• Folk Horror on Telly

    September 19, 2014 - By 

    Telly used to be odd. Often that oddness was on purpose. I’m not talking about the “Alan Partridge pitching on nothing” oddness of shows like Splash or Who’s Doing the Dishes? – Through the Keyhole meets Come Dine With Me presented by the fat one from Westlife. Those shows are obviously just a disgusting waste of time from the ground up. No, I’m talking about the flavoursome, nutritious, umami weirdness of older shows, made by hippies who were trying to communicate something and allowing all manner of folksy freakishness to seep in. Robin of Sherwood, Richard Carpenter’s hour long Silvikrin commercial was tea time television…

  • Stream: A Yes Playlist

    September 18, 2014 - By 

    Very obviously completely unrelated to anything that is happening, anywhere in the world, pertaining to politics, nationalism and all things in between, we’ve decided to compile a ten-track Yes playlist, featuring affirmatively-inclined tracks by the likes of Tune-Yards, Mogwai, Elliott Smith, Beck and Surfer Blood. Stream that below once you’ve finished admiring the strawberry above.

  • Video Premiere: Hands Up Who Wants To Die – Dreft

    September 10, 2014 - By 

    Dublin noise-rock overlords Hands Up Who Wants To Die don’t as much beat around the bush as they tear right through it, an implacable beast steadfast in wreaking furious revenge. Over two years on from the release of their pummeling debut album, the brilliantly-titled Buffalo buffalo buffalo Buffalo buffalo, the Barry Lennon-fronted quartet will resurface with its highly-anticipated follow-up, Vega In The Lyre, in just a couple of weeks. First up, though: the video for its merciless lead single, ‘Dreft’. Directed by Sean Zissou and featuring members of the band ensnared in a brilliantly absurd, ever-so-slightly NSFW confrontation with – wait for it – Kriss Akabusi MBE, it is, without…

  • The Curse of Success – Billy Squier

    September 7, 2014 - By 

    In certain respects, the career of pop rocker Billy Squier can only be viewed as a failure. He was on the rise, he hit a fairly major speed-bump, and the wheels came off in a spectacular way. But judged by today’s standards, Squier was a hugely successful musician, in both commercial and critical terms, and even when he ‘failed’, he was still more successful than many of the current hit parade. Looking back, Squier’s story could have only happened in the 80s, and out of all the strange tales in rock and roll history, his is one of the only…

  • Electric Picnic 2014: Seven Must-See Acts

    August 28, 2014 - By 

    Sold out for the second year in a row with good reason, there’s obviously a veritable plethora of talent at Electric Picnic. As a result, it’s never easy to sift through all the bands you may or may not want to catch, so here’s our two cents on some of the acts you should choose to give a few of your minutes to. Slowdive Having reunited in January to play Primavera earlier in the year, Slowdive’s Electric Picnic appearance marks one of a limited number of reunited dates on these isles from the shoegaze masters. They released three albums in their…

  • ‘Est-ce que c’est Chic?’ How NI’s love for Nile Rodgers squares with one Belfast disco oddball

    August 25, 2014 - By 

    I love disco music but I didn’t dance to Chic last Tuesday night. Instead, I watched a YouTube video of (early 80s Belgo-Portugese popstar) Lio’s ‘Sage Comme une Image’ on a disco loop. The music is exotic but fun: a tipsy groove Nile and Bernard would surely dig; Europe via downtown New York and all that. In the vid, Lio applies red lipstick, shimmies, then coyly boozes it up… as some weird dude just kind of hovers.   ‘J’adore cette chanson et le clip est genial.’ ‘Timeless musique!’ ‘Oh those French girls…’ offer some comments. ‘Nice titties’ suggests another, less…

  • 100 Years of Irish Women Artists 1870-1970

    August 21, 2014 - By 

    Irish Women Artists 1870–1970 at The Ava Gallery is one of the most significant exhibitions of its kind for many years. The seventy five paintings, drawings, engravings and sculptures represent some of the most important artists in the history of modern Irish art and have been gathered from privately owned collections  throughout Ireland. This doesn’t happen every day. In fact, the last time historical Irish women artists were accorded such an honor was back in the 1980s. “I do think it’s very significant,” says Claire Dalton, co-manager of the exhibition. “So much happened in that time period that still resonates…

  • 30 Years of Serious Mucking About – Gerry Anderson (1944-2014)

    August 21, 2014 - By 

    In Northern Ireland, we like to think of ourselves as an open, friendly, earthy people, bereft of the pretensions and airs that our ‘betters’ frequently display. Not for us the ‘hoity toity’ high life, instead preferring that natural warmth and good folk humour that touches the parts of the heart few other things can approach. Frankly, the truth is somewhat different (to put it mildly), but if one were able to hold up an avatar of what we consider to be the embodiment of that warmth and humour, you’d have been hard pressed to find anyone better than broadcaster and…

  • A Brief History of Post-Rock

    August 14, 2014 - By 

    Of the countless genre names that describe modern music, post-rock is probably the vaguest of those widely used. Open to generalisation, uncertainty and blind exaggeration, it has no commonly accepted definition and many acts including Tortoise and Mogwai have distanced themselves from the term. That said, much like postmodernism or the avant-garde, there remains a general consensus about the development and essential traits central to this most ambiguous of labels, currently used to describe the likes of This Will Destroy You, Mono and our very own Adebisi Shank, And So I Watch You From Afar, etc. Brian Coney attempts to trace…

  • Festival Mixtape: Hard Working Class Heroes 2014

    August 14, 2014 - By 

    Yesterday, 100+ acts were announced to playing Hard Working Class Heroes, hands down the country’s finest annual showcase of emerging, independent, homegrown talent. Spanning dozens of genres, the festival – taking place across Dublin from October 2-4 – is set to be a downright unmissable three-day event. Check out our twenty-track, decidedly eclectic Festival Mixtape for HWCH below via Spotify.