What an indulgence it must be to be able to gather your gripes together and air them on a grand scale via music, imagery and the written word. Morrissey’s grievances are legion, his ire legendary, and the usual Morrissey-isms are cheerfully present and correct on his latest album World Peace Is None of Your Business. The rich get richer and the poor get poorer; four legs good, two legs bad; an unparalleled sense of self-righteousness – all of these things, already none too subtle on record, are bundled together for tonight’s Dublin crowd into an audio-visual feast of disdain. He…
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Bennigan’s Bar in Derry serves as the perfect venue for an intimate gig and that was just what Belfast born balladeer, Duke Special, was set to do on Friday night. Although the crowd was set-up to expect a totally warm and soft intimacy from the very start with a toned down piano and voice rendition of Duke’s ‘Freewheel’, there was a quick shift between atmosphere when his hand slamming on the keys brought the Bertolt Brecht cover of ‘Alabama Song’ forcefully to the ears of the audience. No one seemed to be taken aback as I was. Being one of…
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Serving up a sumptous set of folk-pop sound, the up-and-coming Little Hours delighted Dublin’s Sugar Club with their first headlining gig and eponymous EP launch on Thursday evening. The Donegal duo dazzled the house with a fresh array of work that’s garnered them a worthy following since the release of their first single ‘It’s Still Love’ in June, including a respectable line-up of support acts to play their momentous evening as well. The show was a night of new artists who toil, and an impressive one, at that. Kicking off the evening’s line-up was Dublin’s own Bairbre Anne, promoting new…
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Having started from such humble beginnings, the Foo Fighters really have come a long way. Who honestly could have called it, that the drummer from that band where the lead singer killed himself would eventually become one of the more vital figures in mainstream rock? The thing about Dave Grohl is that the man actively seems to want us all to be better. He wants us to know about the bands and the sounds that shaped his music, partially to help us appreciate his records in a whole new light, but mostly to make sure that some of the more…
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The man on stage would like you to call him Yasiin Bey. “Ali, not Clay,” he says. That doesn’t stop the gig’s posters and tickets from bearing the name Mos Def in larger lettering than that of his name of choice, however. Coming on stage around 10pm in an oversized scarf and baggy tee, he opens with ‘Cream of the Planet’, an unreleased track from 2010. Though billed as a fifteenth anniversary celebration of 1999’s breakthrough release Black On Both Sides, the night sees Bey jump from era to era, appropriately enough as 1982’s seminal hip-hop flick Wild Style plays…
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The owlish, circular Chicago Sun-Times critic Roger Ebert famously championed 1994’s Hoop Dreams, an early documentary by Steve James looking at the aspirations of a group of black city kids, and with Life Itself James repays the favour. Lovers of film and film criticism will find much to appreciate in the film, which uses the memoir of the same name to tell Ebert’s story, from his beginnings in print journalism to his final days at home and at hospital, scenes James captures with intimate proximity. Life Itself is a candid and moving film about how to relate to art and…
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“I just don’t understand Christmas I guess” laments Mark Kozelek in a spoken word section of the opener ‘Christmas Time Is Here’, and while he is reading lines originally spoken by Charlie Brown it sets the tone for the entire record. The former Red House Painters‘ singer Kozelek attempts to understand the holiday season on Sings Christmas Carols by exploring the emotional depth of these Christmas songs and escaping from his depression and melancholy. Mark Kozelek is no stranger to cover albums, having released a downtempo covers album of AC/DC songs entitled What’s Next to the Moon and Tiny Cities, an…
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Understandably Arca’s debut album Xen has been eagerly anticipated in electronic circles and beyond. A couple of strong EPs in Stretch 1 and Stretch 2, his astounding &&&&& mixtape, productions for FKA Twigs and some guy called Kanye West as well as forthcoming productions on the next Bjork album – the London-based Venezuelan producer is hot property. Xen is supposedly an androgynous alter-ego of Arca whose “mere existence is kind of repulsive and attractive at once” he told The Fader and it’s this idea of these two opposites co-existing that makes Xen so endearing. The hip-hop focus of Arca’s previous…
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It’s funny to think that Led Zeppelin spawned practically every rock’n’roll trope that elicits either an eye roll or a “fuck yeah!” (depending one’s state of inebriation). The old clichés have gone from birth through acceptance, weathering punk’s dismissal into irony and meta-referencing, and all the way around again until it’s hard to decipher what point on the rotation things currently fall. New Yorkers The Last Internationale are somewhere on that loop, a band that could comfortably populate the background scenery in Almost Famous, such is the posturing and rock-by-numbers shenanigans that are in progress onstage. The guitarist even gives…
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Veteran Northern Irish producer and multi-talented wizard-man Boxcutter (Barry Lynn) has had a fairly enviable run of success since his debut for Planet Mu records back in 2006. A string of high-grade LP and EP releases, collaborations and remixes for the likes of Amon Tobin, Falty DL and Space Dimension Controller – as well as countless headline shows worldwide – would suggest that Lynn might deserve a relaxing day or two off. The release of his latest EP New Yen, in collaboration with fellow NI producer Defcon, suggests otherwise. In fact, what it does suggest is that Lynn is in…