• The Snowman

    The Snowman is one of those films that has surefire hit written all over it. Tomas Alfredson (Tinker Tailor Soldier Spy) in the director’s chair, screenwriters with some great films under their belts and a cast that includes the ultra-talented Michael Fassbender (Hunger), Charlotte Gainsborg (Nymphomaniac), J.K Simmons (Whiplash) and Val Kilmer (Heat). So how in Lord’s name this film turns out to be such an absurd, at times hilarious, howler is absolutely baffling. Based on the bestselling book by Jo Nesbo, The Snowman tells the story of a woman who mysteriously disappears on the first night snowfall. The case…

  • Album Premiere: Mark Loughrey – Treppenwitz

    Translated roughly as ‘staircase wit’, Treppenwitz is a loaded word; an evocation of regret, of longing and succumbing to overanalysis of what could have been said. Best left to the overthinkers among us, the phenomena is the source of much of our great art, writing & comedy, and it’s something Mark Loughrey has mined and left to rumination across a breadth of the characters and worlds explored on his debut album. Whilst rooted in the wistful yearning of Nick Drake or Jeff Buckley and the kind of indie-folk that regularly wins the NI Music Prize, it’s propelled by a fearlessness to follow the creative impulse –…

  • Uncharted: The Lost Legacy (Sony, PS4)

    Not many development houses can boast the same consistent track record as the one trail-blazed by Naughty Dog. The Santa Monica company may not have many intellectual properties to their name but when those franchises include Crash Bandicoot, Uncharted and The Last Of Us, they can afford to be choosy. Each of these releases is markedly a team production, the result of many hours of designers, writers, voice artists, illustrators and coders collaborating to make the best game that they could possibly make. Also, unlike so many rivals who exploit their respective fanbases through drip-feeding perfunctory add-ons or usurious micro-transactions, Naughty Dog expansions appear…

  • Wolf Parade – Cry Cry Cry

    There’s something so intrinsically pleasant about a group like Wolf Parade reforming despite the fact that the Montreal four-piece never really set the world ablaze with their brand of vibrant, multicoloured indie rock. After eight years they gave up the ghost and moved onto different things. Yet, seven years later here we are with same key players and a new album to boot. This kind of reunion doesn’t feel like some flagrant cash grab or attempt to milk nostalgia tendrils of listeners who are closer to forty than thirty. It feels like they came back together because they had more…

  • Stream: Marcus Woods – Frequency

    Clondalkin’s Marcus Woods – Ryan Cullen to his mates – is a 17 year old beatmaker who has coined his own genre: The charmingly self-deprecative “Chill Trash”. Modest, lo-fi hip hop beats combed with dusty melodies and plumes of mood make up the bulk of his limited output to date, with his dreamy for you mixtape having landed just six months ago. Cullen’s use of light sampling and a sincere sense of bedroom production value creates a sort of melancholy that is worth relishing in. He is set to release his next tape polychrome on November 24 via Wooden Spoons (the same bunch who put out one…

  • Cuphead (Microsoft, PC / XBO)

    To paraphrase Bill Murray’s character in Ghostbusters, here’s something you don’t see everyday: a side-scrolling shoot-‘em-up presented in the lovingly hand-drawn visual style of 1930s Max Fleischer cartoons. An unhinged fever dream in which Betty Boop is reimagined as a vindictive mermaid with an octopus sitting on top of her baby doll head, frogs in boxing gloves duke it out in a riverboat speakeasy to the manic strains of a hopped-up jazz soundtrack, and a sambaing screen-sized flower pelts its enemies with explosive carrots. This is just a taster – an amuse-bouche, if you will – of the consistently inventive and…

  • Flatliners

    Right from the get-go, as the opening title and credits roll and the messy CGI effects and warbling audio bites of people talking about near-death experiences nauseatingly assault your senses, you get a sinking feeling that director Niels Arden Oplev (The Girl With The Dragon Tattoo) and writer Ben Ripley (Source Code) have created something terrible. Lo and behold, this new take on the 90s non-classic Flatliners will most certainly join the ever-expanding ranks of atrocious remakes that the Hollywood conveyor belt has, in recent times, been churning out with merciless efficiency. Flatliners tells the story of a group of…

  • Autumns – Dyslexia Tracks

    Despite flecks of dust barely touching his debut album, Derry subgenre polymath Christian Donaghey, aka Autumns has announced yet another release on its way, in the form of his new Dyslexia Tracks EP, released on Belfast independent Touch Sensitive Records. Debut album Suffocating Brothers came out on Clan Destine Records at the end of September, with numerous remixes, cameos on specialist labels, and other releases bubbling to the top throughout this year. Autumns has never sounded as assured as he has recently, the creative trajectory approaching levels hinted at over the last few years. With his live show moving into a fully-fledged, techno-industrial piece of performance…