• Sleater-Kinney @ Vicar Street, Dublin

    Less than six months on from announcing No Cities To Love, their first studio album in a decade, Sleater-Kinney are currently experiencing a remarkable rebirth and easily their most popular streak in their three-decade long career to date. The twenty-first show of a twenty-one date comeback tour that has seen them zig-zag them across the States and Europe, Carrie Brownstein (above), Corin Tucker (below) and Janet Weiss return to Dublin tonight a valiant and imposing alt-rock force; an unspeakably influential and headstrong threesome that has weathered the storm of changing scenes and industry to assert that they are, without a…

  • Young Fathers w/ Simi Crowns @ The Academy, Dublin

    A chatty Thursday night crowd sit through an increasingly punchy, but not overtly engaging opening few minutes from support Simi Crowns. The Dublin-reared rapper throws out some strong armed but inaccurate hooks that fail to engage all but the most enthusiastic in the audience. Such is the lot of the support slot, right? Except Simi Crowns does not pack up his things and go home. With a bit of charm and a hint of exuberance he manages to make his pop-esque, Chase and Status inflected style of hip-hop hit home. By the time the set is over the crowd are…

  • Idlewild @ Limelight 2, Belfast

    It was shortly after delivering a memorable, thrashy show in Stiff Kitten back in 2010 that Idlewild quietly disappeared from music. It is fair to say that we missed them. Now, with the itches for solo projects having been successfully scratched and the time taken to patiently develop new material, the band returned to Belfast touring on the back of their first album in five years. The Limelight 2 was packed to absolute capacity. ‘Everything Ever Written’, despite being a good album, is unlikely to have brought such a crowd. This was clearly a loyal audience collected many years before…

  • Kindred: Ital w/ Matt Burns (Twitch) @ Menagerie, Belfast

    Tonight, as we approach the beginning of the weekend with all the vigour one can muster from a Monday through Friday work-a-day existence, the only logical decision is to go big or go home, right? Choosing the former, the ‘go big option’, with total and firm disregard for the inevitable suffering to be endured post-partying, our sights are set firmly on The Menagerie, Belfast, so that we may dance, groove and lap up some of the finest house and techno courtesy of Brooklyn-based producer and electronica explorer, Ital, AKA Daniel Martin-McCormick. Kicking off ever so slightly later than planned, we…

  • No Monster Club Album Launch @ Bello Bar, Dublin

    “I never break any strings in rehearsal… but when we’re live, I break every string in the book.” I’ve never been in rehearsal with No Monster Club yet I found myself pleasantly unsurprised when frontman Bobby Aherne made this observation Saturday night at the launch party for his new album, People Are Weird. Staged in the basement of Dublin’s Bello Bar, the choice in venue captured an absurdity that could only be matched by the dry humour of Aherne’s lyrics. This stale 70’s smoking parlour boasts wooden panels, low ceilings, and a revival art-deco aesthetic that’s dying to be in some…

  • Cruising @ Menagerie, Belfast

    So far, Cruising have been taking things fairly slowly. Though the Belfast/Dublin quartet officially operate under pseudonyms (Benzedrine Black, Sex Grimes, Dan Handle and Dick Vortex), they’re easily recognisable to anyone who has even a passing interest in Irish music at the moment, made up as they are of members of Girls Names, Sea Pinks, September Girls and the now defunct Logikparty. Another one of Sunglasses After Dark’s top notch events, without a support act The Menagerie slowly fills up to the sounds of The Stooges and other assorted proto-punk bands, which sets the tone for what’s to come. It’s…

  • Jape @ The Woodworkers, Belfast

    Going to see Jape for the first time in a while is always an interesting proposition, seeing as the lineup can often be entirely different from the previous occasion. Such is the case tonight – they’re still a trio, albeit with a different drummer from the Ocean Of Frequency tour, and Richie Egan is still front and centre of course, with Glenn Keating still his right hand man but things have still been rejigged, with Egan now on bass and sampler rather than guitar and keys, and Keating on electronic percussion and sequencer. It’s an interesting adjustment and seems to…

  • Choice Music Prize 2015

    Contemporary Irish music supergroup The Gloaming walked away with the top prize of Irish Album of the year last night at 10th annual Meteor Choice Music Prize Awards. They beat off stiff competition from a stellar pack of nominees including a mix of well established and lesser known indie favourites. The judging panel, made up of Irish music media professionals and chaired by Tony-Clayton Lee, described the debate around choosing the winner as a somewhat “tricky and contentious” decision but ultimately it was the mix of contemporary, experimental and traditional music on the eponymously titled album from the Gloaming that won…

  • Snowpoet @ The Little Museum of Dublin

    “Music is the wine that fills the cup of silence”, King Crimson’s Robert Fripp once observed when the poetic muse had taken hold. Or perhaps it was the wine. Regardless, Fripp would doubtless have approved as music, wine and silence, in various combinations, were all in good supply at Snowpoet’s Dublin concert. The concert was part of music production company and record label Ergodos’ series of specially curated concerts sponsored by Santa Rita, the legendary Chilean wine makers, whose stunning red and white wines on offer at the reception teased loose the tongues and gently flushed the cheeks of the…

  • PALS: The Irish at Gallipoli @ National Museum of Ireland, Dublin

    A bleak Irish sky backdrops the frigid Collin’s Barracks, former military stronghold turned national museum turned proscenium for ANU Productions’ breathtaking new performance PALS.  Born out of the financial collapse in 2009, ANU (pronounced “anew”) has boldly challenged Irish theatre to tackle Irish issues in visceral ways, turning its site-specific method of performance into a niche, accessible, and affordable outlet for the Dublin theatre-going public. ANU’s total-immersion style of theatre forces audiences not only to witness a story, but to experience its place as an integral element of the narrative.  2012’s Boys of Foley Street revived a time and place…