Last month, Irish-Scottish electro-pop twosome Mia Fitz and Toni Etherson aka SIIGHTS unveiled the lead track from their self-titled debut EP. Having clocked up over 180k streams over the last few weeks, ‘Blue Skies’ now comes with a stellar remix featuring an artist we handpicked as one to watch back in 2018, fast-rising Dublin rapper JyellowL. “We reached out to JyellowL and having him involved has been amazing,” SIIGHTS said. “He’s so talented, we love what he brought to the track and the personal perspective he shared lyrically. This song means a lot to us and was hard to write. We have…
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Dublin musician Niall Jackson has put the work in. As one-fourth of Dublin indie-rock quartet par excellence Bouts, a pivotal member of London-based Irish punk trio Sweat Threats, and a weaver of first-rate indie-pop in his own right as Swimmers Jackson, he’s never been an artist wanting for motive or inspiration. Tomorrow (Friday, May 8th) sees the release of the long-awaited Swimmers Jackson debut album, Murmurations. From beatific singles ‘Summer’s Here’ and ‘Bliss’ to earworming highlights including ‘Replaceable’ and ‘Pain In The Heart’, Jackson summons a ten-track triumph that runs the gamut from the gossamer, lullaby-like gems to emphatic full-band efforts.…
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Two years on from releasing the stellar Sentience and Sapience under his Ai Messiah alias, Belfast producer and musician Connor Dougan is back as Deathbed Convert. Set for release via NI’s finest imprint Touch Sensitive tomorrow (Friday, May 1) Dougan’s debut in his new guise is a feature-length exploration of bygone times, conjuring the melancholic beauty of The Durutti Column, Gigi Masin’s deep, ambient ocean, and Iasos’ endless expanse. Running parallel with Ai Messiah’s subjective speculations on the future, Debris of Echoes – which betrays the influence of Talk Talk, Alice Coltrane, Miles Davis and Pharoah Sanders – goes the other way, casting its inner…
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Over the last couple of weeks, we’ve been offering a first look at Aaa, a new music video series by Dublin-based artist Myles Manley. A three-part collaboration with various filmmakers, it has honed in on exactly what sets Manley apart as a genre-contorting pop auteur. In Part 1, Myles visited a group of wealthy businesspeople, seeking investment for a new streaming service, www.musiccool.ie. In Part 2, our intrepid hero suffered a bout of depression and seeking some counselling, following the rejection of Music Cool. Today, in episode 3 and 0, he frames his experiences in another way. Watch Bob Gallagher’s…
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On Wednesday, Cork artist Mark Waldron-Hyden releases an album that is surely going to go down as one of the Irish titles of the year. Recorded over a two-month period, “in pretty intense solitude” in his studio in the Nagle mountains of rural North Cork, Future Life Continuity is a clear-cut statement of intent, melding singular abstract ambience via prismatic noise and first-rate polyrhythmic forays. Lead single, ‘I Can’t See You: Where Did You Go?” is one of many gems here. Across five minutes, it makes for a masterfully shapeshifting trip, melding widescreen, Kranky-leaning ambience with submerged Brainfeeder-esque textures. Featuring visuals by Con O’Brien, have a first listen to…
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Belfast-based songwriter Peter GW Sumadh aka The Mad Dalton first appeared on our radar back in 2015, via the release of his ruminating, Americana-tinged debut EP The Little Belfry. Five years on, Sumadh’s craft has evolved to a point where harmonic savvy and incisive turns-of-phrase effortlesly take centre-stage. Having finished 2019 with gigs supporting both Malojian and Junior Brother, new ‘Skeleton Waltz’ arrives, fittingly, in surreal times. Recorded at Millbank Studios, this latest offering featuring Michael Mormecha on drums and artwork by renowned Belfast creative Andrew Train (Giraffe Stairs Tattoos), it follows cancellation of recording sessions and ahead of the…
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When we launched The Thin Air back in 2013, Dublin-based artist Myles Manley was one of the first Irish artists that we shone a light on. In the seven years since, his shapeshifting, at times downright unpigeonholeable brand of pop has always delivered something that stops you in your tracks. Following last week’s opening installment, today we’re pleased to premiere the second of three videos in a new series by Manley. A collaboration by Seamus Hanly, Sebastian MacDermott and Conor O’Toole, the video features Myles suffering a bout of depression and seeking some counselling, following the rejection of MUSIC COOL .IE seen in…
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Back in February, we flew the flag hard for Dublin quartet Bedrooms. Bearing the imprint of indie rock royalty including Dinosaur Jr, Galaxie 500, Guided by Voices and Pavement, we lauded their ability to bridge the gap between dream-pop and gazed-out indie via a straight-up slowcore sensibility. Recorded with Girl Band’s Daniel Fox in his Stoneybatter studio last November, new single ‘Party Piece’ delivers much of the same, the song conjures Dean Wareham stepping in on a stripped-back Cocteau Twins jam. “We sort of wrote this one backwards,” Devin from the band told us. “We had the second half of the song for a…
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Were it not for, y’know, the global pandemic laying waste to any semblance of normalcy in our lives, Myles Manley would be setting off on a tour next month. Ahead of those dates, the Dublin artist (who, for our money, is one of the most singular songwriting voices in the country) was also set to release a new music video series. While the planned live dates can’t feasibly go ahead, Manley is – thankfully – still releasing the video series, collectively called Aaa. A masterfully singular triptych, directed by the likes of Bob Gallagher and others, the series encapsulates precisely what has long set Manley apart as…
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One of a handful of Irish acts that we recently singled out as being destined for special things in 2020 and beyond, Dublin’s perfectly unpigeonholeable Acid Granny have wasted no time in making their very own brand of face-searing, genre-flaunting shock-and-awe heard. Stocking more bangers than a mid-Ulster fireworks dealer come October, their freeform explorations via the time-untested medium of drum kit and electrified shopping trolley will, if you allow them, yield demented patterns and ecstatic locked grooves à la Afrika Bambaataa on sneachta and Zach Hill being flung down a flight of stairs. Intrigued? Daunted? Barely keeping it together after a couple of weeks in the gaff? Look no further than…