To say Ireland has an unusually rich track record in the realms of math-rock, post-rock and instrumental music would be something of an understatement. This is something Melbourne music website Fecking Bahamas (assumingly named after the latter-day Don Caballero song ‘Palms Trees In the Fecking Bahamas’) have copped onto, manifesting in V. Ireland, a new, 21 track compilation featuring tracks from the likes of And So I Watch You From Afar, The Redneck Manifesto and Abebisi Shank to lesser-known but no less sorcerous sonic conquistadors in We Are Knives, Val Normal and Psychojet. Their fifth-region specific compilation and their first release…
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Tinfoil, the collaborative brainchild of Irish techno heavyweights DeFeKT (Matthew Flanagan) and Sunil Sharpe, have announced their fifth EP. The four track EP is available to stream in full now through the HATE YouTube channel and will be available on 12″ and digital download later this week. Both producers being behemoths of propulsive, hardware driven techno in their own right, the Tinfoil collaboration has seen the pair create some distinctly gnarled electro crossovers since their first release in 2014. The fifth addition to their catalogue is no different, with ‘Twerp’s drilling percussion and ‘Leave Your Body’s jagged bass stabs injecting an immediate surge of adrenaline…
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Navan trio Easy Tide have unveiled the video for their new single ‘Denim on Denim’. Formed in 2010, the band blend elements of garage rock, shoegaze and post-punk to create a sound that veers from the raw and energised to the altogether more fragile. ‘Denim on Denim’ sits modestly in the latter category. Their first release of 2017, the track follows from the release of their debut LP Ennui from February 2016 and singles ‘Tea Party’ and ‘Mind Your Head’. A hoarse serving of fuzzed up melodies and a honest lyricism, ‘Denim on Denim’ will satisfy fans of Yo La Tengo and Built To Spill. In…
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Cléa van der Grijn – Reconstructing Memory (Image Courtesy of Heike Thiele) What: Reconstructing Memory Where: The Model, Sligo When: 17th Decmber 2016 – 2nd April 2017 Words: Rebecca Kennedy Irish artist Cléa van der Grijn has spent nearly a decade meditating on our society’s response to death and loss. From 2008’s Momentos to her new show, Reconstructing Memory, in Sligo’s The Model, the artist has harbored a fixation with death and loss – a fixation that has nourished her creative process. Reconstructing Memory is an exhibition that examines the disparities between the cultural responses to death in both Ireland and Mexico. Irish culture has an…
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Long one of our favourite Irish singer-songwriters, Joshua Burnside has been experiencing a real lease of life over the last few months. Having recorded his long-awaited debut album, Ephrata, with the likes of Smalltown America in Derry, Lisburn’s Millbank Studios and producer Phil D’Alton last year, the Belfast-based musician will set it loose via Quiet Arch on May 5. The first single to be taken from the release, ‘Tunnels Pt. 2’ sees Burnside effortlessly adopt a slicker, more fleshed-out alternative folk aesthetic than material of yore, delivering a propulsive and impassioned ode that puts his tale-telling centre-stage once more. Make sure to…
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While it falls under the overarching “Alternative Rock” category on Soundcloud, Things I Don’t Know by Donegal’s Tuath is an EP that comes from a place far beyond your standard alt-rock fare. Marrying blissed-out ‘gazey textures with sax, verb-drenched vocals and a droning fog of psych fuzz over four tracks, the twenty-five minute release sees the Robert Mulhern-fronted outfit occupy a sonic plain that resists convention in favour of inspired overcast escapism. The following blurb accompanies the release: “A few songs about the boring numb reality we all live in and the effect it has on us when part of…
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Having recently announced that he’s finished recording This Old Dog, the forthcoming follow-up to 2015’s Another One, indie rock chill-out king Mac DeMarco will stop off at Dublin’s Vicar Street on November 22. With previous Irish dates at Electric Picnic 2015 and the Workman’s Club in Dublin back in 2013, tickets for the Vicar Street show – priced €25 including booking – go on sale this Friday at 9am. This Old Dog is out via Captured Tracks on May 5.
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We’ve said it before and we’ll say it again: you would be hard-pressed to find a more fiercely inimitable solo artist residing on this small island than English-born, Sligo-raised, Dublin-based Myles Manley. Set for a 250 copy limited 7″ release on midnight blue vinyl via Dublin indie imprint Little L Records on February 17, his new single, ‘Relax; Enjoy Your Night Upon The Town’ finds Manley in particularly joyous form, blending Tune-Yards-esque melodic sensibility with layered, deceptively intricate instrumental panache reminiscent of Dirty Projectors. Featuring an equal beatific video directed and edited by Seamus Hanly, ‘Relax; Enjoy Your Night Upon The Town’ comes backed…
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Beyond the more post-punk and art-rock leaning world of his main project, Girls Names‘ frontman Cathal Cully has always had a strong interest in esoteric electronic sounds. Having recently finished up recording Girls Names’ forthcoming fourth studio album, Cully has announced news of his debut solo album as Group Zero, Structures and Light, a release written, recorded and mixed intermittently over the space of four years. Set for release via Belfast’s Touch Sensitive records on Friday, February 24, Cully said of the release: “It was as an exercise in my own development and it was fun. It brought the naivety and spontaneity back…
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A highlight from her critically-acclaimed, Choice Prize-nominated third album, At Swim, ‘Undertow’ by Lisa Hannigan is a wonderfully-woven chamber pop gem meditating on the mystery of belonging and the lure of escapism. Speaking to NPR, Hannigan said Alden Volney’s brand new accompanying video for the single aimed to capture “watery drift of the words” and to communicate that sense of floating “we felt the best way was for me to learn the song backwards, so that all around me would move upwards, not down. It took a while for the reverse words and melody to sink in — but now I tend to…