• Interview: Chelsea Wolfe

    Currently on tour in Europe, the bewitching force that is Chelsea Wolfe will play Belfast’s Limelight on July 23 and Dublin’s Tivoli Theatre on July 24. Ahead of those shows, the Californian goth-rock artist talks to Jack Rudden about new music, her country music background, the ideal breakfast and more. On your latest release, Aaron Turner of Post Metal icons ISIS featured on the track ‘Vex’. What was it like collaborating with Aaron  and have you any plans to collaborate with other artists in the near future? CW: I also collaborated with Troy Van Leeuwen of QOTSA, and my longtime bandmate…

  • Melting Songs: Seán Mac Erlaine interviewed

    Woodwind specialist and experimental composer Seán Mac Erlaine creates deeply cerebral and alluringly unclassifiable music. Long celebrated for his own swirling, phantasmal compositions as well as his work with Swedish/Irish folk group , This is How We Fly, May saw the release of his latest solo album, the divine Music for Empty Ears. The album was recorded in collaboration with Norwegian luminaries, innovative live sampler Jan Bang and guitarist Eivind Aarset and also features the sumptuous wraith like vocals of Galway singer Sadhbh Ní Dhálaighhe. The dizzying array of talents on record combines to create one of the most seductive releases in Mac…

  • Emotional Content: Key Tracks from Celtronic Festival (2001-2018)

    Currently underway in Derry, Celtronic has been at the forefront of the Irish electronic music scene since 2001. With the best still to come at this year’s outing the next four nights via Avalon, Phil Kieran & the Ulster Orchestra, Gerd Janson and more, organisers from the festival have selected one key track from each year of the festival to date, featuring the likes of DJ Koze, Alloy Mental, KiNK, Lykke Li and Blawan. 2001 Event: Radioactive Man at The Nerve Centre Key Track: Radioactive Man – Uranium 2002 Event: Tom Middleton at Sandinos Key Track: Cosmos – Take Me With You 2003 Event: Funk D’Void…

  • Sistrionics: An Interview with Deap Vally

    Deap Vally are singer-guitarist Lindsey Troy and drummer Julie Edwards. They exploded into the scene with their debut album Sistrionix in 2013, which won favourable comparisons to blues rock contemporaries The White Stripes and The Black Keys as well as scene legends Led Zeppelin and Janis Joplin. After leaving Island Records, they self-funded 2016’s follow-up album Femejism, which was produced by Yeah Yeah Yeah’s Nick Zimmer. After the release of single ‘Get Gone’ earlier this year, they’re currently on amall European tour, including The Limelight in Belfast tonight (Thursday, June 28). Caolan Coleman spoke to them ahead of the gigs. Your new…

  • Festival Mixtape: KnockanStockan 2018

    KnockanStockan returns to the shores of Blessington Lake in Co. Wicklow across July 27-29 and brings with it the finest homegrown summer festival bill of the year. With exactly four weeks to go (nab your tickets stat) here’s some of our must-see acts at this year’s outing. Go here for the full line-up, info and to buy tickets

  • Lost in the Forest: An Interview With James Holden

    Few artists have taken such a personal journey as James Holden. The electronic artist’s transformation is not subtle; Holden, now a practised bandleader, ties together jazz, folk, psychedelia and world music with an ideology rooted in trance. The Animal Spirits, one of 2017’s most interesting and colourful releases, threw these experiments loudly in the face of the listener with an unrivalled fervent energy. As a result of the critical acclaim, Holden is now in the thick of a cross-continental festival trek, including an appearance at Ireland’s very own Body & Soul this weekend. Despite this, Dom Edge had the pleasure of…

  • Video Premiere: Solkatt – Nocturne

    In 2017, Peter Lawlor (AKA Replete) and Leo Pearson (whose worked with David Holmes, Shit Robot, more) were commissioned to create 90 minutes of original music for a 46-speaker geodesic dome at Electric Picnic. The installation, a part of Red Bull’s Soundome Stage, found the pair embracing sounds on a grand, cinematic scale that nonetheless maintained a danceable groove. Now, having release a couple of stellar singles over the past couple of months, the duo are readying the release of their debut album. With their third single ‘Nocturne’, the pair revive themes that gleamed through on first single ‘Je Suis’:…

  • Noise Canvas: Olan Monk interviewed

    Porto-based, west of Ireland raised artist and musician Olan Monk‘s two EPs INIS and ANAM come paired with a single lyric each. They aren’t sung. In fact, they’re not heard at all. Nonetheless, he says, they’re the lyrics. They read as follows… ANAM extend ourselves through rifts in place multiple outcomes of wet decisions delusions made and loves we lost on distant shores breathing, being, mind less Wanderer INIS nobody enters the second zone there are always enough others to exist you drift hopelessly through other people the love they give is more than a geographic boundary a feeling extends…

  • Bare Everything: An Interview with Gary Lightbody

    A remarkably purgative release born from addiction, vulnerability and recovery, the Jacknife Lee-produced Wildness marks Snow Patrol’s long-awaited return after seven years. Striking a midpoint between the band’s evolved pop-rock prowess with lyrics tackling darkness, alienation and living in the moment, it’s an album capturing the Gary Lightbody-fronted band at both their creatively inspired in years. In a conversation with Brian Coney, Lightbody discusses addiction, success, writer’s block, confronting one’s demons, whittling 600 songs down to 20, the importance of patience, as well as why he has no desire to write another ‘Chasing Cars’. Wildness is Snow Patrol’s first album in seven years.…

  • The Pirates Don’t Eat The Tourists: Jurassic Park, 25 Years On

    John Hammond is Steven Spielberg. Yes, it’s an obvious analogy: Richard Attenborough’s bio-engineering CEO and the maestro who directed him are both bearded childlike innocents, starry-eyed dreamers, alchemists who conjure stunning spectacles for an adoring public and make serious bank in the process. And both have seen their legacy squandered. In the twenty-five years since Jurassic Park’s release, across four sequels, the parks and their improbable animal attractions have been misused and mistreated, spiralling, in an inevitable logic Dr. Ian Malcolm would appreciate, towards chaos. In this month’s underwhelming Jurassic World: Fallen Kingdom a burst of volcanic violence snuffs out…