In the latest installment of Primer, James Hendicott chat to Brendan Canty of Feel Good Lost about videos and his technique and hopes for 2015. Photos by Mark Earley. Hey Brendan! Can you tell us a little bit about yourself and what you do? Well, I do a lot of things. I basically wanted to do them all but couldn’t find a job that required all of them… so I started one. I’m a director mainly, an editor and an all-round DIY filmmaker. Aside from that I’m a designer, make some art and do live visuals. There’s also the music side…
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Hi Darragh! Can you tell us a little bit about yourself and how you got started? My name is Darragh Nolan, I studied Visual Communications in NCAD. I’ve always leaned towards the music side of things regardless of the medium I guess. I’m an artist (musically) myself so I guess it helps to be able to see an album cover from both sides, to be able to put myself in the shoes of the artist I’m creating for and wonder ‘what would fit?’. I’ve just naturally evolved into this area I think through knowing lots of musicians and the kind…
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Hi there! Can you tell us a little bit about yourself and how you got started? Hello, I am redmanAKA. I didn’t get into art college but I did get into a FÁS screen-printing course. When I was sent out for work experience I pretended I was a graphic student and got a job in a sign-writing/screen-printing company, in their art department, working mostly on artwork set-up, with a few design tasks. It was fun for a while. Then my brother (who had started a small graphic design business on his own) asked me to help him out and I agreed…
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A native of Dungannon, Co. Tyrone, Lee Jackson is arguably one of the country’s true unsung comedy talents. Taking to MS Paint – in much the same way that Jim’ll Paint It does – to concoct his distinctive pieces, Jackson’s approach is underpinned with a deeply perceptive appreciation of the unmistakable mannerisms, ways and superstitions of smalltown (in his case, Mid-Ulster) people and places. As well as being side-splittingly observant, there is a palpable tenderness and conscience that permeates Jackson’s style. Imbuing the thoughts and scenarios of predominantly hypothetical rural characters with allusions to celebrities, politicians and others in the…
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In this special installment of Under Cover, Loreana Rushe chats to Matthew Bolger and Emelie Lidström AKA M&E on the eve of their first exhibition about their stunning artwork and how they create it. ‘Four Eyes’ is currently exhibiting in Malmo and our photographer Ian Pearce was there to capture all the fun on the launch night. Hi Guys! Can you tell us a little bit about yourselves? We are an Irish/Swedish creative duo who inhabit a place between art and design. How long have you been working together? The first record cover we worked on together was Jape’s first album Cosmosphere, which…
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In the first of our regular features on the importance of cover artwork, Loreana Rushe talks to L.A based visual artist Sonny Kay about the work he did on Street Meat by No Spill Blood and gains some insight into his creative process and inspirations. Hi Sonny. Tell us about this cover. It’s a digital collage created in Photoshop from photos I found online as well as some textures I made on paper with india ink and water, which I then scanned. Can you describe the process? I began with the frame since I knew I wanted something that felt…
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A year on from the tragic, altogether untimely death of Beastie Boys rapper Adam Yauch aka MCA, the boundlessly creative, wonderfully thoughtful Dave Frecknall has only gone and re-imagined Peter Blake’s legendary cover for the Beatles’ 1967 LP Sgt. Pepper’s Lonely Hearts Club Band to feature characters associated with the Beasties Boys or referred to in a whole host of their songs. Awesome. Check out Dave’s frankly ingenuous creation and reference guide below! R.I.P. MCA.