Last year was momentous for Dublin urban-electronic singer Samantha Kay AKA Soulé. She released her debut single ‘Love No More’ which featured regularly on national airwaves, played her first headline show in Dublin’s Workman’s Club, all this while concurrently working on her debut album under the guidance of Diffusion Lab. She ignites an innovation within the Irish music R’n’B scene, one that is becoming as prominent amongst a dominance of guitar lead indie and rock bands. Ahead of performing alongside Booka Brass and BARQ at Jameson’s Bow St. Session at Dublin’s The Sugar Club tonight, Zara Hedderman talks to Kay about…
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If laughter is indeed the best medicine, then Scottish comedian, actress and writer Susan Calman should be designated GP. Having imbued her diverse and far-reaching career with promoting mental health awareness via her own personal experience, Calman talks to Brian Coney about process, profile and positivity ahead of appearing at Belfast’s the MAC on February 5 (tickets and full info here). Hi, Susan. You’re setting off on a string of tour dates in February. How are you feeling about the shows? And tell us more about this particular show, The Calman Before The Storm. I’m really looking forward to getting out on…
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A conversation The Thin Air’s Stevie Lennox had with Chris Ryan that delves further into Robocobra Quartet’s process, including authorship, membership of the band, the philosophy of creativity or ‘good art’, punk rock, some stories regarding how the lyrical content of the album came about, as well as a little ‘Phil Collins in-the-studio’ self-indulgence. Photos by Ruth Kelly Art is defined by those who have achieved autarky in their process, and if drummer, vocalist, composer and producer Chris Ryan is the brain and beating heart of the idiosyncratic avant-punk collective Robocobra Quartet, he’s fully aware the remaining organs and limbs…
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Undeniably one of the finest Irish releases of the year, Salt has been widely eulogised for its intense depth of focus, as well as its distinctive compositional lure. Marking something of a promising reinvigoration for Katie Kim (AKA Katie Sullivan) in terms of direction, we caught up with the Waterford native to talk about the writing and recording of the album, getting back up on the stage, and more. Words by Aaron Drain. Photos by Brian Mulligan. While Cover & Flood dealt with similar themes, there has been a monumental shift in terms of mood and atmosphere with Salt – was…
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Wicklow four-piece Enemies hit the ground running with their full-length debut We’ve Been Talking back in 2010, eschewing the hyperactivity or aggression of many of their Richter Collective labelmates to focus primarily on melody. After a follow up – 2013’s Embark, Embrace – and a change of drummer, they return with long awaited, but sadly final, third album Valuables in December. Ahead of its release and a final show in Dublin’s Vicar Street on Sunday (December 18), Cathal McBride speaks to guitarist Lewis Jackson. Photos by Niall O’Kelly Hi lewis. How difficult was the decision to end the band? Before…
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Ahead of a string of December dates kicking off at Belfast’s The MAC on Thursday, Brian Coney chats to Dublin’s Little Green Cars about communication, mortality and their craft. Go here for the band’s full tour schedule. Hi guys. 2016 has of course been a great band for you as a band. What have you found to be the most rewarding part of your rise over the last while? We went through a lot together during the writing of Ephemera. It was truly a labour of love, but an emotional labour nonetheless. Touring the album has been very cathartic. It has given…
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As their average fan will happily tell you, Brian Jonestown Massacre’s Anton Newcombe isn’t as much outspoken as he is nail-on-head, uncannily on-the-money about pretty much everything he cares to discuss or pass comment on. To say, then, that he “gives a good interview” – no matter how brief – would be a fairly towering understatement. With two eyes on the horizon, Newcombe talks to Robert Higgins ahead of the release of BJM’s fifteenth album, Third World Pyramid, touching on creativity, sobriety and imminent war. You’ve always been a prolific songwriter, but the past year has been busy even by your standards. What do…
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Having released Southlands last year to critical acclaim, Malojian’s subsequent announcement that they’d be jetting off to Chicago to record the follow-up, This Is Nowhere, with the illustrious Steve Albini was just cause for much excitement within the NI music community. Now, on the cusp of its release, we pinned down Stevie Scullion – Malojian’s driving force – to get the scoop on recording with Albini, the writing of the new album, and more. Words by Aaron Drain. Photos by Colm Laverty Catch Malojian at the following Irish shows over the next three months. October 7: The Fat Gherkin (Solo…
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Having spent the last few years steadily carving out his standing as one of the country’s most-loved and increasingly established solo artists, Aghagallon singer-songwriter Ciaran Lavery commands sensitivity and candour like very few songsmiths, Irish or otherwise. Despite confirming his arrival with his sublime debut album Not Nearly Dark and Kosher EP in 2013 and 2014 respectively, it was Sea Legs, his collaborative mini-album with Derry producer Ryan Vail, that positively underscored Lavery’s knack and versatility as artist that has often said he has zero desire to be solely filed under “acoustic guitar-wielding singer-songwriter”. But it’s Lavery’s second full-length album…
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Not merely one of the country’s most singular, genre-warping acts, Waterford six-piece King Kong Company are right up there with the very best live propositions around. Having just released their emphatic self-titled debut album, Brian Coney talks to the band about working with The Prodigy producer Neil McLellan on the release, capturing their live energy in the studio, their diverse range of influences and what the future holds in store. Hi guys. You’ve been getting some great reviews for your new, self-titled album. It was originally set to be released last year. Was perfectionism (or at least only wanting to release something you were…