In a revealing conversation touching upon the necessity of hard graft, the DIY ethic that underlines their craft, the importance of community and their final ever tour, Eoin Murray chats to English post-rock five-piece Maybeshewill. Photo: Heather Gutherie Firstly, how are you doing? What are the feelings hovering around in the Maybeshewill bus right now as you’re in the midst of this final tour? Good, thank you. Things are good here. We’re a little way in to the tour and it’s been a pretty emotional trip so far, but we’re all super positive and looking forward to the future. From what I’ve noticed,…
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Ahead of their rather special, secret album fundraiser on Saturday, Melanie Brehaut chats to Belfast hardcore quartet Hornets about their influences, ambitions & love of the local scene. You have a rather exciting event coming up. Can you tell us a bit about it? We’re having a bring your own event in Belfast City Centre in order to raise funds for recording our debut album. It’s limited to 80 spaces and you can receive details via sending your name over to hornetsbanduk@gmail.com. We’re playing alongside us will be Apartments and Unyielding Love. There will also be an Exhibition featuring work from Jenna Hayes,…
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When Ed Hamell decided he was done with bands, picked up a battered acoustic guitar, and decided to go it alone, he called himself Hamell on Trial. And whether he meant to or not, he set the scene for over two decades of confessional, confrontational, and apocalyptic music. Make no bones about it, when he gets on the stage, Ed Hamell is on trial. And we’re judge, jury, and executioner. With numerous brushes with mainstream acclaim under his belt, the New Yorker has managed to keep in underground for most of his career, but that acerbic style, calling to mind…
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Whether you’re a newcomer or have been following his slow-burning, revelatory evolution as of late, Derry’s Ryan Vail has always commanded a domain that he can call his own. A master of subtlety, nuance and the hallowed space between the notes, his debut EP These Words revealed fully-formed promise that has only grown (and grown into itself) in the half-decade since. Whether you look to EPs including Fade and Grow, tracks such as ‘Sunlight’ and ‘Days’, superb new single ‘Wounds’ or Sea Legs, his well-received concept collaboration with Ciaran Lavery, Vail’s music and the sphere he conjures via slowly bobbing, synth-laden electronica has always…
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Set to play Dublin’s Whelan’s tonight (Friday, February 19) we chat to Cork baroque-pop singer-songwriter Jack O’Rourke about influence and inspiration, soundtracking the Yes campaign, the thin line between joy and melancholy, as well as the writing and recording of his forthcoming debut album. First up: for those not in the know, when and how did you first start writing and playing your own music? I was four and doodling at the piano. It chilled me out and excited me simultaneously. I discovered Kate Bush and Tom Waits when I was 15 and the rest is history. I sometimes wish I…
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Few artists follow their own path so downright convincingly as Californian experimental pop auteur Julia Holter. With her extraordinary, peerlessly prismatic fourth studio album, Have You In My Wilderness, finishing at the top-end of many ’15 End of Year lists, her standing as a supremely individual musician is incontestable. Ahead of her show at Dublin’s Button Factory next Wednesday night (January 17) Brian Coney chats to Holter about inspiration, the thematic concepts underlying her music and the consequence of widespread critical acclaim. It’s five months on from the release of Have You In My Wilderness. I’m curious: does the kind of acclaim it…
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Bear Worship is the new project from Irish musician Karl Knuttel, who has previously performed as Pinkie and as Ivan St John. Here, he talks about his love of synthesisers, making music out of necessity, and the benefits of being ‘ridiculously controlling’. Words by David Turpin. You’ve said that Bear Worship emerged out of a time of anxiety and depression, and yet the music is far more dreamlike than nightmarish, and far more expansive than claustrophobic. What do you mean when you say it was made “out of necessity”? You know, anxiety is a harrowing experience. It’s not at all…
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The non-for-profit run Open House Festival finished its round of sold out gigs across Northern Ireland at the weekend. The festival, which organises live performances in unique and intimate venues, treated guests to acts such as homegrown talent Stephen Maccartney; Jarrod Dickenson, an upcoming Texan-born Folk and Roots Blues singer; and last but not least, Lindsay Lou & the Flatbellys, a Bluegrass band from Michigan. During the festival, Claire McKeever caught up with Mark and Josh, one half of Lindsay Lou & the Flatbellys, at their penultimate gig at The Arcadia in Portrush. How was Lindsay Lou & the Flatbellys…
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Ahead of three Belfast shows in the coming months, Derry’s Christian Donaghey AKA Autumns is a man on a mission. Having recently recorded his debut LP in two days at Smalltown America Studios, Donaghey chats to us about the art of improvisation, the literary impact on his work and his plans for the year. Hi Christan, you’ve recently finished recording your debut album.Who did you record with and how did it go? I recorded the album with a great engineer and long-time friend of mine called Caolán Austin, who I’ve known since I was around thirteen. We recorded it in my…
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Rising metal youngsters Donum Dei have come a long way from forming back in 2011 whilst still in school; they now gig regularly in Belfast and released their long-awaited debut EP Justice Fails last year. We chat with them ahead of their headlining gig on Saturday in the Pavilion for the Distortion Project, covering their past and future, as well as their ambitions for the band. Words by Melanie Brehaut. Hi guys. So Saturday will be one of your first headlining gigs I believe? You must be excited! We’ve actually done a few Belfast headline shows in Voodoo for Rock…