• One of These Albums Will Win The NI Music Prize Tonight

    November 12, 2020 - By 

    Much like the RTÉ Choice Music Prize every year, the annual Northern Ireland Music Prize is almost always too close to call. This year is no different. Going online for the first time due to social distancing restrictions, this year’s shortlist is a luminous, no-filler reflection of the state of independent music in the North right now. From the Americana-tinged alt-folk of Mark McCambridge aka Arborist to the considered electronica of Phil Kieran; the shapeshifting indie rock of Belfast threesome Careerist, to the ruminative pop of Kitt Philippa, it’s a list that also features stellar albums from Our Krypton Son, Herb…

  • A Litany of Failures: Volume III Announced

    July 3, 2020 - By 

    Two years on from its second volume, islandwide independent music compilation series A Litany of Failures has opened pre-orders and announced the tracklisting for Volume III in the series – out Friday, October 2nd. More eclectic, and more export-ready than ever, the compilation features brand new music from 22 acts across Ireland, including the first recorded output from Fifty Years of Hair (Postcard Versions/Girl Band’s Dara Kiely), The Golden Cleric (Shrug Life/Girlfriend/That Snaake) and Grave Goods (Girls Names, Pins, September Girls), as well as many of our favourites – Robocobra Quartet, Silverbacks, Rising Damp, Percolator, Extravision and many more. With cover art by Nathanaël Roman, it will be accompanied by…

  • And So I Watch You From Afar Announce OK? Festival

    March 2, 2020 - By 

    North Coast instrumental rock trailblazers And So I Watch You From Afar have announced details of a new music and arts festival in support of mental awareness and suicide prevention. Created to “celebrate community and to encourage asking the question… are you ok?” OK? will unite some of the country’s best acts at Belfast’s Telegraph Building on Saturday, March 28th. Raising money for Aware NI, PIPS and Help Musicians, the show will feature sets from ASIWYFA, SOAK, General Fiasco, David Holmes, Phil Kieran, Joshua Burnside, New Pagans, Catalan!, Pillow Queens, Junk Drawer, Jordan Adetunji, Careerist, Cherym, Problem Patterns and Gnarkats.…

  • NI Music Prize Winners Announced

    November 11, 2019 - By 

    The winner at this year’s Northern Ireland Music Prize has been announced. Taking place at Belfast’s Ulster on Thursday night, the annual ceremony saw Eoin O’Callaghan Elma Orkestra & Ryan Vail walk away with the main Best Album prize for their collaborative Borders release. As well as performances from Strange New Places, Jordan Adetunji, Saint Sister, O’Callaghan & Vail and Oh Yeah Legends Award recipients Snow Patrol, Sister Ghost walked away with Best Live Act, Cherym won the Oh Yeah Contender Award and Junk Drawer took Best Single with ‘Year of the Sofa’. Meanwhile, X-ray Touring’s Steve Strange won the Outstanding Contribution to…

  • A Litany of Failures Announce Volume III and Fundraising Gig

    October 21, 2019 - By 

    After triumphant failures in 2018 and 2016, A Litany Of Failures – an independent, cross-border compilation series featuring the best in alternative Irish music – is back.  Ahead of another double-vinyl release in July 2020, A Litany Of Failures is curating a series of fundraiser gigs around Ireland. These will feature the curdled cream of the indie scene, with the first gig taking place on Friday 25th October in JaJa Studios in Stoneybatter, Dublin 7.  A BYOB show, music on the night comes from Belfast indie psych quartet Junk Drawer – check out their NI Music Prize-nominated single ‘Year of the Sofa‘ – the Paddy Hanna fronted…

  • Mclusky w/ New Pagans and Junk Drawer @ Voodoo, Belfast

    September 9, 2019 - By 

    We’d the utmost pleasure of hosting the debut Irish shows from Welsh noise rock heroes Mclusky at Belfast’s Voodoo and Dublin’s Workman’s Club at the weekend. Two sell-outs and two extraordinary sets from easily one of the best bands of a generation. Extended gratitude to Belfast’s Oh Yeah Music Centre and And So I Watch You From Afar for the lend of van and gear respectively. Our photographer Colm Laverty nipped down to the Belfast show, which also featured sets from New Pagans and Junk Drawer.

  • Stream New Irish Grassroots Compilation: Live @ Fennor Lane

    April 10, 2019 - By 

    Tucked away amongst castle ruins and relics of history on the outskirts of Slane town, Mark Carolan runs the intimate Fennor Lane Studios. Like the encouraging number of grassroots Irish compilations and splits that have graced our Bandcamp accounts in recent times to act as connective tissue between previously-disparate scenes, Live at Fennor Lane was made with the same philosophy of shared elevation in mind, as Mark tells us: “The idea behind this album was simply to create a record worth listening to, and the live method of recording gives a characterful and natural feel to it. I hope we can bring new music to all the followers of each band involved in this project and help everyone to expand their audience. Aaaand it was great craic making it!” Featuring several of our favourite bands in the land, each more idiosyncratic than the last, contributions range from Slouch‘s submerged psychogroove, to the…

  • Goodbye Mandela @ Mandela Hall, Belfast

    July 30, 2018 - By 

    So, the last gig at Mandella Hall. Probably a pretty great venue when you sit and list off all the great gigs you saw there. But nostalgia is for later. WASPS are a pleasantly rambunctious start to the evening, playing in Bar Sub they strike excitable silhouettes adrift in a haze of dry ice and some slick, stark lighting. They find their groove somewhere between desert surf and mathy punk and mine it to death, littering it with nice interplay and clever fills, throwing in some swampy rock riffs every now and then, too. They give an energetic and warm…

  • Various Artists – A Litany of Failures Vol. II

    July 17, 2018 - By 

    To be a contemporary “independent” band in Ireland isn’t merely a genre categorisation, but a complex creative actuality. There’s often a socio-economic subtext to the term, as happens when a multitude of younger or less experienced creatives don’t have the resources to view music as a full-time pursuit just yet. They must therefore look elsewhere to meet the frequently unforeseen costs that stack up when making music – gear upkeep, travel, recording/rehearsal space fees, etc. This can lead to an absence of parity at the level of industry power relations. Simply look at the cultural-economic logic followed by certain festivals…