• Everything Goes: An interview with Aidan Moffat

    Still best known as one half of Arab Strab with Malcolm Middleton, Aidan Moffat’s later career has been a multifaceted one, and his latest album, Here Lies the Body, a collaboration with RM Hubbert, is one of our favourites of 2018 so far. Ahead of July dates at Galway’s Róisín Dubh (23rd), Dublin’s Grand Social (24th) and Belfast’s Black Box (25th), Cathal McBride speaks to Aidan (pictured right, with Hubbert) about this latest project and other recent work.  Hi Aidan, how has the tour for Here Lies the Body been going so far? They’ve all been pretty great so far,…

  • Interview: Chelsea Wolfe

    Currently on tour in Europe, the bewitching force that is Chelsea Wolfe will play Belfast’s Limelight on July 23 and Dublin’s Tivoli Theatre on July 24. Ahead of those shows, the Californian goth-rock artist talks to Jack Rudden about new music, her country music background, the ideal breakfast and more. On your latest release, Aaron Turner of Post Metal icons ISIS featured on the track ‘Vex’. What was it like collaborating with Aaron  and have you any plans to collaborate with other artists in the near future? CW: I also collaborated with Troy Van Leeuwen of QOTSA, and my longtime bandmate…

  • Melting Songs: Seán Mac Erlaine interviewed

    Woodwind specialist and experimental composer Seán Mac Erlaine creates deeply cerebral and alluringly unclassifiable music. Long celebrated for his own swirling, phantasmal compositions as well as his work with Swedish/Irish folk group , This is How We Fly, May saw the release of his latest solo album, the divine Music for Empty Ears. The album was recorded in collaboration with Norwegian luminaries, innovative live sampler Jan Bang and guitarist Eivind Aarset and also features the sumptuous wraith like vocals of Galway singer Sadhbh Ní Dhálaighhe. The dizzying array of talents on record combines to create one of the most seductive releases in Mac…

  • Lost in the Forest: An Interview With James Holden

    Few artists have taken such a personal journey as James Holden. The electronic artist’s transformation is not subtle; Holden, now a practised bandleader, ties together jazz, folk, psychedelia and world music with an ideology rooted in trance. The Animal Spirits, one of 2017’s most interesting and colourful releases, threw these experiments loudly in the face of the listener with an unrivalled fervent energy. As a result of the critical acclaim, Holden is now in the thick of a cross-continental festival trek, including an appearance at Ireland’s very own Body & Soul this weekend. Despite this, Dom Edge had the pleasure of…

  • Noise Canvas: Olan Monk interviewed

    Porto-based, west of Ireland raised artist and musician Olan Monk‘s two EPs INIS and ANAM come paired with a single lyric each. They aren’t sung. In fact, they’re not heard at all. Nonetheless, he says, they’re the lyrics. They read as follows… ANAM extend ourselves through rifts in place multiple outcomes of wet decisions delusions made and loves we lost on distant shores breathing, being, mind less Wanderer INIS nobody enters the second zone there are always enough others to exist you drift hopelessly through other people the love they give is more than a geographic boundary a feeling extends…

  • Bare Everything: An Interview with Gary Lightbody

    A remarkably purgative release born from addiction, vulnerability and recovery, the Jacknife Lee-produced Wildness marks Snow Patrol’s long-awaited return after seven years. Striking a midpoint between the band’s evolved pop-rock prowess with lyrics tackling darkness, alienation and living in the moment, it’s an album capturing the Gary Lightbody-fronted band at both their creatively inspired in years. In a conversation with Brian Coney, Lightbody discusses addiction, success, writer’s block, confronting one’s demons, whittling 600 songs down to 20, the importance of patience, as well as why he has no desire to write another ‘Chasing Cars’. Wildness is Snow Patrol’s first album in seven years.…

  • In Season: An Interview with The Mad Dalton

    Ahead of the launch of his debut album, Open Season, at Belfast’s Black Box on Thursday, June 14, Belfast-based musician and songwriter Peter Sumadh AKA The Mad Dalton talks to us about process, influence, the imprint of literature on his work, how his Scots/Canadian heritage frames his craft, the musicians that have helped bring his music to life and more. Go here to buy tickets to the launch of Open Season. Your debut album, Open Season, is set for release on June 15. You’re releasing it via a successful pledge campaign. Were you hesitant to do this and how was…

  • No Fading: An Interview with Duellists

    As everyone knows (or should know) Northern Ireland’s alt-rock lineage is both proud and incredibly diverse. Comprised of stalwarts of the scene as it looked several years ago, Duellists are a new-fangled three-piece promising aggression, abrasion and intensity. Ahead of their forthcoming debut album, the Belfast-based band talk to us about influence, almost ripping off Fugazi, the John Carpenter-conjuring video for their debut ‘Into the Fade’, the state of NI music and more. You founded in 2015 and comprise ex-members of NI bands Element and Throat. How does Duellists differ from those two acts, and do you think your previous incarnations works to…

  • Fever Dreaming: An Interview with Everything Everything

    Manchester-based four-piece Everything Everything are one of Britain’s finest bands. Since forming at Salford University in 2007, they’ve released four critically successful albums, the latest of which, A Fever Dream, secured two Ivor Novello nominations, their fourth overall. Released in August last year, it’s their best release to date: eclectic, intelligent and emotional yet still accessible and eminently danceable, it made long-standing comparisons to art-rock forebearers like Radiohead seem more accurate than ever. Caolan Coleman spoke to frontman Jonathan Higgs as the band prepare to set on a summer tour including dates at Sea Sessions in Bundoran, Cork’s Indiependence and…

  • Nothing Happens in a Vacuum: An Interview with Amanda Palmer

    Amanda Palmer chats with Rebecca Kennedy about her upcoming Dublin show, the Irish 8th Amendment Referendum and more Amanda Fucking Palmer has never shied from creating music and art that challenges pervasive structures of gender roles, identity, insecurity and self – actualization. Cutting her teeth as a performance artist- the musician spent her early 20’s posing as an eight-foot-tall “living statue”, dressed as in a thrift store bridal gown, blowing kisses or handing out roses for dollars – Palmer learnt crucial lessons on the role of the artist, the music business and pre- Kickstarter crowd sourcing. As one half of The…