Last month, Fionn Regan returned in style with ‘The Meetings of the Waters’, the title track from his forthcoming fifth studio album. Today he releases it’s equally beguiling follow-up in the form of ‘Cormorant Bird’. A swooning slice of masterfully-produced chamber-pop in the vein of Department of Eagles, the single suggests something especially special in the waiting for the full-length. The Meetings of the Waters is out on April 14 through his own imprint 常に愛TSUNENI AI/Abbey Records.
Inimitable English-born, Sligo-raiser, Dublin-based Myles Manley has just revealed the video for ‘Pasta Solo’, the first-rate B-side to his latest single. Filmed by artist Salvatore Fullam, and with a loose narrative thread based on a portrait of Manley, he’s leaning once more into the esoteric. It’s kitchen sink bedroom music, utilising – Tom Waits style – unorthodox instrumentation and deceptively intricate instrumental panache to share with us some of the sounds from a most unique of minds. The record, ‘Relax; Enjoy Yr Night Upon the Town’ is available in a limited 7″ release on midnight blue vinyl via Dublin indie imprint Little L Records. Myles Manley officially launches…
Krautrock/shoegaze-loving cosmic voyagers Percolator release their long-awaited debut album Sestra on Penske Recordings on April 14. Taking cues from My Bloody Valentine, Stereolab, with hints of progressive rock and the late ’80s indie label scene to boot. Their textures and atmospheres are well ahead of most contemporaries. The trio were formed in 2009 by former members of Dae Kim, with the current lineup existing since 2012 and comprising singer/guitarist Ian Chestnutt, drummer & singer Eleanor Myler & producer John ‘Spud’ Murphy on bass – founder of Guerrilla Studios in Dublin, where the album was recorded. They’ve put out a steady string of releases, available on Bandcamp. <a href=”http://percolator.bandcamp.com/album/sestra”>Sestra…
Set to play their first ever all-ages gig at BIMM Institute’s showcase at Workman’s Club on April 1, Dublin quartet THUMPER unveiled their fuzzed-out latest single, ‘The Loser’, at the start of the month. Arguably the foursome’s finest effort to date, it’s a starry-eyed burst of noise-pop harking back to Blur’s more riotous earlier efforts, filtered through the the Dublin band’s own brand of bubblegum scuzz. The first single to be taken from the band’s upcoming POP! GOES THE WEASEL EP, have a first look at Alan McCarthy’s tripped out visuals for the track below.
Conceived in London by Wexford artist Laura Hyland back in 2008 as a means to forge her interests in song, story and sound improvisation, Irish quartet Clang Sayne are an act that have been mentioned in the same breath as such alt-folk luminaries as diverse and inimitable as Tim Buckley and Jandek. Eight years on from their debut Winterlands – a brooding and emotionally potent release – the four-piece (in its current incarnation of in its current incarnation of Hyland on acoustic guitar and vocals, Judith Ring on vocals, Carolyn Goodwin on bass clarinet and drummer Matthew Jacobson) have been busy working on its…
Masterful Dublin songsmith Paddy Hanna has unveiled yet another song in the form of ‘Sunday Milkshake’, ahead of the release of new single ‘Bad Boys’ on March 24. Featuring hints of a motorik beat, filled out with a lush orchestral arrangement, Hanna has once again put his genre-tapping to full use in proving why he’s one of the finest, most artful pop songwriters in Ireland – if his string of singles from mid-2015 following 2014 debut album Leafy Stiletto didn’t already do it – check them out on Soundcloud. On its themes, Hanna states that Sunday Milkshake is “a tale of realisation, of sleeping on a…
If there’s one thing we could all take from Joe Berlinger and Bruce Sinofsky’s 2004 Metallica film Some Kind of Monster it’s that fly-on-the-wall, “in-the-studio” documentaries can – given the wrong variables – capture a very unique kind of tension and uncomfortable atmosphere. Something of the polar opposite of that (in more ways that one) Colm Laverty’s exceptional Document: A Film About Malojian captures a band whose chemistry and compatibility as a unit is, in itself, endearing, entertaining and hugely watchable. Featuring the Stevie Scullion-fronted band recording their exquisite third studio album This Is Nowhere with the towering Steve Albini at his Chicago studio…
This Ain’t No Disco is an Irish music program for the times. The work of the equally tireless Donal Dineen and Myles O’Reilly, the first installment – which landed at the tail-end of 2016 – married music, visuals, discussion and collaboration in wonderfully-woven, beautifully intimate fashion. Featuring Brian Mac Gloinn of Ye Vagabonds, a collaboration between Villagers’ Conor O’Brien and Nico Muhly, Cormac Begley, Landless and more, episode two continues the trend, getting to the heart of what defines modern Irish music and its potent links to the past in filmic, typically evocative fashion.
The B-side to their latest single, ‘Tell Me (What I Mean)‘, ‘Over My Head’ by fast-rising, and TTA-approved Dublin duo Ciara Thompson and Alan Pharrell AKA Bad Sea is a slow-burning ballad that, stripped back to its core subtle piano and Thompson’s exquisite vocal delivery, reveals the band’s prowess in the realm of taking a step or two back. Ahead of the band’s show with Beauty Sleep and Shrug Life in Dublin on Friday, stream the track below now.
Taking place across the weekend of August 5 & 6 is this year’s Beatyard Festival at The Beatyard of Dun Laoghaire Harbour with huge headliners Mark Ronson, in what will be an excellent DJ set from the tastemaker, as well as atmospheric French trip-hop channelling outfit Air. Continuing on from last year’s funk & soul-oriented lineup, the bill confirmed so far includes: Toots & The Maytals Bananarama Candi Staton Larry Heard aka Mr Fingers [in his first ever Irish performance] Mood II Swing Romare Rusangano Family [Well-deserved Choice Music Prize-winners 2017] Katie Kim Romare [with a full live band] Horse Meat Disco Fish Go Deep Kíla…