Following our Inbound feature last year, Limerick supergroup The Personal Vanity Project have released their debut single ‘Callan’, with a video directed by Graham Patterson. Creating a blur of psychedelia-infused indie rock formed in 2021, the group comprises drummer/vocalist Brendan McInerney (Bleeding Heart Pigeons), keyboardist James Reidy (His Father’s Voice), and guitarist/vocalist Chris Quigley (Cruiser). This release comes with the announcement of their eponymous debut album, set for release through Pizza Pizza Records on May 25. The single falls somewhere between My Bloody Valentine’s warbling sonic mastery, Duster’s expansive wistfulness and J Mascis’ fuzzed-out amp worship. The album was produced…
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A quintessential indie rock showman-turned-millennial songsmith in the classical mode, we have a chat with Danny Carroll ahead of the release of his solo debut LP I Am The Cheese, out this Friday. Your debut LP I Am The Cheese shares its title with a 1977 young adult fiction novel, written by Robert Cormier. Could you tell us about the poignancy of that title to yourself and this body of work? It’s a book I read when I was 12 and was pretty haunted by. The final lines of the novel refer back to the folk song ‘The Farmer In…
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Scuzzy, unpretentious power-pop with a panache for irresistible jangle, fuzz & hooks is something that’s trickled into the water in Ireland, forming a fine cultural lineage – look no further than Good Vibrations Records and Thin Lizzy, and more recently, Pillow Queens. Trim-based sibling duo Oisín & Cian Walsh form the creative hub of Lilac, and today released their earworm of a new single ‘Remember, No Regrets’, which filters Ty Segall-esque saturated fuzz with 90s indie & psych-pop – completely self-produced in the band’s home studio. Initially set to be released pre-pandemic, they’ve pressed the record to 7″ vinyl, and it’s available…
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On this, a day of unilateral disappointment and self-loathing, we’re delighted to share some reprieve in the form of a new single from one of the most exciting guitar bands to pop up on our radars in the last year, Dublin trio Pixie Cut Rhythm Orchestra. ‘I didn’t love you when I said I did’ more than delivers on the promise of their prior two singles, as the band increasingly look to be held in the same breath with the likes of the fast-rising Pillow Queens and Maija Sofia. Recorded & mixed by Sean Montgomery Dietz at Annesley House, its understated wooziness is enveloped in a maelstrom of crushingly…
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The Sun EP, which may have slipped you by at the end of last year, saw Any Joy chip further away at their singular heady brew of psychedelia, internalised doom and post-punk to follow up on their wonderful 2017 debut album, Cycles. The band have shared with us their Adam Curtis fever dream of a video for its title track, created by frontman Oisin Dineen. He tells us “Climate disaster and human displacement are the happy subject matter of Sun. The video paints a colourful, post apocalyptic landscape, running down the clock.” Check it out:
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In case you missed it, Friday saw the surprise, name-your-price release of Postcard Versions‘ new LP, following up on their debut – one of Ireland’s finest indie rock albums of last year. Messrs Paddy Ormond and Ross Hamer – of The Claque, Music City, Oh Boland and more – are back with another ten warming, bite-size gems, adding to the city’s not-insubstantial bedroom-pop canon – born not out of aesthetic, but economic necessity. Stream below: Remote Viewing by Postcard Versions
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A timely arrival to cushion the blow of a festival-free summer, perennial TTA favourites Shrug Life are back with the video for new single ‘Last Gasp of Summer’. The track is taken from Shrug Life’s excellent, Daniel Fox-produced second LP Maybe You’re The Punchline which came out in April, available on 12″ vinyl through Bandcamp. Typical of their vision of a DEVO-meets-Thin Lizzy world, it’s a razor-sharp incision into minutia of the make some noise Irish experience, and festival fatigue that starts to set in as one’s twenties edges closer to the finishing line, without ever straying into ‘yells at cloud’ territory. Filmed partly at Arcadian Field Festival 2019, and featuring…
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Two years on from its second volume, islandwide independent music compilation series A Litany of Failures has opened pre-orders and announced the tracklisting for Volume III in the series – out Friday, October 2nd. More eclectic, and more export-ready than ever, the compilation features brand new music from 22 acts across Ireland, including the first recorded output from Fifty Years of Hair (Postcard Versions/Girl Band’s Dara Kiely), The Golden Cleric (Shrug Life/Girlfriend/That Snaake) and Grave Goods (Girls Names, Pins, September Girls), as well as many of our favourites – Robocobra Quartet, Silverbacks, Rising Damp, Percolator, Extravision and many more. With cover art by Nathanaël Roman, it will be accompanied by…
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If there’s any band in Ireland who can lay claim to an Earworm Guarantee™, it may well be Galway’s harmony-laced dream-pop quartet Dott, and new single ‘Extra Introvert’ proves that once more in spades. As interactions return to relative normality in time for summer, the gradual reacquaintance with our old friend social anxiety proves much easier when masked in a seasonally-appropriate bop. Dott were in the midst of recording their third album when the Covid-19 pandemic put a stop to things, but mercifully they’ve delivered us a homespun, all-too-relatable video, made for phone. Featuring lead singer Anna and her many attempts to overcome Lockdown Anxiety, it records the day-to-day of using…
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Arguably Belfast’s finest post-punk pragmatists, Ghost Office are back with ‘The Face of Garbo’, the second single from their forthcoming debut album, set for release later this summer. Marrying propulsive – near King Gizzard-esque – psych-flecked chaos with a macro-anthology narrative of fables spanning across time & disciplines, it’s one of their most artistically complete works thus far. The single was produced by bassist Carl Small, with lyrical duties from guitarist/shared vocalist Joe Gilson, who tells us more: “The song tells three stories, of events that cast their makers into myth. The solar eclipse that proved Albert Einstein’s law of relativity, the opera singer Enrico Caruso being threatened…