Ahead of the release of his Holiday Home EP this Friday 28 April, Daithí has revealed another shimmering pop-leaning cut. Welcoming back regular collaborator Sinead White for a typically excellent guest vocal, ‘Aeroplane’ is a more melodic cut than the EP’s propulsive title track from last month. Despite its dancefloor focus, the track maintains its organic atmosphere through breezy keys, recorded natural samples and White’s voice, reminiscent at points of some of SBTRKT‘s collaborations. The song is brought to life by the accompanying video which features footage shot in Daithí’s hometown of Ballyvaughan, Co. Clare from the 90s. Speaking of the track…
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Coinciding with the release of her forthcoming fifteenth studio album, Native Invader, it’s been announced that Tori Amos will play Cork’s Opera House on September 6 and Dublin’s Bord Gàis Energy Theatre on September 7. Tickets for the shows – priced €51.15 and €53.15 – go on sale from 10am this Friday. These dates kick off a two-month European tour, concluding at Glasgow’s O2 Academy on October 6. Here’s the full dates. September 6. Ireland, Cork – Opera House 7. Ireland, Dublin – Bord Gais 9. Belgium, Gent – Capitole 10. Luxembourg – Luxembourg Den Atelier 11. France, Paris – Grand Rex…
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Cléa van der Grijn – Reconstructing Memory (Image Courtesy of Heike Thiele) Ahead of the opening of Clea van der Grijn’s Reconstructing Memory in Limerick City Gallery of Arts on April 27th, Rebecca Kennedy speaks with artist on voyeurism, love letters, self-censorship and the intersection between life as an artist and motherhood. Who is your favorite artist and what facet of their practice do you find fascinating? Sophie Calle. I think she’s a very interesting person. It’s like her life is recorded in snippets of film. I think I live vicariously through her work. I love that she spies so un-intrusively…
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London-based Cork producer Toby Kaar has returned with the beat-driven, vocoder-heavy strut of ‘Promises’. The follow-up his debut EP, last year’s Gumbrielle, the single – which Kaar said was recorded “some time ago” – is deceptively earworming in its reiterative patterns and woozy, cyborg-like vocals, not least via its closing refrain: “I just want to know, what happened to our love? We used to be best friends, where did it go wrong?” We dig.
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Hope Dickson Leach keeps her aim steady and hits her targets in The Levelling, her first feature and a sturdy, professional piece of grim English countryside realism. Trainee veterinarian Clover (Game of Thrones’ Elle Kendrick) is called back to the family farm when she receives word that her brother Harry, who was just given stewardship over the land, has shot himself with a hunting shotgun. The police have filed it as suicide, but her father Aubrey (Joe Blakemore), insists that it was just a “bloody stupid” accident, a descriptor he seems to apply to almost everything, his manner one of…
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As Irish music-making monikers go, Final Boss of My Twenties is right up there with the most inspired. The sonic sobriquet (yes, we went there) of twenty-eight year old Dubliner Simon Maguire, the turn of phrase has very recently come to our attention off the back of Murphy latest single, ‘Let Go’. Featuring a rather impressive, Lego-based video – the product of “weeks of moving these little guys millimetres at a time”) – the single is a pretty contemplative affair, and what Maguire calls the “culmination of an ounce of action and a ton of theory; now the seed’s finally in the soil, I’d…
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Rage, maternal loss and the sting of humiliation are accelerants in the bloodstream in Catfight, Onur Tukel’s face-thumping black comedy and satire on the unreality of violence. The match is lit when estranged college chums Veronica (Grey’s Anatomy‘s Sandra Oh) and Ashley (Anne Heche) bump into eachother at a fancy Manhattan party for the first time in years. In this alternate America (very near future?), the country is eyeing up another war in the Middle East, and Veronica and her husband, who runs a debris clean-up company, are in for a big payday if they land a juicy Pentagon contact.…
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In the lead up to the release of his debut LP under the New Jackson monicker, David Kitt has released a 12″ led by album track ‘Anya’s Piano’. From Night To Night is set for release on May 19th through the terrific All City label. ‘Anya’s Piano’ is an expansive and atmospheric cut, chock with groove, hypnotic double bass and a lavish saxophone part from Terry Edwards [PJ Harvey/Gallon Drunk]. The other two tracks on the 12″, which will not appear on From Night To Night, are equally rich. ‘In My Room’ boasts a deep, basement energy and mechanism while ‘Leave Me Making’ incites a swaying, breezy feeling amid its…
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Kilkenny native, Berlin based producer Neil Flynn, has released a visual accompaniment for ‘J.E.N.’ The track, which appeared on his EP for Berlin based label Lossless last October, is a driving, club ready cut from an artist whose penchant for deep, melodic house music has seen his releases getting played out by the likes of Dixon and Âme. The track also features a typically haunting guest vocal from Katie Kim. The video, a stark black and white accompaniment was shot in various forests from Berlin to Norway, Sweden and Iceland. Flynn, who we interviewed back in 2015, has also just released a remix of VIMES’ ‘Rudal’ which can be heard here.
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Jens Lekman with support from The Dove & The Wolf at Whelan’s in Dublin. Photos by Lucy Foster.