We’ve said it before, and we’ll say it again: Dublin quartet Autre Monde are one of the very best indie bands in the country at the moment – the proof being scattered all over their eponymous debut physical release, out now on borderline-iconic Dublin indie label Popical Island. Barely allowing us to sit upon their opening (acclaimed, by our reckoning) batch of singles – available on Bandcamp – the act are undeniably referential to contemporary pop & art-rock from the mid-sixties through today. Indeed, they make an art out of mining genuine originality from a breadth of genre touchstones like Talking Heads, Can or Pavement, simultaneously giving a nod to underground movements like CBGBs new wave…
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One of the country’s finest songwriting voices, Rory Nellis, releases his second album, There Are Enough Songs In The World on November 11. The frontman of deeply-respected Belfast power-pop outfit Seven Summits, his 2015 debut LP Ready For You Now was followed by a string of numbered singles, drip-fed to us over the space of 18 months in a typically curated fashion, to make up There Are Enough Songs In The World. It’s an approach, as we’ve already said, has served to isolate each song in its own right, building up and developing a narrative that is clearly threaded throughout the release. A collection of parables, ruminations, and the many suspects of the…
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The vaudevillian, murder balladeering musical theatre of The Tragedy of Dr Hannigan sees the release of its inaugural LP, Fawkes Ache on November 24. Having first reared its curious little head back in July via the swaggering ‘Hey Little Worried One’, the collaboration is the self-proclaimed bastard child project of North Coast chameleonic rock troubadour par excellence Tony Wright and producer & multi-instrumentalist Dead Stevens AKA Deany Darko. The sonic warmth of rock’n’roll fused with the cold, hard truths of the blues, it would, in the hands of anyone else, be just about any grizzled blues-rock album. But, in the same way the genius of Nick Cave’s Grinderman lies in its total & utter…
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Arguably the northern province’s foremost purveyors of hepped-up-on-goofballs psychedelia, the bilingual Tuath, have a new single, ‘Cuz Why?!’ and we’re delighted to premiere it here. As opposed to the usual shoegaze & trip-hop-laced excursions the band are used to – watch the video for their last single, ‘Youth‘ – filtered through frontman Robert Mulhern’s psychedelic lens, this song adds post-punk to their considerable palette. Mulhern has drawn a consistent thematic throughline through Tuath, of the questioning of accepted ideals & organised ideology. They continue to effuse their worldview with a half-maniacal cackle, half-nihilistic-shrug, helped along by its kitchen sink absurdist imagery. He says of the…
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Featuring members of Wolfbait, Woven Skull, Wild Rocket and other local noiseniks, Worst have just released their debut EP, MMXVII. The five piece are a cauldron into which pours the intuitive esoterica of krautrock, psychedelia, noise and punk. The EP was recorded in the North Strand Centre in late 2016 and mixed by Scan. Limited numbers of cassettes are available from English DIY indie label Riot Season and Swap Meat Records. MMXVII by Worst
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On April 8 we will co-host a special, two-part event The MAC as part of Belfast Film Festival celebrating the life and music of the sadly-missed Mark Linkous, aka Sparklehorse. Following a screening of Alex Crowton and Bobby Dass’ new documentary ‘The Sad & Beautiful World of Sparklehorse’, the evening will also feature a Q+A with the filmmakers, as well as a live, one-hour performance, ‘A Night of Sparklehorse’ with Belfast-based singer-songwriters Tom McShane, The Mad Dalton, Heliopause, Pixie Saytar and more. Tickets are available from The MAC, priced at £10.50 & £12.50. Things kick off at 8pm.
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To say Ireland has an unusually rich track record in the realms of math-rock, post-rock and instrumental music would be something of an understatement. This is something Melbourne music website Fecking Bahamas (assumingly named after the latter-day Don Caballero song ‘Palms Trees In the Fecking Bahamas’) have copped onto, manifesting in V. Ireland, a new, 21 track compilation featuring tracks from the likes of And So I Watch You From Afar, The Redneck Manifesto and Abebisi Shank to lesser-known but no less sorcerous sonic conquistadors in We Are Knives, Val Normal and Psychojet. Their fifth-region specific compilation and their first release…
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Master craftsman Mark McCambridge finally releases his debut album, Home Burial, under the guise of indie-Americana outfit Arborist, on November 11. Drawing influence from the wise, heartfelt likes of Bill Callahan & Jason Molina in terms of eclectic-yet-familiar instrumentation paired with thoughtfully-penned personal songs, it also features an indie rock pairing with Kim Deal on last year’s single, ‘Twisted Arrow‘. Recorded at Start Together Studios with Arborist drummer Ben McCauley, the album is launched in Belfast at Mr Tom’s Lounge in Lavery’s on October 28, with support from Dublin indie outfit Tandem Felix. Stream ‘I Heard Him Leaving’, Arborist’s interesting gender-subverting play on traditional Americana:
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Johnny Muir AKA Belfast’s Survival Bag, has self-released several tracks recently, most recently the evocative ‘The Vivid Past’, an sonic experience akin to the feeling of emerging from Madchester’s ecstatic haze into the grim reality of Cool Britannia. Like much of Survival Bag’s music, each instrument was played and recorded by Muir, with his own spoken and sung vocals, programmed sounds and discovered samples. Conceptually, the song is about memory loss and confusion, as Muir explains: “When I was growing up, my grandma suffered from severe dementia – always described as ‘hardening of the arteries’ whatever that is – and she came to live with us. But sometimes she…
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R51 are amongst the hardest working bands on the island right now; they’re taking this seriously. Falling broadly into a nu-gaze sound without ever losing sight of their carefully crafted & thoughtful pop sensibility, they’re a five piece with all the right components. In the studio, they’re all about pop perfection and live, it’s a padded mallet of sound. They’re led by the power coupling of frontwoman Mel Shannon’s soaring vocals – also band photographer & craftsperson – and lyricist & guitar wizard Jonny Woods – who records & produces everything in their studio – with the punk edge coming from…