• Fuck Buttons – Slow Focus

    With a name like Fuck Buttons you’re entering into some dodgy territory. At face value, a name like that seems deliberately and obnoxiously attention seeking. To pull off something like this you need to either go to the extreme (Anal Cunt‘s discography being a prime example) or you have to be good enough to justify such a name (Fucked Up‘s David Comes To Life). In the case of Fuck Buttons, they end up firmly on the side of Fucked Up, releasing what is sure to be one of the most exciting electronic albums of the year. Slow Focus is the…

  • The First Time: Rachel Austin

    In the third installment of The First Time, we catch up with Belfast-based experimental folk singer-songwriter Rachel Austin, delving into a whole range of musical “firsts” in her life both as a performer and lover of music. Traversing her experiences with everyone from the Appleseed Cast and the Smashing Pumpkins to UB40 and Django Reinhardt, the Virginia-born artist has come quite the way… Portrait photo by the ever-excellent Joe Laverty. ___ First album you bought? I begged my parents to take me to the music shop to buy Louis Armstrong’s What A Wonderful World when I was 8 or 9.…

  • Watch: Sebadoh – All Kinds

    U.S. indie rock band Sebadoh have unveiled the video to their new single, ‘All Kinds’ Taken from the Lou Barlow-fronted three-piece’s forthcoming eighth album Defend Yourself – the band’s first full-length studio release in fourteen years – the track (and album) “marks a return to the self-recorded DIY ethos of early Sebadoh albums (Bakesale, Sebadoh III),” according to the band’s new label, Joyful Noise Recordings. Last year the recently reunited band released a comeback EP, Secret. You can stream it here. You can also watch the official album trailer for Defend Yourself here. Defend Yourself will be released in the UK…

  • Way Out West Festival

    Head in the heart of Gothenburg, Sweden, Way Out West Festival is easily the best go-to festival in the country for music-loving, culturally orientated young minds. From a more general perspective, though, it boasts one of the most downright incredible line-ups in a summer festival anywhere in the world this year. Set to take place from 8-10 August, the festival – now in its seventh years – will be headlined by Neil Young and Crazy Horse and will feature a whole host of some of the best artists out there, everyone from Grimes, Kendrick Lamar and Azealia Banks to Godspeed You!…

  • Tanglewood Music and Arts Festival

    Taking place at the incomparably scenic surroundings of Narrow Water Castle in Warrenpoint, Tanglewood Music and Arts festival returns for its third outing on the weekend of August 3 and 4. Headlined by globetrotting North Coast post-rock quartet And So I Watch You From Afar, the showcase also boasts a line-up including the likes of Thin Lizzy guitarist/singer-songwriter Eric Bell, electronic duo The Japanese Popstars and Belfast singer-songwriter Peter Wilson AKA Duke Special. Several up-and-coming and increasingly established homegrown acts included More Than Conquerors,Pocket Billiards and Hurdles also feature in the line-up, set to take place across four stages. Tickets – available for £35.00 for the weekend – are available to buy here.

  • Festival Mixtape: Tanglewood Music and Arts Festival 2013

    Taking place at the incomparably scenic surroundings of Narrow Water Castle in Warrenpoint, Tanglewood Music and Arts festival returns for its third outing on the weekend of August 3 and 4. Headlined by globetrotting North Coast post-rock quartet And So I Watch You From Afar, the showcase also boasts a line-up including the likes of Thin Lizzy guitarist/singer-songwriter Eric Bell, electronic duo The Japanese Popstars and Belfast singer-songwriter Peter Wilson AKA Duke Special. Several up-and-coming and increasingly established homegrown acts included More Than Conquerors, Pocket Billiards and Hurdles also feature in the line-up, set to take place across four stages. With…

  • The Wood Burning Savages – Long Good Friday

    Derry alt-rock quartet The Wood Burning Savages have unveiled their new single, the excellent ‘Long Good Friday’. Recorded and mixed by the band’s bassist Dan Acheson, the five-minute track follows on from the band’s previous single, ‘All I Want To Know’. The Wood Burning Savages – fronted by Paul Connolly – recently performed at the last ever Glasgowbury festival at Eagle’s Rock, Draperstown. Stream the track or buy (name your price) via Bandcamp below. Anyone else hearing Patti Smith?

  • Turn It Up: An alternative Blur playlist

    ‘Girls and Boys’, ‘Parklife’, ‘Songs 2’ – the vast majority of us could hum the choruses to each of these Blur singles in our sleep, night after night, until time itself consumes us and the final under-the-breath muttered “woohoo” for eternity. Which is not necessary a bad thing, of course. In their heyday, Alex James, Damon Albarn, Dave Rowntree and Graham Coxon were collectively responsible for concocting some of the most ridiculously infectious singles of a generation. Lingering beneath that exterior, however, was a considerably more experimental knack spearheaded by the wonderfully wayward playing of Coxon and Albarn’s own brand of…

  • Inbound: Affleck (Exclusive EP stream)

    Seventy-five percent of sadly-departed experimental pop foursome Eatenbybears, Affleck are a Belfast-based three-piece that have covered quite a bit of ground in the four months since the former outfit’s untimely dissolution back in March. Comprised of Aidan Kelly, Clark Phillips and James Pollock, the electronic pop outfit – dusting themselves down and arguably finding their sound – have been occupied writing and recording their all-too-brief self-titled debut EP, a sublime five-track slab of phantasmal harmonies, shuffling somnambulist rhythms and subtly cascading, wonderfully woven electronic noise. As it so happens, for this week’s special installment of Inbound, we have an exclusive stream…

  • Walton – Beyond

    On his debut LP young Hyperdub affiliate Walton has produced 13 disparate and genre-spanning tracks that comfortably sit seemingly incongruous sounds alongside one another while liberally peppering a range of R’n’B samples throughout. By adeptly ensuring that this blend never seems forced – and, crucially, always keeping the dancefloor in mind – Walton displays a maturity beyond his years; with Beyond never losing focus or meandering off on aimless tangents. The opening title track sets out the record’s modus operandi both literally and figuratively with the use of a sample from Mary J. Blige‘s ‘Forever No More’. The refrain which states “a…