This is the last week to catch Jonathan Mayhew’s latest show I Wanted to Write a Poem on in Wexford Arts Centre until Saturday 25th March. Mayhew, who was awarded Wexford Arts Centre’s 2015 Emerging Visual Artist Award, has presented a body of work that sees heavy links between the literary and visual arms of art. Both practices are intertwined by Mayhew in the exhibition, with the title itself being drawn from the autobiography of imagist poet William Carlos Williams. In I Wanted to Write a Poem Mayhew explores the ability of poetry to convey far deeper meaning through more simplistic collections of words.…
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What: Meanwhile Where: CIT Wandesford Quay When: February 3rd – February 25th Words: Judt Fisher “This exhibition is a celebration,” said Catherine Fehily, head of CIT Crawford College of Art and Design as she opened the new show Meanwhile in the Wandesford Quay Gallery. “These artists have succeeded in combining creative thought with critical intelligence, resilience and tenacity resulting in D.I.Y-led productivity and action, and we are proud.” Meanwhile is curated by Aideen Quirke and shows work from artists who graduated from Crawford College of Art and Design between 2008-2013. These artists through their work, the organisations they have founded and events they have organised…
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Love hurts and yet all you need is love. The myriad of feelings that love rouses – infatuation, euphoria, inner-peace, anguish, despair, heartache – is steady inspiration for songwriters. Beautiful songs have been written about the splendour of being in love but even better songs are been born from a lovelorn place. Patsy Cline enjoyed incredible success singing about feeling lonesome and driven to despair by love. Commercially, if you were a female vocalist (solo or in a group) to sing about an unrequited or prematurely ended romance meant that you were relatable and accessible. It’s an ageless and universal…
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Galway young guns Bob Skeleton have returned with their second EP If This Isn’t Love. Following from their 2016 debut Shade, the four piece have continued on the path of confessional, bright indie-rock on this new EP. Adding some stylistic flourishes here though, the band showcases a tangible progression, suggesting a determination to grow and develop as a unit with each release in their still quite nascent stage. The opening title track is an uptempo pop cut while ‘Living In The Deep End’ is a jangling, dreamy and quaint offering that will satisfy fans of Real Estate and The Shins. The EP’s real highlight though is on the stripped…
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Stephen Brandes – Parc Du Souvenir (Image Courtesy of Stephen Brandes) What: Parc Du Souvenir Where: Oonagh Young Gallery When: January 26th – February 24th Words: Aidan Kelly Murphy Albert Sitzfleisch is a failed architect. A failed architect who works for the Council of Europe. The year is 2068, a date that is tantalisingly close but also just out of reach – will we all make it to this year? Holed up in his rented cabin in the southwest of Ireland, following 30 years of travelling around Europe, Sitzfleisch has with him for company his memories and views of the continent…
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Sometimes a side project starts to outgrow its parent band. Such appears to have happened recently with Portland’s Moon Duo, formed by Wooden Shjips’ vocalist/guitarist Ripley Johnson with his partner Sanea Yamada, with the latter band’s lack of activity since 2013’s Back to Land allowing Moon Duo’s more recent releases to fill the gap. Despite plenty of similarities in sound, swapping the Shjips’ looser psych for an increasingly mechanical krautrock sound has seen them gradually become the more essential of the two, and fourth album Occult Architecture, Vol. 1 has done nothing but cement that. Part one of a “two…
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Cork based electronic producer and promoter with the Diffract club night, Lighght, has released a new track. And yes, before you ask, it is of course swirling, atmospheric edit of Jamelia’s 2003 R&B classic ‘Superstar’. Duh. Having put out a variety of glitching, industrial tracks reminiscent of Nicolas Jaar and Dorian Concept in the past year or so, the producer will be releasing more singles and audiovisual projects in the coming months as well as continuing to host the regular Diffract events.
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It being Valentines Day and all, Tayne, the brand new project from Matthew Sutton, guitarist from It Was All A Bit Black And White, has unveiled the spick and span video for his debut single ‘Heartbeat’. The Galway native, London based musician first debuted his new musical endeavour back in December with a suitably glistening cover of Fleetwood Mac‘s ‘Dreams’. Stepping further into the light then, Tayne’s debut original track is a dazzling synth pop romp that will satisfy fans of All Tvvins and The Naked and Famous. With more to come from the artist in the coming months, enjoy the flashy video for ‘Heartbeat’…
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Independent Irish publication Critical Bastards have announced details of an open submission for their 14th issue – the theme for the forthcoming issue is ‘Hope‘. Critical Bastards is a vital and engaging publication that seeks to open dialogues surrounding art in Ireland. Their last issue was an audio version to do with ‘Work‘ with the issue previous to that a print version with the theme of ‘Resourcefulness‘. We’re big supporters and fans of the work CB do and encourage all to submit! The closing date is March 14th with more info on submission requirements here.
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This Friday sees artist Cliona Harmey in Cobh’s Sirius Arts Centre for a discussion around her practice. Harmey made a series of visits to Cobh and Sirius Arts Centre in both 2015 and 2016 as she continues to work on new projects. This new work will be discussed alongside a pair of short films made last year at Hawlbowline Naval base with members of the Irish Defence forces. Harmey’s practice has often taken on naval themes which was most notably executed in 2015’s wonderful Dublin Ships installation – see photo above. The talk kicks off at 1pm on Friday with more information…