• Track Record: Keith Wallace (Rusted Rail Records)

    Keith Wallace operates his bespoke micro-independent label Rusted Rail from his base in Galway. Here, he discusses his favourite albums with us from the comfort of his own home including Vashti Bunyan, Planxty and Black Sabbath. Photos by Sean McCormack.   Tindersticks – Tindersticks  I’ve had this album since it came out in 1993, but I just recently got it on vinyl, an original pressing which has one more extra song that didn’t fit on the CD at the time. There’s an entire life on this album. It’s rain-drenched and wine stained, that’s how I always think about it. It seems to…

  • Track Record: Subplots

    In this installment of Track Record we chat to Phil and Daryl from Subplots about their most treasured records while they brew us some fresh coffee, proving they have both excellent taste in music and hot beverages!  Photos by Aidan Kelly-Murphy. Aphex Twin – Druqks Phil: We were 17 when Druqks came out and it sounded like music from another planet. I originally had the CD, and it was one of those albums that was in terrible condition as I used to lend it to anyone that expressed even a vague interest in Aphex Twin. There’s such a wealth of ideas on this…

  • Monday Mixtape: Bob Nastanovich (Pavement/Silver Jews)

    Ok, we admit it: our predisposition to mid-Nineties American indie rock is pretty marked. Now that we’ve combined forces and shoved the elephant out of the room, let’s get down to business. Following in the ridiculously tasteful footsteps of Quasi’s Sam Coomes, as well as our very own Ciaran Lavery, Niall Kennedy from And So I Watch You From Afar, Ciarán Smith from Crayonmith and Girls Names‘ Claire Miskimmin, U.S musician and all-round good guy Bob Nastanovich is next up for this week’s Monday Mixtape. A glaringly charimastic member of Pavement and Silver Jews, Nastanovich selects some of his all-time favourite songs from the…

  • Deep Down South: A Word on TTA Magazine

    Howdy.  Before we kick off, this week, Deep Down South will be delivered in two instalments. The usual news, views and general Cork nerdery will be along this Wednesday/Thursday, including overviews of everything coming up over the next few weeks as usual. But this, we’ve a column of two halves. If this half runs a bit short, it’s because your writer is a little tired from the last few weeks, but more so (and with apologies to the Print Shop lads for missing the fundraisers over the weekend), it’s because the finishing touches on the featured content of issue 5 of…

  • Rave New World (20/2)

    In the latest installment of Rave New World, the mind-expandingly tasteful Antoin Lindsay & Aidan Hanratty delve into best new electronic tracks and mixes of the week, as well as various unmissable upcoming nights and releases. GIGS Misfit present: KiNK at Thompsons, Belfast Friday, February 20 Is it worth braving Thompsons on a Friday night to see someone play I hear you ask? Yes, actually, when it’s KiNK playing. The Bulgarian producer has garnered a serious reputation for his live shows over the last few years. His sets are a lovely mix of raw and clean sounds which are seriously banging. Should sound…

  • The Hefty Fog: The Aussie Triumvirate

    The latter half of the 00’s were, as far as underground Metal music was concerned, focused almost entirely on the advent and subsequent decline of ‘Slamming Brutal Death Metal’, or however many variants on that title had been adopted during the time. The grooves of the early to mid 90’s had resurfaced on a Death Metal scene that desperately needed some kind of facelift, lest the hardcore fans be doomed to relive the 80’s over and over again like some kind of Scott Burns-produced Groundhog Day. What we got in the end was a newly popularized strain of Death Metal…

  • Track Record: The Dead Prezidents

    Reagan and Nixon from The Dead Prezidents select their favourite dance records from Nineties classics such as Wink and Da Hool to their love for Positiva Records. Photos by Tara Thomas. Positiva Records There’s no particular song in this case, but a record label. For anyone who is familiar with the dance music scene, Positiva back in the day would be equivalent to the likes of Spinnin records now (currently the biggest dance music label). All the biggest tracks came out on this label. So when we were less musically educated at the beginning of our DJ careers, we would have just…

  • Track Record: White Collar Boy

    In this installment of Track Record, we hang out with Gav White and Mark Cummins from Dublin based ‘Post-Nothing’ duo White Collar Boy. They select their five favourite records each from their respective collections featuring the likes of Fuck Buttons, The Beta Band and Scott Walker. Photos by Aidan Kelly-Murphy.   Gav White The Universal Togetherness Band – Self Titled This is the last record I got just last week. Recovered gem of an LP that I first heard on a Mister Saturday Night Podcast and then I couldn’t find it anywhere until the ever reliable Gilles Peterson played it on his show. It has…

  • Bookmark: Colm Kenny-Vaughan

    Bookmark is the first of a new series where we explore the collected books of those who entertain us in the world of arts and literature. We chat to Colm Kenny-Vaughan, a Dublin based theatre actor and choral singer about the books that have influenced and inspired him in his line of work. Photos by Abigail Denniston. George R.R Martin – A Dance With Dragons I know Game of Thrones is a very popular TV series at the moment, and it’s not hard to see why based on the books (collectively entitled A Song of Ice and Fire). This latest installment…

  • Interview: Sleater-Kinney

    Ahead of their Dublin show at Vicar Street on March 26, Brian Coney talks to Janet Weiss, drummer with the recently-reunited, impossibly influential Sleater-Kinney about getting back together, rediscovering the magic of writing and refusing to be ever consigned to the “girl band ghetto”. Hi Janet. Before touching on the reunion itself, in what ways do you think No Cities to Love – your first record in a decade – is a continuation, musically or thematically, from The Woods? I think that with so much time between The Woods and the new record, it’s not really a direct response to…