Though it’s not always easy to pinpoint why, some artists seem simply fated for big things. Of the myriad alt-pop acts that Ireland has produced over the last few years, the fast-moving upward trajectory of Belfast-based artist Rebekah Fitch is no such mystery. Drawing from influences spanning the likes of Björk and Portishead, to Sia and Stevie Nicks, Fitch has, over the last couple of years, emerged as something of a world-beating proposition. Having been nominated for the Contender Award at last year’s prestigious Northern Ireland Music Prize, her self-produced material to date – not least recent single, the emphatic ‘Need…
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Bouts with support from Any Joy, Laurie Shaw and Video Blue at The Roundy in Cork. Photos by Ciaran Foley.
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TAU is the collective project of Berlin-based Irishman Shaun Mulrooney, an artist who refers to his psych-soaked, genre-mangling experimentalism as “medicine music”. It’s a term that fits well: also member of Dead Skeletons and Berlin Kraut conjurers Camera, Mulrooney’s sorcerous craft as TAU – which is strongly influenced by his interest in what lies beyond both the eye and the veil – carries with it a strong and slow-burning anagogic air. New single ‘Craw’ is a potent case in point. Featuring a sublime video, co-directed with Kyle Ferguson (who also filmed and edited the accompaniment), it’s a song that traces the dense…
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Look at any street corner in Galway, Dublin, Cork, London or New York and chances are, you’ll be met with crooners, folksters, dancers, trad musicians and poets. Some of the world’s best loved performers came to fruition through busking. B.B King was a busking youth before starting a career in recording and performing on stages worldwide. So too were Tracy Chapman, Glen Hansard and Laraaji. On a quieter end of the spectrum falls Michael O’Shea, the compelling Irish busker who travelled Europe, Africa and Asia, crafted his own instrument and whose singular contribution to recorded music has just been re-released…
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The release last month of Mary Queen of Scots marked the twentieth on-screen role for Saoirse Ronan, who has, especially in the past few years, carved for herself a reputation as one of Ireland’s most talented and versatile actors. Press interviews with the 24 year-old, who first appeared as a 10 year-old on RTE’s The Clinic, often invoke her dual geographical upbringing—born in New York to Irish parents, later raised in Carlow and then Dublin—as a way to talk about the complexities of belonging, a theme which, it will be clear, runs through her work. Here is each of Ronan’s credited films, excluding voice…
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The island of Ireland has always batted out out of its league when it comes to riff-fuelled post-rock. Right up there with the acts flying the flag in the North right now is Belfast-based threesome Ferals. Listing Foals, Biffy Clyro, Deftones and North Coast instrumental machine And So I Watch You From Afar as their main influences, the Zool Records-affiliated band have re-emerged with their new single, ‘The Low’. Doubling up as the band’s strongest single effort to date – and accompanied with a suitably emphatic video – the song strikes a fist-clenched mid-point between low-end riff slinging, gang vocals…
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Making good on the promise of last year’s debut single ‘Sunday Morning With Nate‘ – which came in at number 28 on our 2018 Irish Tracks of the Year and featured on independent compilation A Litany of Failures Volume II – Postcard Versions‘ debut album is here. Comfortably resigned and pragmatic in its optimism, Postcard Versions looks at a hungover languor as a chance for reprieve. Its 10 tracks never outstay their welcome, clocking in at just short of half an hour, making this another essential breezy indie rock album to add to Dublin canon alongside Popical Island, Tandem Felix & company – and it’s arguably the finest ever not to include a cymbal. Clearly a…
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“Kid came back. A real turn around.” Remind Me Tomorrow’s extraordinary lead single ‘Comeback Kid’ was an electrifying jolt to the system. Ducking and weaving like a prizefighter over buzzing synths and a clatter of snare drums, it was a hair raising musical feat that instantly heralded a radical break from Sharon Van Etten’s established sound. It is a trend that runs to the core of an album, which eschews her typical palette of dark guitar textures and sombre piano in favour of a warmer, glossier soundscape that brims and burbles with vintage electronics and off kilter percussion. Each track…
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Public Service Broadcasting with support from Ryan Vail at Belfast’s Limelight 1. Photos by Colm Laverty.
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Legendary Seattle band Alice In Chains will play two Irish shows in the Spring. Taking place as part of a broader UK and Irish tour, the band will play Dublin’s Olympia Theatre on Monday, May 20 and Belfast’s Telegraph Building on Tuesday, May 21st. Tickets go on sale this Friday (February 8) at 9am.