• Inbound: Silverbacks

    Having just released one of our favourite Irish EPs of the year so far, Sink The Fat Moon, Dublin indie rock five-piece Silverbacks chat to Will Murphy about lo-fi aesthetic, the imprint of the 90s on their sound and their plans for the rest of the year. Your sound picks up where the likes of Pavement, The Pixies and other fuzzier 90s groups left off. What about that era appeals to you so much? Everyone in the band is drawn to guitar bands and I quite like when that’s paired with lyrics of a humorous nature. You find bands like…

  • Preview: Stendhal Festival 2017

    Ahead of its return to Ballmully Cottage Farm in Limavady on August 11 and 12, Stendhal Festival organisers Ross Parkhill and John Cartwright talk to Caolan Coleman about this year’s outing, the festival’s expansion to date and the current health of Irish music. Go here to buy tickets to Stendhal Festival 2017 My friend came home from university the other week clutching a letter marked ‘Medical Emergency’ that turned out to be from you guys. How important is clever marketing to a smaller festival like yours? Ross: We are always up for trying new things, keeps things interesting. Nothing beats…

  • Is It Happening Again? David Turpin On The Uncertain Return of Twin Peaks

    It’s hard not to feel sympathy for anybody who ‘binge watched’ Twin Peaks in anticipation of the much-ballyhooed revival that began airing on Showtime / Sky Atlantic this May.  Seven episodes long and broadcast in the spring/summer of 1990, the first series is still the best serial drama ever made – an enchantment emerging from the attrition between soap opera surface and the febrile imagination of co-creator David Lynch.  It was humorous, slyly erotic, sometimes terrifying, and occasionally profoundly moving.  Following its progress into the gradually more dispiriting second series is an experience that can only be described as heart-breaking. …

  • Loah and Behold: Catching Up With Sallay Matu Garnett

    Sallay Matu Garnett has been steadily honing her musical style as Loah, over the last five years. During this time she has collaborated extensively with some of Ireland’s prominent musical figures such as Hozier, Glen Hansard and Bantum. Quickly, critics and audiences became increasingly interested in the music she was writing and releasing as a solo artist. Garnett’s music is informed and inspired an eclectic mix of genres that she was exposed to growing up in both Sierre Leone and Ireland. Where there are traces of traditional West African harmonies you can also hear Western influences throughout her repertoire. Such…

  • Preview: Women’s Work 2017 with Oh Yeah Music Centre’s Charlotte Dryden

    Ahead of its second annual return this weekend, Brian Coney chats to Charlotte Dryden, CEO of Belfast’s Oh Yeah Music Centre and founder of Women’s Work NI to discuss what’s in store for the latter this year. Go here for the programme for Women’s Work 2017. Hi, Charlotte. Last year’s inaugural Women’s Work seemed like huge success. How was it from a personal point of view? Oh I was immensely proud and very moved by the support. The line-up for both last year and this year’s forthcoming second outing have been first-rate. But how did the festival bloom from discussion into…

  • Looking at the Stars: Slum Cinema

    After several years of transience and venue shifting, Dublin B-movie night Slum Cinema has found a new home at MVP on Clanbrassil Street, and kick starts its residency at the start of next month with the greatest martial arts movie of them all, Bruce Lee’s final performance, 1973’s Enter The Dragon. Started in 2012, Slum Cinema is the passion project of Canadian Anna Davies, but it’s ripe to be elevated to cult classic status if its new stint at MVP goes as well as it deserves. As described by its founder, Slum Cinema is an exploitation/vintage/trash/cult cinema club. Its previous…

  • Stream a 50 Track Thin Air Tuesday Throwdown Sampler

    You know, we often get people asking us, “Hey, what kind of stuff do you play at your free, weekly Tuesday Throwdown in the Back Bar of Lavery’s in Belfast – a night that runs from 9.30pm until late and spans every conceivable genre under the sun, minus perhaps polka and classical music?” And to those people, we say: here’s a 50 track sampler – featuring everyone from Slint, Broadcast and Thundercat to Can, Julia Holter and Yo La Tengo – that you can expect to hear, week in, week out. We’re back there tonight, 9.30pm to late as usual.…

  • Preview: Metropolis Live @ The MAC

    Ahead of live-soundtracking Fritz Lang’s German expressionist masterpiece Metropolis at Belfast’s the MAC on Thursday, May 25, we talk to acclaimed composer and pianist Dmytro Morykit about the dramatic theatre of his score. Go here to buy tickets to the event. Hi Dmytro. Take us back: when did you first watched Metropolis and how did it affect you? I suppose the first time I saw it was 1983, around about the same time I saw Nosferatu. I had been reading about the Directors of the silent classics but F W Murnau made more of an impact, perhaps that was just…

  • Box Office Blues: When The Storm Comes, Take Shelter

    Take Shelter, from writer/director Jeff Nichols, is a movie that examines the difficult issue of mental health with tender hands and great care. Nichols is quickly becoming, if not already considered to be, one of the great American story tellers. His partnership with Michael Shannon has spanned over several films and has reaped great rewards. Take Shelter is for me his finest piece of his work to date. Shannon play Curtis who is, frankly, just a normal man, a blue collar worker with a young family and a dog in the back yard behind the white picket fence. There is…

  • Box Office Blues: Cinema as a Kind of Therapy

    When I got depressed I would go to the movies. No doubt for many people the idea of sitting in the dark, on their own, in the middle of day, is itself depressing. ‘All by himself — how sad’. I’m also sure, though, that fellow pilgrims can relate to its pleasures, a solitary indulgence that is utterly pleasant at the best of times, and potentially restorative at the worst. There are, first, a bunch of very basic, practical mental health benefits to going to the movies, not all of them replicable with a Netflix subscription. You have to put on jeans and…