• Jenny Hval – Blood Bitch

    October 3, 2016 - By 

    Concept albums are tricky. Honing in on a singular narrative or theme throughout a 40 minute collection of music requires precision and tact from an artist, an ability to carry an idea throughout without allowing it to devour every other facet of the record. Norwegian experimental-artist Jenny Hval has, over the course of about a decade, built a collection of albums under varying monickers with roots stretching into concepts of sexuality, the human body, sociology, gender and mortality all the while allowing her music to be captivatingly nuanced and enticing; she knows how to make a concept album. Her last…

  • windings – Be Honest and Fear Not

    September 30, 2016 - By 

    There could be no more apt a title for the fourth full length LP from one of Ireland’s oft unsung but widely respected acts, Windings. Be Honest and Fear Not arrives after a four year spell of silence from the Limerick outfit and shows us a band, fronted by former Giveamanakick vocalist and guitarist Steve Ryan, who have absolutely nothing to camouflage and no affectation to assume. While this record might not match its 2012 predecessor I Am Not the Crow in terms of ambition or cohesion, it makes up for that in unabashed heart and candid songwriting. Lyrically, Ryan has discussed how the album plays…

  • Warpaint – Heads Up

    September 26, 2016 - By 

    Warpaint are a band that divide opinion. In 2010, they became an almost instant underground success with ‘Undertow’, the lead single from their abstractly alternative album, The Fool. The album stood out in the year when Beach House released Teen Dream, Vampire Weekend’s Contra and Broken Social Scene’s Forgiveness Rock Record dominated radio airtime. Warpaint sought to be different with a sombre and grittier edge in the midst of bands shedding lightness and exuberance lyrically and musically. Unfortunately, they lost momentum with their subsequent self-titled album from 2013, which was met with mixed reviews, upon which the Californian quartet went on a…

  • Hannah Peel – Awake But Always Dreaming

    September 23, 2016 - By 

    Every second we’re alive we move closer to our conclusion. We hope for ourselves there will be some dignity and grace in our final moments and that we might finish the whole existence thing with our minds intact, painlessly drifting into the great unknown. Sadly, though, that probably won’t be the case. Estimates from Genio state that by 2046, 150000 people in Ireland will suffer from dementia with two-thirds of those being women. Neurodegenerative diseases, such as dementia, are becoming the shadow which defines the latter section of so many lives. Yet in spite of the looming nature of this…

  • WIFE – Standard Nature

    September 21, 2016 - By 

    Combing ferocity with beauty is something that has always played a central role in the music of James Kelly. In his other musical life the Cork artist makes up part of currently-in-limbo Atmospheric Black Metal outfit, Altar of Plagues, a group whose knack for vicious energy is made all the more gripping by the constant undercurrent of anguished melody, in particular on their 2013 album Teethed Glory and Injury.  Under his electronic solo moniker, WIFE, Kelly has, over the course of two previous releases, always tended to err more on the atmospheric end of that spectrum. His last LP, 2014’s…

  • Devendra Banhart – Ape In Pink Marble

    September 22, 2016 - By 

    Once you become aware of Venezuelan-American songwriter Devendra Banhart‘s other life as a visual artist it becomes difficult to distance it from his musical output. Despite rarely linking his music and visual art, aside from painting his own album artwork (including the grammy nominated beauty of 2009’s What We Will Be), one always feels the intended aesthetic and colour that permeates his music. In 2013 Banhart released his Nonesuch Records debut, Mala, a record of playful, winsome cuts that toyed with love’s awkwardness and silliness with equal parts melancholy and wit. Throughout the album, the grainy pink colouring that defined its cover perched on the listener’s…

  • Nick Cave and the Bad Seeds – Skeleton Tree

    September 16, 2016 - By 

    Skeleton Tree isn’t the first Nick Cave and The Bad Seeds album born out of personal turmoil. The melancholy of albums like Your Funeral, My Trial in the 80s was inspired by Cave’s worsening heroin addiction, while 1997’s The Boatman’s Call was one of those classic breakup albums, famously considered – until now, that is – to be Cave’s most emotionally affecting work. But that must pale into insignificance for Cave now, ever since his 15 year old son Arthur last year fell to his death from a cliff near their home in Brighton, an event he describes in the album’s accompanying film One More Time With Feeling…

  • R51 – No Chill

    September 16, 2016 - By 

    That steamrolling wall of sound which smashes through the mix and opens R51’s No Chill EP is a pretty undeniable statement of intent: the Belfast five-piece is bringing their already exceptionally high game to a new tier. Expanding on the palette set out on last year’s  the group delve deeper into shoegaze territory, as the emphasis on this outing is focused on the swirls of textured guitars and soaring vocals. It’s noisy and chaotic, yet intricate and finely honed. ‘Elephant’, the EP’s first song, is a clear testament to this as the seismic opening contrasts with Melyssa Shannon’s delicate, yet…

  • The Smoke Clears – The Smoke Clears

    September 15, 2016 - By 

    It’s a shame this album didn’t come out sooner. The Smoke Clears, the self-titled album under the alias of Galway resident and Berghain/Panorama Bar regular John Daly, is laden with the same feeling encouraged by Netflix hit Stranger Things. In the wake of its success, a flurry of mixes, covers and think-pieces have explored the show’s music, with the soundtrack already being released on vinyl, and Kyle Dixon and Michael Stein of S U R V I V E set to perform the score at Unsound in Poland next month. With the speed of passing interest, it seems too late to…

  • Jack White – Acoustic Recordings 1998­ – 2016

    September 13, 2016 - By 

    Jack White is by many people’s reckoning one of the most iconic guitarists of his generation. Standing at a burly six foot plus with his ghostly pale complexion and colour coordinated outfits he has always cut a formidable onstage presence. Photos of him wrestling his red and white Airline guitar will sit alongside the likes of Hendrix and Phil Lynott. It’s invigorating to witness his mastery of the stage. As one half of The White Stripes he not only managed to compensate for a lack of instruments by producing a colossal amount of noise; he was visually mesmerising, throwing himself around like a man possessed and constantly jolting between…