• Putting Their Back Into It: We Meet Small Northern Irish Festival Our Back Yard

    If there’s one thing the island of Ireland isn’t lacking it’s a well-attended and well put-together summer musical festival. But in the North – beyond the sway of Stendhal and Sunflowerfest – there’s still some scope for expansion; a little leeway and growth for annual showcases that put affordability and community at the heart of their manifesto. One such festival currently spearing their own thing is Our Back Yard, a festival that embody the “small but massive” mindset spearheaded by legendary NI DIY festival Glasgowbury. Ahead of its return to Gilford – just outside Portadown – on July 1, we talk to…

  • Whose Subconscious Is This Anyway? – An Interview with Bob Gallagher

    As you may well be aware from his directorial work on some of the best music videos to come out of Ireland in the past couple of years, Bob Gallagher is not a man to shy away from the unusual or unexpected. Perhaps best known for his Radar award winning video from 2016 for Girl Band’s ‘Paul’ (as well as ‘Pears For Lunch’, ‘Why They Hide Their Bodies Under My Garage’ and ‘In Plastic’), Gallagher has also worked with artists such as SPIES, Floor Staff, James Vincent McMorrow, Naoise Roo, Participant, Saint Sister and Myles Manley, creating visual accompaniments that veer from the…

  • Two’s Company: Meet Cork’s Alliance Promotions

    A pair doing stellar work on the live gig front Leeside, Gordon O’Keeffe and Arlene Murray of Cork based Alliance Promotions sit down with Eimear Hurley to talk about their work in the Cork music scene First off: how did you guys get into music promotion? Gordon: I’ve been doing this for nine or ten years altogether. I started off in the punk scene. More and more people started coming until there wasn’t enough room in Fred Zeppelin’s anymore.  So we looked for bigger venues and it progressed from there. Alliance as it is now started about five years ago,…

  • Up and At Them: An Interview With Thor Harris

    Thor Harris is a percussionist extraordinaire best known for being the pulsing, rhythmic heart of avant rock legends Swans. Yet he is also a carpenter who crafts his own instruments, an artist and a staunch opponent of the political right. The latter of which got him in a bit of trouble when his tongue-in-cheek video dubbed ‘How to Punch a Nazi’ saw him suspended from Twitter. Though the incident may have been a shock to the Austin based musician it highlighted his particular brand of philosophical, social commentary and political outrage. On April 28 he’s bringing his group Thor &…

  • Preview: An Act of War – TANK at the MAC

    In 1965, an American scientist lived with a dolphin for ten weeks to try and teach him to speak English as part of a NASA-funded research project into human-animal communication. Condemned as an elaborate circus trick, these lessons remain a controversial episode in the space race between the two Cold War superpowers. The critically-acclaimed, Fringe First award-winning TANK rips this history apart to explore the difficulties of bridging cultural divides, the politics behind the stories we tell and what happens when you inject a dolphin with LSD. Ahead of its two-night residency at Belfast’s the MAC across April 20-21, Brian Coney talks…

  • Keeping a Certain Distance: An Interview With Neil Hannon

    With the release of their eleventh record Foreverland last year, Neil Hannon’s The Divine Comedy continue to deliver witty, literate pop that still dents the album charts twenty years after their commercial peak. Jonny Currie catches up with Neil Hannon ahead of his show at Belfast’s Cathedral Quarter next month to discuss touring routines, growing old with your audience, and the importance of pop stars keeping their distance from fans. The Divine Comedy play Cathedral Quarter Arts Festival on May 3. Go here to buy tickets. You’re playing at the Cathedral Quarter Arts Festival next month. When was the last…

  • Q+A: Dublin’s White Collar Boy on SPECTRUM & Debut LP Permanent Haze

    Set to play their first live show of 2017 at new-fangled Dublin festival SPECTRUM on Saturday, “post-nothing” duo White Collar Boy talk to Brian Coney about progression, their forthcoming new album and the importance of festivals like SPECTRUM. Go here to buy Full Weekend Tickets to SPECTRUM or here to buy Tickets to the White Collar Boy gig. Your debut album, Permanent Haze, is set for release later this year. How was the writing process for the release? Most of the tracks on the record have been kicking around for the past few years and slowly developed into more finished cuts at our space…

  • Home Suite Home: An Interview with Peter Wilson AKA Duke Special

    Having recently successfully completed a Crowdfunder campaign to ensure its release, Peter Wilson AKA Duke Special and Ulaid recorded their collaborative show The Belfast Suite across two nights at Analogue Catalogue Recording Studio in Rathfriland, Co. Down. Eimear Hurley catches up with Wilson to delve deeper into the project, as well as his own speckled, genre-spanning career to date. Over the course of your career to date you’ve been part of many diverse and fruitful collaborations. What is it that sparks your interest in collaborating with a particular artist? And what do you think makes a successful artistic partnership? I guess…

  • What’s Happenin’ wi’ TOUTS? An Interview With Derry’s Young Punks

    Derry three-piece TOUTS have wasted little time transitioning from a cover band to an uncompromising punk rock band in the past year.  Having just wrapped up in the studio, they have two E.P.’s tucked in their back pocket, with the first set for release in April*. After meeting at the Brandywell, home of Derry City F.C., the line-up has changed over time, with the current trio consisting of Matthew (singer/guitarist), Luke (bassist), and Jason (drummer).  As a band, their taste has evolved, from mod and pub rock beginnings, to punk rock usurping all other influences. They appear to have the…

  • A Labour of Love: An Interview With New Pope

    You mightn’t immediately peg David Boland AKA New Pope, as a “degenerate romantic”, but when delving into his expanding back catalogue, there’s enough substance of the sort to confirm that the Galway-based musician has had dealings with nostalgia far more cogent than his youth might suggest. His is a craft indebted to memory; the bittersweet, the humorous, and the kind that inherently shapes one’s outlook – for better and, at times, for worse. To hear it on record is to acknowledge the confessional nature of Boland’s songwriting; we become willingly and unapologetically complicit in his experiences – an increasingly rewarding transaction…