• Death From Above 1979 @ Limelight 1, Belfast

    When Toronto dance punks par excellence Death From Above 1979 announced they were calling it a day back in the good old days of yore (2006), every second twenty-something rued through tear-soaked eyes somehow managing to miss arguably one of the finest duos of a generation live. And so, as has happened innumerable times before, in precisely the same fashion, the seeds of legacy were well and truly sown, reaped, a whole decade on, by an expectedly agog congregation of newcomers and “I was there, man” thirty-somethings at Belfast’s Limelight 1. Will the well-documented tension between Sebastien Grainger (drums/vocals) and Jesse Keeler (bass) – apparently resigned…

  • Echo & The Bunnymen w/ Arborist @ Mandela Hall, Belfast

    Thirty-seven years in, Echo & The Bunnymen’s repute as one of the most vital and influential British rock bands ever is long beyond contention.  Notwithstanding a couple of reunions and several line-up changes, Ian McCullough and co – founding guitar/songwriter Will Sergeant and a considerably more callow touring band – have battened down the hatches for the long run, summoning their pioneering post-punk “glory days” on stage where recent recorded material has just fallen short of that early vitality. Tonight they offer up the timeless magic once more, an undeniably legendary proposition. With a steady stream of expectant heads herding into the Mandela Hall, singer-songwriter Mark…

  • Decemberists @ Vicar Street, Dublin

    …in which the good ship Infanta sails into Dublin on a sea of whimsy and English tea, bearing forth a band of bohemian minstrels, sweating absinthe, smoking shisha pipes, brandishing muskets, sextants and satchels overflowing with sonnets scrawled on rolls of teletype paper. Right from the outset, it is clear that the audience, squeezed into a venue fittingly bedecked in wooden friezes, will be treated to something truly rare in modern music: originality. Firstly, there’s frontman and songwriter in chief Colin Meloy’s lyrics, which are uniquely literate, ribald and at times just a tad sinister in the best possible way.…

  • Quarter Block Party 2015

    FRIDAY The excitement is palpable throughout the city’s creative communities in the run-up to the Block Party, and even before your writer gets to his relatively late start on proceedings, word filters through that the Structures and Strategies meeting will lead to more events in its vein, a forum for local creatives to air ideas and exchange thoughts. People’s gears are grinding already, it seems. We’re waiting outside the Gate Cinema for a few minutes and the small group outside is already conjecturing about what they’ll see out of charismatic American performer Kate McGrew (below), as well as plotting and…

  • The Afghan Whigs @ The Academy, Dublin

    Ohio’s Afghan Whigs descend upon The Academy for their first show since November 2014. “Shaking the dust off,” frontman Greg Dulli facetiously states, with a self-confidence that seems his very essence. Aside from a few vocal pitching issues – admittedly rather befitting of the music’s obstreperous character – the set is masterfully delivered by the imposing sextet. From the first, the mix is impeccable. The soul-tinged alt-rock Americans have arrived with full sensory assault in mind. Whigs’ original John Curley leads an unrelenting rhythm section over which the guitar, keys and string parts compose ardently the musical parchment for Dulli’s…

  • Young Fathers @ Black Box, Belfast

    Edinburgh trio Young Fathers play to a sold out Black Box as part of the tenth annual Out To Lunch Festival, and as one of the more highly anticipated acts in the programme, we can assure you that they do not disappoint. They open nearly in darkness with a single drum beat which slowly builds into a battle march and bleeds into the electrifying ‘No Way’. It’s menacing and theatrical and immediately sets up the extraordinary atmosphere spectacularly. Young Fathers have clearly approached their Belfast show with an attack mentality which by the end of their first track leaves many…

  • Stars @ Limelight 2, Belfast

    The experience of going to see a band live usually depends upon two elements – the strength of the artists and the audience. As Stars clamber on to the Limelight stage, bursting enthusiastically into ‘From The Night’, it soon becomes clear that it’s not the standard of performance that leaves the whole evening feeling a little… well…off. Stars are in Belfast to tour their seventh album, No One Is Lost. They make likeable records which translate live with ease. Belfast receives a sharply executed set-list of classics mined from their extensive back catalogue offering a satisfying mix of haunting, eloquent…

  • Pigeon & Plum @ Black Box, Belfast

    It’s Christmas time! That can mean only one thing: PIGEO… Wait, no: family, the birth of baby Jesus and Santa. Okay, the festive season means many, many things but for those of us in the know – namely those of us based in Belfast – it’s time for our favourite vaudeville show, Pigeon & Plum. As I walk into the Black Box I’m instantly taken aback by the astounding transformation it has undergone. It looks like a completely different venue. Drenched in decadence with red velvet and gold fringing, from big details like the antique frame that towers over the…

  • Marillion @ The Forum, London

    A lot can happen in a quarter of a century. 1989 saw the release of the debut releases of The Stone Roses, Nirvana amongst others. That same year also saw the debut release of Marillion with Steve Hogarth fronting them after the band had taken off to Mushroom Farm Studio near Brighton with a selection of music previously recorded in demo form with Fish. However, when Fish left the band in 1988, he took his lyrics with him, a lot of which ended up on his solo debut, Vigil in a Wilderness of Mirrors, while Steve Hogarth and John Helmer…

  • Manic Street Preachers @ Olympia Theatre, Dublin

    You sometimes have to wonder if people do these “Let’s play the album everyone likes” shows in order to destroy the album. If you’ve made one truly significant album in your lifetime, fair deuce to you, but after a while it must feel like a noose. If you were to do such a show, how would you do it? Could you do it in such a way that puts this awful beauty that hangs over you to rest, while not screwing over the people who’ve connected themselves to the record and provided the opportunity for you to perform this show?…