At the final All Tomorrows Parties festival at Pontins Holiday Camp, East Sussex in 2013, one music fan-in-residence jovially likened the rows of chalets and wandering music fans that inhabited them as being like some kind of ‘dystopian playground’. They didn’t realise the prescience of their reflection at the time. All Tomorrow’s Parties subsequently went down in an inglorious debt-ridden blaze after so many stellar festivals – events that took the holiday camp model and created a communal event where artist and punter stood on equal footing. They ate, drank, and slept together, got fucked up and came back down together; they…
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Looking back at the sheer breath and wealth of EPs that were released from artists across the country this year made us giddy with joy and excitement. The boundless evolution of style, diversity, experimentation and confidence on display in 2017 was as momentous as we had ever seen or heard and, as such, narrowing this list down to 15 was no easy task. The following is a list of artists who we felt pushed themselves to new, ambitious heights and creative territories this year, who delivered both on record and in live settings and who proudly represented the fecund growth…
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There’s a storm brewing on this island. For a nation of people who pride ourselves on our artists’ ability to twist and contort the English language masterfully, it’s surprising that our hip-hop scene has taken so long to come to fruition. Where in the past we would have had the likes of Messiah J and The Expert to represent us on the international stage, we’ve slowly but surely been building up a roster of top-tier artists. In recent years, Rejjie Snow, Kojaque, Hare Squead and Limerick’s Rusangano Family – to name but a handful –have proven without much doubt that we…
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Two years on from their barnstorming show in the same venue, Canadian noise rock trio METZ have announced that they’ll return to Dublin’s Whelan’s on May 1. The Toronto-based band released their third, Steve Albini-produced album, Strange Peace, via Sub Pop back in September. In his review of the album, TTA’s Cathal McBride said, “What it all adds up to is the band’s most complete and rewarding work to date.” Tickets for the Whelan’s go on sale this Thursday at 10am, priced €17.50.
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We should all be eternally grateful to the Numero Group. Their tireless efforts to ensure that some of the great quasi-lost nuggets of our popular culture get rediscovered and granted a level of respect that they were deprived of upon their initial release. Their reissues and remasters are rich and varied, encompassing the likes of hardcore luminaries Unwound as well as forgotten soul star and transgender icon Jackie Shane. While the label has been working at an awe-inspiring level, they’ve recently outdone themselves. Savage Young Dü is a 69 track tome tracking the early years of the seminal Hüsker Dü, one…
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Dublin trio The Elephant Room have shared a new track ‘Naive Green’. Having formed in January of this year, the band comprised of singer and guitarist Frank Shortle, bassist Shane Martin and drummer Ian Hand have already a string of singles under their belt and have been honing a sound that will resonate with anyone with a penchant for 90s indie rock and the lo-fi charm of slacker styles. Earlier singles ‘Brisco’ and ‘Ashes’ showed us a band with a precocious knack for a hook early in their nascence as a group. We previously drew comparisons between them and the likes of Sparklehorse and Wilco and…
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We have to say – per capita, there’s no other town or city in Ireland producing DIY indie rock at the rate of Limerick. We’ve got Hot Cops in Belfast, Slouch in Dublin, but we can now happily add Static Vision‘s self-released 10-track debut to the likes of Eraser TV, Cruiser, Anna’s Anchor, oh, and The Rubberbandits, to the city’s list of self-made accolades. Equal parts effervescent and slack, What is and Now is a stab of garage post-punk in the ’80s SST, Wipers-esque vein that could pass for an undiscovered proto-grunge gem from the midwest in 1989 fronted by a time-travelling Will Toledo, and having been…
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John Maus strikes you as the kind of man who would be making music regardless of whether anyone was listening or not. And for a long time they weren’t. His first two albums, Songs and Love Is Real, went by largely unnoticed. It was only on the 2011 release of We Must Become the Pitiless Censors of Ourselves that critics started to really pay attention, despite a considerable and devout cult following having formed through the years. Most people would have been eager to capitalise after this new-found attention; to milk that cow for all it’s worth. But Maus is not most…
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Photo by Brian Ritchie To mark its official release, London-based grunge trio Thunder On The Left have released their new single ‘National Insecurity’. Their first new music since 2015’s The Art of Letting Go EP, ‘National Insecurity’ is a bleak gaze into the future the band predicts for us as we become ever more hyper-dependent on technology. The single is an ambitious, riff-laden belter that seems determined to shake some sense into us. Or at least freak the hell out of us until we put our phones down for 10 minutes. Recorded and mixed along with the rest of their forthcoming debut album by the…
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Galway super-group of sorts Half Forward Line are set to release their debut album The Back of Mass tomorrow. Before we premiere it on this here website though, the band have been kind enough to share a video for ‘Column A, Column B’. The trio, comprised of So Cow‘s Brian Kelly on guitar and vocals, Oh Boland‘s Niall Murphy and bass, and regular TTA photographer Cíarán Ó Maoláin behind the drums, have been doing some wonderful damage on the live circuit these past few months and also unveiled one of the sweetest love songs to come out of the West in quite some time in the form…