Monos
November 14th, 2019 | by Kev Lovski
Every so often, a movie comes along that completely rips up the rule book of filmmaking. Alejandro Landes’ (2011’s Porfirio) does so right …
November 14th, 2019 | by Kev Lovski
Every so often, a movie comes along that completely rips up the rule book of filmmaking. Alejandro Landes’ (2011’s Porfirio) does so right …
May 3rd, 2019 | by Kev Lovski
I don’t know if it’s the diet or something in their water supply, but Iceland seems incapable of creating bad …
March 11th, 2019 | by Conor Smyth
Like Sebastián Silva’s previous films, Tyrel walks the tightrope between psychological drama and out-and-out horror. Interpersonal conflicts come to the …
February 11th, 2019 | by Conor Smyth
Sometimes crappy films are interesting. Their failures flag up ludicrous studio decision-making, or a creative ego gone unchecked, or just …
January 22nd, 2019 | by Conor Smyth
“What, uh, do we believe, sir?” a young Richard Cheney, Donald Rumsfeld’s aide during the Nixon years, asks his boss. …
December 21st, 2018 | by Conor Smyth
Spider-Man: Into The Spider-Verse is the best super-hero film in at least ten years because it understands what drew our …
February 27th, 2018 | by Eimear Dodd
Questions of faith are easy to ask yet hard to answer. In the modern parable First Reformed, Reverend Toller (Ethan …
January 10th, 2018 | by Conor Smyth
Even while he’s having a cinematic moment, Churchill keeps his distance. Christopher Nolan weaponized celluloid machinery for the hyper-technical tension of …
December 13th, 2017 | by Conor Smyth
A non-traditional perspective on a traditional Irish sean-nós signer, Song of Granite tells the story of Galway-born Joe Heaney through …
October 20th, 2017 | by Conor Smyth
Happy Death Day is a minor slasher remix built around repetition, in a genre already prone to it. Theresa, or …