Belfast post-punk trio Ghost Office are set to release their effervescent, jerking new single ‘Cereal Café’ tomorrow, December 6th. Their first release since 2018’s excellent ‘Here Come The Elders!‘, it was written in a half hour frenzy, voicing, through Stewart Lee-tinged wordplay, drummer/vocalist Richard Bailie’s dismay at realising, finally, “that they have opened a cereal cafe in London, selling all the milks.” Almond milk, regular milk, and so on. ‘Cereal Café’ is their “grand anti-gentrification anthem”. “Listeners will perhaps question whether they are several years too late, especially considering the flagrant gentrification of the Ormeau Road area of Belfast [“Catch it,before the gentrifiers come“, as the Guardian recently, tardily ordered],…
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It’s easy for bands to serve up those oft. espoused platitudes about the value of “co-operation in the music scene”, but to be pro-active in that is another matter entirely. Gladly, we’re seeing that attitude start to spread, with the latest in the trend being two of the most exciting DIY, guitar-driven bands on the island coming together for a split EP release. Mob Wife/Cruiser features, unsurprisingly, two tracks each from Belfast trio Mob Wife and Limerick quartet Cruiser, conceived of in early 2019. Both with their own singular imprint, Mob Wife and Cruiser share the emotionally-charged influence of 90s post-hardcore and fist-clenched modern indie rock & punk sensibility, as well…
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It’s been a long, weird (sorry) trip up to this point, but the debut album for Belfast’s slickest indie rock trio Careerist (fka Hot Cops) is upon us. Weird Hill‘s nine tracks manage to slink through any number of influences and curveballs without losing coherence, clocking in at just under a half-hour. The wry smirk of Pavement can be glanced through buoyant, Deerhunter-sized melodies and slaloming Spaghetti Western guitar work, while the trio’s distinct, jerking sense of otherness remains consistent throughout. The LP was recorded & produced by Robocobra Quartet’s Chris Ryan, who does justice to the band’s reputation as one of Ireland’s tightest, most…
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Catalyst Arts Gallery’s latest exhibition, Hyperobjects, runs from Thursday, November 7 until December 5, with its opening night featuring a sonic performance from Jez Riley French with his piece, island | fjórar (dissolve). French uses uses intuitive composition, field recording, improvisation & photography to explore emotive responses to places and situations, with an interest in largely unnoticed, unreachable sounds. He has recorded resonances of architectural spaces and structures, the sounds of insects feeding, and recently spent time recording the sound of glaciers melting in Iceland. His work has been exhibited in the Tate Modern & Britain, Iceland’s Harpa & Mengi, The Whitworth, the Museum of Contemporary Art Tokyo, and…
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This week we’ve details on a number of exciting exhibitions that are opening, and their associated events, a volunteer opportunity, and a day-long artists’ seminar taking place this weekend. As always, if you have an event, talk, exhibition, or would like to recommend one please get in touch via aidan[at]thethinair.net Exhibition Opening | Green of Red, Dublin This coming Thursday (October, 10th) sees the opening of a new exhibition featuring the work of Xavier Theunis. The French-Belgian artist uses a broad range of medium including painting, photography and installation, and this is the first solo show for the artist in Ireland. The opening…
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The Chats live at the Limelight 2 in Belfast with support from Just Mustard. Photos by Charly Sproule
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Raw UK garage-punk duo JOHN are set to make their first appearance in Ireland later this year, accompanying the release of their second album, Out Here On The Fringes, set for release on October 4. This run of shows comes at the end of a lengthy spell in France & the UK, following an eleven-country spell in 2018 with Idles. Taking place in conjunction with some of our favourite venues, artists & promoters (Why. Gigs & Drone Mansions) – their three-date run is as follows: Friday, November 29 // Bennigans Bar, Derry w/His Father’s Voice & SHŌTO Saturday, November 30 // The 343, Belfast w/Problem Patterns and Wake House Sunday, December 1 // The Sound…
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One of Irish music’s bona fide polymaths, Chris Ryan – Robocobra Quartet leader and Hot Cops, Just Mustard & Hunkpapa producer – has unveiled his new collaborative project. Aptly titled Sorbet, it offers a fresh palette to a string of musicians upon which they can “write tangentially from their usual process to avoid creeping burnout.” As masterfully understated as you’d hope from its creators, Sorbet’s first iteration is a subtly brooding piece which unfurls with repeat listens. Ryan’s distorted, at-times claustrophobic beats, muted piano, lay by an incredible falsetto-heavy vocal performance from Mícheál Keating, frontman of Limerick experimental alternative trio Bleeding Heart Pigeons. Mícheál said of his lyrical approach: “The imagery in the verse comes…
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This week sees a host of exhibitions opening across the island of Ireland, with shows in Belfast, Cork, Navan and Dublin; as well as the launch of this year’s Belfast Photo Festival. We’ve details of some of the festival’s highlights below, along with information on four openings happening nationwide. As always, if you have an event, talk, exhibition, or would like to recommend one please get in touch via aidan[at]thethinair.net Exhibition Opening | Platform Arts, Belfast This Thursday (June 6th) sees the opening of a new collaborative exhibition in Belfast’s Platform Arts. Titled Bedeck, the show features the works of David Lunney and Eleanor McCaughey, two artists who…
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Despite their relatively young age, kitchen sink indie rock five piece Buí have been crafting some of the most earnestly well-crafted power-pop tunes around. Not ones to tread the beaten path, they debuted with a fully-fledged long-player in 2017’s Eugene, and have since been built their DIY profile from the ground up. The video for new single ‘Something Else To Talk About’ is an astounding feat – an 8-bit video game animation that not just acts as an apt visual companion to the song, but functions as its own winsome arcade fable. As if the band were collectively assimilated into a Scott Pilgrim fever dream – each…