• This Month in Irish Music: April

    Colin Gannon rounds up the very best Irish tracks released of the month just gone, featuring Eomac, Joni ft. The Cyclist, Bitflower Bb, Blusher, Fixity, Repeater, Fynch, Just Mustard, Anna Mieke, Leo Miyagee and more. Eomac — Drawn in Sand / Joni Ft. The Cyclist — Hapsi (DDR2) Last month, in a not-so-enlightened Irish Times article, an Irish music industry figure deduced from her experience that the advent of a new radio station dedicated entirely to playing Irish music is necessitated (in part) by the “fragmented and disjointed” state of independent music in Ireland. At best, this assertion is dumb…

  • Watch: Just Mustard – Frank

    With their singular brand of miasmic, trip-hop-inspired sorcery, the rise of Dundalk’s Just Mustard over the last few months has been a real pleasure to see. The latest milestone in their ascent is the release of ‘Frank’, a track that has emerged as something of a peak from the band’s scintillating live sets as of late. Accompanying the single release is Tim Shearwood’s video. Frontwoman Katie Ball said, “We thought it would be interesting to use stop motion animation to emphasise the broken rhythms of the song. Every character and prop in the video and their interactions represents a different musical or thematic…

  • Video Premiere: DJ Nervou$ x Post Punk Podge – Never Coming Home

    Note: content contains themes of domestic violence. Two of Ireland’s most exciting independent prospects have teamed up for new single ‘Never Coming Home’ to raise funds for Limerick’s ADAPT House, which helps families suffering domestic abuse. Following on from homelessness charity single ‘Home Is Where The Heart Bleeds’, Post Punk Podge is posited once more as the conscience of modern Ireland, backed by claustrophobic beats from Just Mustard guitarist/vocalist David Noonan, aka DJ Nervou$. Factoring toxic masculinity, substance abuse and mental health into its weighty fable, the vitriol of its final refrain will leave you like you’ve just blitzed through The Butcher Boy, staring into nothingness, as Podge manages to decry perpetrators of domestic…

  • Just Mustard – Wednesday

    Dundalk Co. Louth is becoming more and more of a creative hub, breeding a new wave of young acts paving their way through Ireland’s current music scene. From artists like Elephant and the now UK-based natives Video Blue and Trick Mist to staple venue The Spirit Store and local record shop Classified Records, the town is gradually becoming one of the country’s most vital hotbeds of talent. Testament to that, is the newly label Pizza Pizza Records, and with it – it’s first release, Just Mustard’s debut album Wednesday. Previous to this release, Just Mustard could have been considered a…

  • Track Record: Just Mustard

    In this special installment of Track Record all five members of  Just Mustard select two records each to discuss, from Sufjan Stevens to Aphex Twin. Mags Godflesh – Post Self Inspired by the dreary urban landscapes of Birmingham, Godflesh are the band who pioneered the fusion of industrial and heavy metal together into a dsytopian whole. It was upon hearing their 1989 seminal classic masterpiece ‘Streetcleaner’ that enamoured me with their music and though I do not yet own it on record, their 2017 album ‘Post Self’ is arguably just as powerful. Post Self is an outstanding achievement in that…

  • Just Mustard – Wednesday

    We’ve already said it, but it bears repeating – Dundalk’s Just Mustard are becoming one of our favourite bands in Ireland, and on May 2, they release their debut LP, Wednesday. Moulding swooning, soaring psych-gaze from elements of post-punk, lo-fi electronic & trip-hop, their space-conscious guitar abrasions and delicately haunting aquatic vocals, as we’ve described, “taps right into that exact feeling that creeps in at great small Irish festivals around the early evening. You know the one we’re talking about.” The band have “made a conscious effort to provide the listener with the experience of hearing the band in a room, in their natural state, with little to…