It’s been twenty years since New York’s Chavez have graced our ears with their angular, discordant interpretation of punk. Having never officially split, the promise of new material was alway on the cards, but the members’ other commitments with likes Bonnie “Prince” Billy, Zwan, Run The Jewels and Mike Judge made it substantially less tangible. But like their twisted, asymmetrical music would suggest, Chavez will always find a way to catch you off guard. That’s what their latest EP, Cockfighters, is, a trifle of a release designed to destroy any preemptive obituaries and to announce that they are alive and well…
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In a typically out-there press release for Oczy Mlody, Wayne Coyne evokes “A future where OczyMlody is the current cool powerful party drug of choice and sleeping is the ultimate cure for everything” – a scenario that takes place inside a hedonistic gated community where people opt out of reality into a fantasy world. Coyne’s conceptualisation of the fourteenth Flaming Lips album proper is incredibly close to that of The Who’s aborted Lifehouse project (that ultimately became the 1971 Who’s Next album), set in a futuristic world where society is hooked up to The Grid via “experience suits” and programmed…
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On their latest LP, He’s Got The Whole This Land Is Your Land In His Hands, Joan of Arc have rather kindly telegraphed the initial reactions of those unfamiliar with the group in the opening lyrics: “What the fuuuuuuuuuuck?”. That line is immediately followed by sampled, compressed drums smashing in completely out of left field while random electronic bleeps float around the mix and vocals offer up curious anatomy lessons. This is just the first thirty seconds. Let’s rollback a tad and give some extra context. When emo legends Cap’n Jazz split, brothers Tim and Mike Kinsella formed Joan of…
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With an eye cast to longer days, warmer weather, and the promise of a new year, the self-titled debut LP from Dublin’s gritty blues- rock trio Exploding Eyes greets you with a welcoming invitation to something a little less serious and a lot more fun. The album is scattered with callbacks to some of the more classic and legendary rock outfits from the golden age of blues pop culture, such as Cream, Janis Joplin, and even some Lynyrd Skynyrd in some of their softer tracks. Opening up the album in stellar form is the single ‘We Need Love’ – a track…
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You know when you’re at a party, enjoying a group conversation and a member of your gaggle makes a private joke, the meaning behind you’re not privy to? It creates this terribly awkward and uncomfortable feeling as you’re left wondering what is so funny. From context and reaction, you can infer that something enjoyable, or at the very least interesting has occurred, but you’re completely at a loss as to what that is or what it even could be. Half Japanese is the musical equivalent of that sensation. Within their repertoire, you can hear the stylistic hints from the likes…
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The XX are a band that harness negative space within music to create an atmosphere so chillingly retrospective that in most cases it need only be listened to underneath moonlight. The trio slid anxiously into the industry with their debut, XX, an album that, unbeknownst to them, would become an international success. The suave blend of spacious indie-electronic beats provided by Jamie (xx) Smith and the minimal vocals of Romy Madley Croft and Oliver Sim proved them to be the perfect vessel for conveying the vernacular of heartbreak and loss. Following this was 2012’s Coexist, an even more stripped back, sparsely…
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Well, there we have it: twelve months, innumerable tracks, and – despite the mild trauma it has incurred having to do it all over again – our top 100 Irish tracks of the year. It wasn’t easy but we got there, y’know? Go here for #100-75 and here for #74-50. Your move, 2017. 49. Roisin Murphy – Ten Miles High 48. Ships – Around This World 47. Jealous of the Birds – Tonight I Feel Like Kafka 46. R51 – Elephant 45. Hiva Oa – Seskinore mk ll (part 1) by Hiva Oa 44. Galants – Evergreen 43. Saint Sister…
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Presented by The Thin Air and Moving On Music, the legendary Damo Suzuki, vocalist of pioneering Krautrock group CAN, will return to Belfast for a fully improvised show with experimental rock maestros Blue Whale, and Californian improviser, sound artist, inventor and writer, Paul Stapleton. Support on the night comes from one of the country’s very best bands, Robocobra Quartet. This is set to be an unmissable event for anyone with even a passing interest in experimental and improvised music. Featuring “an assembly of sound carriers to communicate with each other and the audience”, Damo Suzuki has performed as ‘Damo Suzuki’s…
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As part of their Chaosmis November/December tour, Primal Scream stopped off at Dublin’s Olympia Theatre on Wednesday night, supported by Bo Ningen. Photos by Mark Earley.
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Not an artist to get too comfortable in one guise, Belfast-based musician Michael McCullagh AKA Son Of The Hound resurfaced back in August with quite possibly the darn catchiest song we’ve heard from an Irish artist this year, ‘I.O.U’. Something of a curveball when compared with the Omagh artist’s previous, more trad and folk-leaning output to date, its 50s swagger and twang revealed yet another colour on McCullagh’s wonderfully varied sonic palette. Whether you missed it the first time around or fancy a fresh listen, check out the single via Colm Laverty’s brand new video for the track – culminating in…