In our new weekly arts column we’ll be rounding-up some key events in the Irish art world be they exhibition opening and closings, art talks and workshops, submission deadlines and guidelines, and everything in between that fits under the arts umbrella. This week we’re looking at four shows across Ireland which are drawing to a close as we approach Christmas. Martin Healy’s The Augury @ Butler Gallery, Kilkenny This week is your last chance to catch Martin Healy’s show The Augury in Kilkenny’s Butler Gallery. The work sees Healy explore our often fraught and conflicting relationship with the natural world, with particular focus…
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Basic Space are seeking a new Co-Director to help with “management, development and administration of the organisation with an emphasis on visual art and educational programming.” Based in Dublin’s Temple Bar, Basic Space work in conjunction with instiutions in both Ireland and the UK on exhibitions, residences and education al events – most recently in the Centre for Contemporary Art Derry ~ Londonderry with The Present Is Not Enough, Part I [The Edge of Things #5], as well as INFRA in Dublin’s Eight Gallery last year. Applicants are required to submit both a CV and a brief proposal with full details…
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Sean Lynch – A Walk Through Time (Image courtesy of the artist and Douglas Hyde Gallery) What: A Walk Through Time // What Is An Apparatus? Where: Douglas Hyde Gallery When: February 17th – April 5th Words: Aidan Kelly Murphy History, and the narrative arcs that flow through it, is rarely presented to us for review, instead it is often curated. ‘History is written by the winners’, is a phrase often used to illustrate this manipulation of stories and events; but even a quick delve into the origins of this quote reveals multiple attributions to Winston Churchill, Napoleon Bonaparte and…
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Stephen Brandes – Parc Du Souvenir (Image Courtesy of Stephen Brandes) What: Parc Du Souvenir Where: Oonagh Young Gallery When: January 26th – February 24th Words: Aidan Kelly Murphy Albert Sitzfleisch is a failed architect. A failed architect who works for the Council of Europe. The year is 2068, a date that is tantalisingly close but also just out of reach – will we all make it to this year? Holed up in his rented cabin in the southwest of Ireland, following 30 years of travelling around Europe, Sitzfleisch has with him for company his memories and views of the continent…
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Independent Irish publication Critical Bastards have announced details of an open submission for their 14th issue – the theme for the forthcoming issue is ‘Hope‘. Critical Bastards is a vital and engaging publication that seeks to open dialogues surrounding art in Ireland. Their last issue was an audio version to do with ‘Work‘ with the issue previous to that a print version with the theme of ‘Resourcefulness‘. We’re big supporters and fans of the work CB do and encourage all to submit! The closing date is March 14th with more info on submission requirements here.
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In this instalment of Primer street artist ADW chats about his recent projects & inspirations. Photos and interview by Mark Earley. Hi ADW, how’s tricks? Hiya! I’m great thanks, flying high and life couldn’t be better! Can you tell us about your current work? Last November I completed a new body of work which was presented in the solo exhibition BORN TO CREATE and, as I speak, I’ve just stepped off site from after a commission in the 3Arena, in their Premium Lounge no less. It’s been a hectic few months, but loving every minute. BORN TO CREATE, which was you 4th…
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Thomas Rentmeister – Untitled (detail) (Image Courtesy of Tomas Tyner / University College Cork) What: Gut Instinct: Art, Food and Feeling Where: Glucksman Gallery, Cork When: 25th November 2016 – 19th March 2017 Words: Judy Fisher “The gut is the seat of all feeling,” – Suzy Kassem This is the basic premise being explored by the artists in Gut Instinct: Art, Food and Feeling the current show at the Glucksman Gallery. The exhibition is a visceral display of our emotional relationships with food in the light of recent discoveries by neuroscientist John Cryan of the UCC and his colleagues at the APC Microbiome…
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Ireland’s biennial international art extravaganza EVA International was a huge success last summer in Limerick, attracting over 100,000 – you can read our review of the festival here. Entitled Still (the) Barbarians and curated by Cameroon-born Koyo Kouoh, the biennial was a response to the year that saw Ireland celebrate and remember the centenary since The Rising. Submission for next year’s event, curated this time by Columbian Inti Guerrero, are open until January 31st – full details here. Only 15 months till we get to see what’s in store!
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To the benefit of both the National Gallery of Ireland and Irish art fans Henry Vaughan in 1900, despite having no connection to this island, donated his sizeable Turner collection to be split among the national galleries of Scotland and Ireland as well as the Victoria & Albert and Tate museums in London. A quirk of the Vaughan Bequest was a stipulation that the work only be shown in January – to both better preserve the works and enhance it in the lower light of January – and for it to be free of charge. Over a hundred years later the tradition is still being kept and…
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As we tentatively approach the summer galleries are beginning to launch their summer shows and draw their spring endeavours to a close. This looking ahead while checking back is one of the key themes across the exhibitions chosen for this edition of Picture This. The future of Ireland, her art and the wider contemporary art landscape is discussed in shows such as 2116 in Cork, EVA International in Limerick and Phototropism in Dublin. Casting our minds back forms the centrepiece of the Peter Dressler show in Belfast as the work or the late German photographer takes centre stage, this revisionary…