• Hannah McPhillimy: Freedom Songs @ Crumlin Road Gaol

    Belfast Music Week has been host to many an interesting gig this year, from bookstores to bars, from balconies to boats, there doesn’t seem to be a shortage of quirky or fascinating venues, and now Hannah McPhillimy finds herself playing at The Crumlin Road Gaol. In conjunction with No More Traffik, ‘Freedom Songs’ is less of a traditional performance for the Belfast based singer/songwriter and more of an interactive journey through history. Tonight’s show is down in the depths of the now renovated and rejuvenated jail where Hannah uses all three corners of the triangular room to tell a capella…

  • The National @ The Odyssey, Belfast

    Restraint. A hard quality to achieve in one’s day to day life. Musically, however, it’s very difficult indeed. Amplified by speaker stacks and placed in the glare of spotlights, many bands affect emotion by stomping on a distortion pedal or guldering angst-ridden couplets. In stark contrast, the austere members of The National continually reign in such fits of childish pique. Take, for example, ‘Bloodbuzz Ohio’, with its spiralling drum patterns, mournful horns and droning guitar. It’s a perfect storm albeit one that never breaks but pulses and throbs towards a climax which never quite arrives. It creates a thrilling tension,…

  • Enablers, Blue Whale, Selaah @ Voodoo, Belfast

    Five years on from wowing a close-knit assembly at Lavery’s Bunker, one of the most distinctive post-rock bands of a generation return to the Belfast tonight dogged and purposeful despite founding guitarist Joe Goldring having his guitar stolen in Dublin the night before. Founded in 2004 and fronted by poet and spoken word artist Pete Simonelli, San Francisco’s Enablers are all but an act unto themselves, their thoroughly immersive brand of abrasive yet introspective instrumentalism propelled by a masterful confrontational voice that just about guarantees special things on the stage time and time again. Kicking off proceedings in typically inimitable fashion…

  • PigsAsPeople, El Ten Eleven, Droids @ Radar

    Since resuming service in September Radar has hosted numerous strong acts, and tonight proves to top them all, should you have a taste for a bit of noise and jumping around. Droids open the night up with a guitar-led onslaught of enormous chords and hooks, alongside big vocal anthems. They play 30 minutes to a relatively quiet Speakeasy, but the slowly growing numbers in front of them doesn’t put them off. There are more than a few nods given to post-hardcore band Thrice throughout, with distorted walls of sound topped by piercing melodic riffs being a common factor in most of…

  • Soundgarden @ 02, Dublin

    Three years and one surprisingly decent album into one of the lesser ill-advised “iconic” reunions of recent times, the return of Seattle four-piece Soundgarden has been met with a largely positive response from critics and fans alike. Where many legendary, genre-defining acts have faltered in the disparate gleam of contemporary life – where every action made, word said and note played is scrutinised no end by the hyper-mythologising masses – the Chris Cornell-fronted band have fared admirably. The question remains: how will their long-awaited return to Irish shores play out on the ninth date of a heady European tour? Following a crowd-winning…

  • Belsonic: Nine Inch Nails

    With their eagerly anticipated eighth studio album, Hesitation Marks, primed for release at the beginning of next month, Trent Reznor’s genre-defining, decade-spanning Nine Inch Nails stop off in Belfast for Day Three of Belsonic 2013 experiencing quite possibly their most marked period of acclaim to date. Twenty-five years since Reznor formed the band as an effective solo project, there is an almost touchable urgency about the band and the music following a four-year incubation period. As fans rove in their thousands, everything, it would seem, is pointed in the general direction of a monumental first visit for the five-piece. Having endured the…

  • Spiritualized @ National Concert Hall, Dublin

    There was no small sense of anticipation in the run-up to this one. Not only did Spiritualized announce that they were playing their Ladies & Gentlemen We Are Floating In Space album in its entirety, they were doing so in Dublin’s National Concert Hall with an orchestra, and it would be the only such performance of 2013. So, tickets were duly snapped up for what was a pretty low-key announcement, all things considered. As the more NCH-savvy members of the audience file in for the eight o’clock sharp start time, there is a palpable air of excitement in the ornate…

  • Transmit: Kasper Rosa, Lantern For A Gale, Vanilla Gloom

    This gig was brought to you by Transmission; a regular showcase taking shape with some interesting and varied line ups drawing a respectable crowd on a nondescript Wednesday night. Belfast-based three-piece Vanilla Gloom take to the stage and start into their rain-soaked grunge pop to open the evening. A band whose name pretty accurately describes their music, the gloomy yet dreamy tone provides a good counter to the high pitched vocals which come across clearly and strongly, especially when delivered by all three members. Heavily indebted to the sounds of Seattle, with quite a nod to Weezer in the more mid-paced…

  • Optimus Primavera – Day Two

    The sun continues to bless Optimus Primavera Sound on the festival’s second day. Arriving on site in the late afternoon there’s ample time to have a cocktail from one of the stalls dotted around the Parque da Cicade before the day’s schedule begins, and with a nice strong caipirinha costing a mere €4 it would be rude not to. People-watching whilst sipping on a drink and strolling around is an oddly compelling pastime, but it’s best to conserve energy for the moment as today sees a further two stage areas opened up to the public – the ATP Stage and the…

  • The Who – 02, Dublin

    Is Quadrophenia the greatest Who album? It’s a simple question asked of a complex album, one fans have debated and will continue to do so for many a year. It’s not the most successful, nor one who’s songs turn up in Best Of… collections, but it’s certainly the last really great Who record, and the one that typifies them as an ideal more so than anything they’ve done. Pete Townshend has always been the greatest curator of The Who’s past, and with Quadrophenia he created, shaped and immortalised the Who myth once and for all. For all its flaws, it’s…