• 17 for ’17: Alien She

    While 2016 has proved a political and problematic wreck in many regards, Dublin trio Alien She have made the most of it, using the ups and (mostly) downs of the past twelve months to fuel their experimental and progressive sound. While the group has been floating around the Dublin music scene for the last number of years, 2016 proved to be a particularly productive year. Besides their active gigging schedule, the latter half of last year brought the release of the track ‘Cold Brain’ from their debut album Feeler, soon to be released. The group comprises of artists and activists…

  • 17 for ’17: Bad Sea

    There’s nothing rough about the waves that Bad Sea have been making in the Irish gig scene. Their dreamy folk-country combo has seen them playing everything from Castlepalooza to Other Voices to the recent Therapy Sessions at the Workman’s Club (as part of the First Fortnight Festival). The duo, Ciara Thompson and Alan Pharrell, met on Tinder, and managed to form a powerhouse of a musical relationship out of a dating site. All that’s available for listening online at the moment is the band’s poignant debut single, Solid Air, which offers the perfect juxtaposition between Thompson’s unique and gentle swaying…

  • Bonobo – Migration

    For over 16 years, Ninja Tune veteran Simon Green AKA Bonobo has been making the kind of music that seems to be able to frame every and any mood that a listener is capable of feeling. There was an invariable funkiness to Animal Magic; Dial ‘M’ for Monkey provided as much whimsy as it did downbeat introspection; Days to Come and follow-up Black Sands saw Green building upon his knack for constructing subtle yet arresting modal shifts; while The North Borders added guest vocalists and traditional leanings into the fray. Now, with Migration, his sixth studio LP, Green has taken his…

  • 17 for ’17: Our Krypton Son

    Our Krypton Son’s ethereal sounds may seem bathed in “the glow that flashes red” from the sun of Superman’s home planet, but we don’t really need to look as far as the celestial bodies. Those auroras closer to home should take just as much responsibility for where Chris McConaghy’s melodies emanate from, piercing every so often through the coastal skies to inspire and ignite. Written in the small village of Creeslough in northwest Donegal, the sonic themes of Fleas and Diamonds swell and meander like the landscape of the county that birthed it; impenetrable yet so welcoming once breached, a…

  • Brian Eno – Reflection

    Brian Eno invented ambient. Did he? Maybe. Who knows? He’s done a lot over the years – insert chronology here, from Roxy Music to Music For Airports, producing Laraaji, teaming up with Bowie and then U2, film soundtracks, Windows 95, and finally releasing albums for Warp. The latter is why we’re talking about him here, as he kicked off 2017 with a beautiful piece of work called Reflection, which was released on January 1. It’s the latest in a series of works in a bracket he calls “thinking music”; works that are “generative”. He takes a series of sounds, sets…

  • Tycho – Epoch

    Scott Hansen’s take on electronica is one rooted as much in aesthetics as it is sound. A musician with a strong sense of visual communication, Hansen’s compositions have typically found a balance not unlike the space on an artist’s pad – colourful, contextually informative, and direct in all the right places, while sparse and minimalistic in others. It’s this balance that has resulted in a canon undetermined by fad or the changing tastes of an audience; Hansen’s work is signature and conforms to little else than a singular vision. This thread of idiosyncrasy can be traced back to 2011’s Dive;…

  • xXx: The Return of Xander Cage

    Marvel’s Guardians of the Galaxy, which starred, among others, Vin Diesel, opened with the hero of the film being put out by his enemies not knowing who he was. An inflated sense of ego. A similar feeling occurs while watching xXx: The Return of Xander Cage, directed by D.J. Caruso, except this time it’s the audience who are left wondering why should they know – or care – about the resurrection of a character who’s first cinematic outing was fifteen years ago. There were kids in my screening that weren’t even born fifteen years ago. The extreme sports angle of…

  • Foxygen – Hang

    “And it all but seems my lifetime dreams have ended.” Not the most encouraging sentiment to begin a song with, but at least it’s honest. That is how ‘On Lankershim’, the current single by  Californian avant-garde duo Foxygen, commences. It strikes a searing contrast to a lyric from ‘Shuggie’ from their 2013 album, We Are the 21st Century Ambassadors of Peace & Magic which proclaims, “If you believe in yourself you can free your soul”. Foxygen formed twelve years ago when high school pals Jonathan Rado and Sam France began experimenting with psychedelic arrangements. In more recent times, there have…