re-inventing his musical manifesto…

  • Exclusive album stream: Captain Kennedy – Draw It In Chalk

    October 24, 2013 - By 

    Ahead of its release next week, we have an exclusive first listen of the fantastic Draw It In Chalk, the long-awaited new album from Lurgan band Captain Kennedy. Recorded live and in one session at Mogul Studios, Portadown exactly two years prior to its November 1 release, the album mark encapsulates Captain Kennedy’s change to a 4-piece line-up and reveals the path the band were headed prior to their indefinite hiatus. Ahead of our review of the album, check out the artwork and listen to the stream below!

  • Do You Still Want To Believe? 20 Years of The X-Files

    October 23, 2013 - By 

    Arguably, television has replaced cinema as the preeminent visual entertainment medium. Shows like Breaking Bad, The Sopranos, and The Wire have stolen Hollywood’s thunder when it comes to dynamic and progressive storytelling. It wasn’t always this way, however, and back in 1993 a strange, cultish show about two mismatched FBI agents struck a chord with the public, tapping into a throbbing vein of pre-millennial angst and paranoia. But twenty years later, just what was the impact of Mulder and Scully’s unflinching look into the paranormal abyss? They said the truth was out there, but what happened when we actually found…