• Swim Deep – Where The Heaven Are We

    July 23, 2013 - By 

      Back in the early nineties, when grunge was king and the Britpop cloud had yet to cast its boorish shadow over the nation, indie was a much more interesting minority concern. The Stone Roses and Happy Mondays’ pilled-up baggy; the fey jangling of Suede and early Blur; shoegaze swaying between the plangent ache of Slowdive and the speaker-threatening cacophony of My Bloody Valentine and the Jesus and Mary Chain – few could have predicted that by the middle of the decade, Ocean Colour Scene would be shifting units by the truckload. Many an ageing hipster will still get misty-eyed…

  • Young Echo – Nexus

    July 22, 2013 - By 

    Musical collectives are an odd thing. Operating as a halfway house between supergroup and a solo act, they give the artist the freedom to flex their guns whilst also allowing them to drop in and out of the equation whenever they please. Hip-hop and electronic musicians seem to favour this format moreso than others with the excellent Wu Tang Clan and Doomtree being prime examples. So how do the bright upstarts of Brixton’s Young Echo fare with their debut release, Nexus? Not terribly well. Before we begin, I need to stress something: I really love ambient music. Brian Eno’s Music…

  • Blondes – Swisher

    July 19, 2013 - By 

    Blondes are Sam Haar and Zach Steinman, a Brooklyn-based electronic duo that met while studying composition at Oberlin Music College. Blondes have quite a following, and this reviewer’s reason for delving into their back catalogue followed a conversation with a rather prolific Irish electronic producer who claims he “only listens to Blondes” – sold. Prior releases include the seriously awe – inspiring Touched EP and a series of 12” singles, as well as their 2012 self-titled debut. The duo have been classed as “hipster-house”; perhaps a little debasing considering the brilliance behind their discography to date. Swisher is their latest…

  • O Emperor – Vitreous

    July 16, 2013 - By 

    Beginning a career with a great debut album is a mixed blessing. On the one hand, you’ve come out the gate running, kicking and shooting wildly into the air. People will take notice and, at least for that moment, everything will seem to fall into place. On the other hand, if you come out too well, then there will be no bullets left and, when it comes time to make your next record, you’ll appear more like John Cleese’s bureaucratic silly walker. Acknowledgement of one’s past and real, internally motivated growth is key to avoiding a Python-esque fate. So when…

  • oOoOO – Without Your Love

    July 15, 2013 - By 

    When Chris Dexter first emerged into the mainstream consciousness back in 2010, he was surrounded by much talk in the music press about the so-called ‘Witch House’ genre and was joined by a slew of seemingly like-minded contemporaries, most notably the likes of Salem and Purity Ring. While it was a tag that Dexter attempted to eschew, the similarities were unavoidable — their releases all utilisisng a now-familiar mix of hip-hop, pop and shoegaze to form a hazy blend that had hacks squirreling away at their keyboards. Some three years later and we are now belatedly presented with the first…

  • Floor Staff – The Good Luck EP

    July 12, 2013 - By 

    It’s really difficult to write good pop music; unlike most other genres, great pop requires a level of clarity of vision and perfection that can be cripplingly hard. So it’s always a real treat when exciting pop music lands straight on your lap. With their debut release, The Good Luck EP, Dublin duo Floor Staff have given the world a proper Summer treat. Working with a kitchen sink mentality, the EP mixes emotionally volatile vocals, tight and powerful rhythms and a cracking brass section with effortless effect. The production and mixing is one of the most laudable aspects of the…

  • A Fight You Can’t Win – A Fight You Can’t Win EP

    July 10, 2013 - By 

    Having been earning their stripes on the Edinburgh live circuit over the last few years, alt-rock quartet A Fight You Can’t Win have been threatening to unleash their barraging, uniquely wrathful craft for some time now. Off the back of last year’s altogether promising Every Last Breath EP – itself worth a cursory listen, at the very least – the foursome have returned with a brief but vehement self-titled effort that could well see break new ground beyond the would-be confines of their whereabouts and serve as inspired springboard of sorts for a potential full-length release. Fronted by Ballycastle native Matthew…

  • Guided By Voices – English Little League

    July 9, 2013 - By 

    At this stage, fourth album in, may we at least pretend that we all know Guided By Voices are back? Is it ok for The Thin Air to skip the history lesson and pass over the obligatory “Robert Pollard is prolific” spiel? OK, good! We will try not to look back. And so onwards to the future and for now the present and another GBV album. English Little League reveals that the reformed “classic line-up” may not have quite hit the ground running with 2012’s three albums, but instead it seems they were paying their dues all over again. These…

  • Maya Jane Coles – Comfort

    July 9, 2013 - By 

    Maya Jane Coles has steered a steady and prolific career as a DJ and remixer since teaching herself the rudiments of her trade at the age of fifteen through the wonders of computer based DJ packages.  Having filed Essential Selection mixes for Radio 1 and remixed for top dogs such as Gorillaz and Massive Attack, Maya Jane was named fourteenth most influential DJ in the world by Rolling Stone, a prestigious feather in anyone’s musical cap and headphones.  The perpetual challenge for a DJ when creating an album is the choice of vocalist for the tracks; it can either lift…

  • Lemuria – The Distance Is So Big

    July 8, 2013 - By 

    Given the mercurial nature of Lemuria’s sound, the fact that the group take their name from a mythical lost island continent seems somewhat apt. This third full-length sees the trio as difficult to pin down as their eponymous land mass, kicking off with a brief choral swell before opener proper ‘Brilliant Dancer’ shuffles into view. The twanging first few bars are pure slacker indie, but the track suddenly takes off on an unexpectedly raucous tangent, its skewed rhythm at first appearing utterly at odds with the effervescent pop melodies being played out on the surface. No sooner have you sussed…