• Q+A: Bear Worship WAS Here

    June 25, 2017 - By 

    Karl Knuttel – or Bear Worship, to use his professional name – has just released his nine-song debut album, WAS. It’s an exotic, hypnotic record that seems to exist in a time and place all of its own. Here, he talks to David Turpin about the process of making the album. I’d like to ask about the title of the album, WAS. It’s a very emphatic one-word title, and yet it also happens to be a very ambiguous word. I guess what I wanted to represent with the title is that every person wants to feel like they matter. Making…

  • Whitney: Can I Be Me

    June 18, 2017 - By 

    Whitney Houston’s much-publicised rise, fall and subsequent death is a tale of an exceptional talent that was surely wasted. If like me, you knew little about her life bar the mud-slinging from the mainstream media, then British docu-filmmaker Nick Broomfield (Biggie and Tupac) and longtime associate of Whitney, Rudi Dolezal’s depiction of the troubled star, will be a refreshing take that sensitively and respectfully delves into the causes and effects of her tragic downfall. They most certainly don’t have all the answers that some people may be after but this is an essential watch for anyone with any sort of…

  • Jefre Cantu-Ledesma – On The Echoing Green

    June 14, 2017 - By 

    Chaos is everywhere. Politically, ecologically or economically speaking, you can’t look far without longing for a friend humanity has never been too well acquainted with: Order. Timely, then, is the return of Jefre Cantu-Ledesma, widely regarded as the apotheosis of ambient drone rock. So frequent are his trademark chaotic turns into rhythmless noise-scapes that comparatively 2017’s Fyre Festival looks like an extremely well organised event. On The Echoing Green, however, promises more overt pop elements at the fore, experimenting in clarity and collaboration and in doing so showcasing a whole new side to Jefre Cantu-Ledesma. Prior to going solo in…

  • Inbound: Silverbacks

    June 13, 2017 - By 

    Having just released one of our favourite Irish EPs of the year so far, Sink The Fat Moon, Dublin indie rock five-piece Silverbacks chat to Will Murphy about lo-fi aesthetic, the imprint of the 90s on their sound and their plans for the rest of the year. Your sound picks up where the likes of Pavement, The Pixies and other fuzzier 90s groups left off. What about that era appeals to you so much? Everyone in the band is drawn to guitar bands and I quite like when that’s paired with lyrics of a humorous nature. You find bands like…

  • James Vincent McMorrow – True Care

    June 5, 2017 - By 

    Just nine months ago James Vincent McMorrow released his third studio album, We Move to widespread acclaim. Still revelling in the success of the record and with a slew of live dates keeping him busy for the foreseeable future, McMorrow has dropped his latest offering much to the surprise of everyone bar himself. True Care is an album created in just five months which has been released in a suitably hasty manner with JVM citing a discomfort with the typically grandiose release cycles in modern music as his motive to do so. With this in mind, there seems to be…

  • Wavves – You’re Welcome

    May 30, 2017 - By 

    There was a moment in time when suggesting that Wavves would have a sixth album was laughable. Such was the breakdown of main man and songwriter Nathan Williams following the breakout success of their first album that led to most presuming that Wavves was going to be a short lived experiment. Yet Williams did manage to make the groups second album King of the Beach; to date the most perfect crystallisation of the groups wailing, bratty skate-punk. Now its seven years later and there’s been four albums in between, all of them decent but none of them truly great. There…

  • (Sandy) Alex G – Rocket

    May 25, 2017 - By 

    When Philadelphia based multi-instrumentalist Alex Giannascoli was eight years old his older brother, also a musician, enlisted the youngster to play drums in his band. This early exposure to performing persisted into adolescence and Alex would eventually turn his hand to writing and composing his own songs. Giannascoli revealed in a recent interview that he found it extremely difficult to be himself around his peers, growing up. He concluded that the only time he felt truly comfortable in his skin was when he was making music. In 2010, Giannascoli transformed into Alex G and he released his debut album Race…

  • Jawbone

    May 19, 2017 - By 

    There is no doubt that Jawbone, director Thomas Q. Napper’s debut, follows many of the usual tropes that most of the boxing/fighting movies out there fall into. You could even say that its subplot, dealing with first time writer and star, Johnny Harris’ (Gangster No 1) alcohol addiction, is a formula that has been flogged to death in this genre. However, what gives Jawbone an edge over the rest is its superb cast and acting, the brutally honest and realistic manner in which it deals with addiction, depression and societal decay, along with a refreshing lack of glorification surrounding its premise.…

  • Video Premiere: Aaron Shanley & The Horrortongues – My Mind Ain’t Pretty (At The Minute)

    May 17, 2017 - By 

    Primed to release his debut album, Metal Alligator, at Belfast’s Voodoo on May 24, Northern Irish artist Aaron Shanley now has a full band in tow in the form of the excellently named Horrortongues. Ahead of that, we’re pleased to present a suitably tripped-out live video for ‘My Mind Ain’t Pretty (At The Minute)’, a track we said was “a really tidy, very promising taste of things to come from the wanderlust-smitten artist” upon its original release back in 2015. Filmed at Millbank Studios in Lisburn, the well-honed, scuzzed-out lo-fi aesthetic of Shanley and the Horrortongues is laid bare in fine fashion Pre-order the stellar…