• Chirpy – Real Life

    August 7, 2017 - By 

    Rebecca Shannon, AKA Chirpy, is long due her time in the sun. Having been involved in various outfits and guises for much of the last decade, the Dublin native is owed acclaim. Her understanding of music is evident with her latest EP, Real Life. The release, which she wrote, recorded and produced, demonstrates her control over how she wants her work to be put forth. It’s delicate and raw with some truly gorgeous arrangements to boot. While it won’t set the world ablaze, it’s an extremely convincing attempt. At six tracks and a remix, it’s a tidy a little package which…

  • Valerian and the City of a Thousand Planets

    August 4, 2017 - By 

    Modern blockbuster film-making is calling out for a new The Fifth Element, but Valerian and the City of a Thousand Planets isn’t it. Two decades after Luc Besson’s classically garish retro-future space opera, he’s returned to the same aesthetic; it’s another summer film based on a comic book, sure, but not what you would expect. Valerian is based on the French comic series Valérian and Laureline, written by Pierre Christin and illustrated by Jean-Claude Mézières, which began its run in the pre-Star Wars sixties. Besson, a long-time fan of the series, obviously drew on it for 1997’s weirdo favourite, and…

  • Arcade Fire – Everything Now

    August 4, 2017 - By 

    The most troubling time in anyone’s life is adolescence. And often, insecurities born during this time are masked by either acts of defiance or retreat as a way of coming to terms with the transitional phase. It is important then to note that Arcade Fire released their debut, Funeral, 13 years ago. Prior to the release of Everything Now, the fifth studio album from the Canadian band, they engaged in several viral marketing campaigns, each news story or act as incredulous as the last, all garnering substantial media coverage. It began with a fake Twitter profile presented under the guise of…

  • Hounds of Love

    August 2, 2017 - By 

    For his debut feature, Australian film-maker Ben Young returns to his Perth roots, subjecting his hometown to a predator’s gaze. Psychological abduction thriller Hounds of Love opens with a pervs-eye view of teenage girls playing netball, the slow-motion camera tracking bodily curves and the wafting of skirts while a couple watch from their car, and then offer one of the unfortunate girls a lift home. Later in the film, as the depravity of the married kidnappers becomes clearer, a tracking shot line-up of unassuming detached houses frames the buildings as hostile sites, the carefree, slow-mo routines of family life now…

  • Aislinn Logan w/ Mark Loughrey @ Town Square, Belfast

    August 1, 2017 - By 

    Playing a stripped-back show in a limited capacity space on what is payday for some (presumably very thirsty) people is often a recipe for disaster. Usually it’s nothing personal: you could be Paul Simon or Joni Mitchell playing a pop-up show to a room full of dyed-in-the-wool aficionados and yet – due to some strange phenomenon that has somewhat corrupted live performance in public spaces since the dawn of time – people will often put loudly catching up above bearing witness to the artist they’ve parted money to be in the company of. Like, say, the Nazca Geoglyphs, the Bermuda Triangle and the…

  • Childhood – Universal High

    July 31, 2017 - By 

    It’s important to recognise and give credit to any artist who is willing to pivot into the realms of complete “what the fuckery”. It’s all too easy to reiterate, recycle and remain trapped in a perfectly serviceable rut. These voyages into unknown have created the likes of Tilt, Homogenic and Velvet Underground. On the other hand, it’s also allowed turds like Metal Machine Music to worm their way into existence. But even a malformation as fiendish as MMM is preferable to something like VU’s Squeeze. Lou Reed and a not insignificant amount of heroin tried and failed where Doug Yule…

  • Captain Underpants

    July 31, 2017 - By 

    Unsurprising news: Captain Underpants is a silly movie. Surprising news: it’s also not bad. Based on Dav Pilkey’s popular children’s novels of the same name and directed by David Soren (Turbo), DreamWorks’ Captain Underpants pretty much comes as advertised: it’s about a big, dumb guy in Y-fronts and a cape. Like the book series, the Underpants movie centres on two fourth-grade best friends and neighbours, George Beard (Kevin Hart) and Harold Hutchkins (Silicon Valley’s Thomas Middleditch), and their efforts to inject a bit of life into their grim middle school existence, under the authoritarian grip of principal Mr. Krupp (Ed…

  • Lana Del Rey – Lust For Life

    July 31, 2017 - By 

    Change is considered an almost essential feature now but it’s not long ago that it was considered undesirable, maybe even impure. Bob Dylan picking up an electric guitar or The Beatles moving into psychedelia are seen as pivotal innovations now but were utterly derided from certain quarters at the time. It’s worth keeping in mind that Keith Richards only recently called Sgt. Pepper’s… “rubbish” (a fact which illustrates, your own feelings about Mr. Richards aside, he’s one of the all-time bad guys in music. It’s not hard to imagine him living with Mike Love in a dormant volcano in the shape…

  • The Fall – New Facts Emerge

    July 28, 2017 - By 

    Constant line-up changes are part and parcel of The Fall, to the point where Guardian journalist Dave Simpson almost drove himself mad trying to track down every ex-member for his book The Fallen. And yet, in the last decade they’ve been strangely stable, releasing an unprecedented four albums with an entirely unchanged line-up, and a fifth that merely added a second percussionist. Now, though, not only are they back to a single drummer, but they’ve also lost Elena Poulou, who’d been manning the keyboards since as far back as 2002, making her one of the band’s longest serving members ever,…

  • Girls Trip

    July 28, 2017 - By 

    Some movies are made for audiences. Not in a buck-passing ‘we made it for the fans, not the critics’ way that follows deserved Tomatometer mauling. It’s rather that in certain contexts, a movie’s qualities can be amplified, and its flaws made to seem less important. The Fifty Shades movies, for example, were marketed as ‘events’, a go-to destination for gaggles of girlfriends on a tipsy, fizzy Friday night out (there were, you may recall, ~scenes~). But the movies themselves — weirdly sexless, soap-opera slow, self-serious mood rock — didn’t live up to this promise. New mad-weekend comedy Girls Trip, though, does: on Netflix it…