2017 marks the 30th anniversary of Swiss duo Peter Fischli & David Weiss’ The Way Things Go. The hugely influential video piece serves as the departure point for the latest exhibition in Kilkenny’s Butler Gallery. At it’s core The Way Things Go saw everyday items pushed outside their comfort zone to perform roles and tasks not suited for their original creation, and tasks it should be noted that they were able to fully complete, querying the limitations we impose on materials we formulate. While in full-colour and sound, the piece drew on the almost slapstick era of silent films from the vaudeville era of…
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There are a few more days to catch Aoife Desmond’s solo show Something Momentous Germinating in Galway Arts Centre. The work was inspired by Desmond recent return to her family home and the process of reverting the space while also trying to preserve and capture the essence of the building and memory associated of the space. The show also looks at the function of a domestic space and the qualities it emits in line with more traditional artistic spaces – the light falling through a window, the sculptural qualities of the everyday object. Something Momentous Germinating continues until Tuesday October 10th, with…
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Today and tomorrow are the last to see a fascinating new body of work by Damian Shiels in Cobh’s Sirius Arts Centre. Titled Portraits: Women of Cork and the U.S. Navy 1917-1919, the exhibition looks at the social outcomes of America’s entry into the First World War. Their participation in the war saw thousands of US soldiers emerge into the communities around Cork. This influx of soldiers, and their subsequent socialising in the city, saw many Cork natives become ‘war brides’. While these relationships were generally greeted with celebration in America, on this side of the Atlantic hostilities arose, which then turned to violence. Ultimately the US Navy banned…
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Gavin Murphy’s new show, titled Double Movement, in currently on show in Dublin’s Temple Bar Gallery + Studios. The exhibition is a look into the role and functions of the now defunct Eblana Theatre, which was located in the basement of Dublin’s Busáras building. While the main building opened in 1953, the subterranean space, which was due to be a newsreel cinema, lay dormant until 1959. It was then that Phyllis Ryan and her Gemini theatre company opened the aforementioned Elbana. Here they showcased the works of Irish artists, including John B. Keane and Brian Friel, whilst also bringing the work of…
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Tonight from 6pm to 8pm sees the preview of Rebecca Dunne’s Static in Pallas Projects + Studios. Dunne is an artist who focuses on sound art, with her exhibitions frequently taking on immersive and interactive roles with their audiences. In Static we are advised that Dunne will present “a feature length picture available in surround sound”, which promises to continue and extend this narrative within her work. The exhibition is due to continue Pallas’ recent pop-up show template and close this Saturday after a three day run – helping to firmly establish the immediacy and visceral nature of the works. Full…
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This week recent NCAD graduate Julia Dubsky is having a preview of works in Temple Bar Gallery + Studios. Dubsky has had a studio in the building since April of this year as part of Temple Bar Gallery + Studio’s Graduate Residency Programme. A multitude of influences exists in the artist’s work, and recent months have seen her complete “a term at the Royal Drawing School in London; three months studio practice in Berlin; [and] a short artist residency in Tehran;” The preview is titled Vera and is open daily to viewers until this Saturday 16th September from 2pm to 6pm. Enterance to Studio 16…
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Vera Klute, Cloud – Courtesy of the Artist This Friday sees the launch of the RHA Gallery’s Autumn programme with four new exhibitions opening. In Gallery I is Vera Klute, Ronnie Hughes’ work is displayed in Galleries II and III with Janet Mullarney in the RHA Foyer; and finally, the work of Susan Connolly is on show in the RHA’s Ashford Gallery. Klute presents Plunge, a multimedia exhibition that makes use of both video and sculpture. Her work sees her discuss the everyday rituals and habits of people, and the transmutation of the normal to the abnormal. More details on Plunge can be found online…
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This Wednesday sees the opening of a new exhibition featuring the work of German printmaker Käthe Kollwitz. Titled Life, Death and War, the show consists of 40 prints selected from the Staatsgalerie Stuttgart art museum. As alluded to in the show’s title, the exhbition features pieces from Kollowitz’s Death series (1934-37), her two war series: Peasant War (1902-08) and War (1921-22) as well as her two other major art cycles Revolt of the Weavers (1893-98) and Proletariat (1924-25). During the opening decades of the 20th Century, Kollwitz (1867-1945) established herself as one of the finest and highly regarded printers of the era, achieving this during a period…
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Details have just been announced of an open submission to coincide with the opening of the Gallery of Photography’s new Osman Suite. Named after the gallery’s founder John Osman, the space is located in the newly extended bookshop. To celebrate the gallery has teamed up Irish photography magazine: Junior. Launched last year, the duo behind the publication released issue two earlier this summer and so far the magazine has featured the works of emerging and acclaimed Irish photographers including Mark McGuniness, Darragh Soden, Cait Fahey and Thérèse Rafter. Junior and the Gallery of Photography’s brief for this open submission is ‘Irish-ness’, and have advised…
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Edgardo Rudnitzky – VanishingMusic, 2014 (Wood, Brass, Paper, Music Box – CourtesyOfTheArtist) Opening this Saturday in Wexford Arts Centre is HAMMER | ANVIL | STIRRUP – an exhibition featuring local, national and international artists. The work that has been included in this exhibition focuses on the role of sound in art and, taking leave from Salome Voegelin’s Listening to Noise & Silence: Towards a Philosophy of Sound Art, looks at the idea “that sound art must remain a strategy of listening rather than an instruction to hear”. The practices of the four artists presented in this show, David Beattie and Richard Carr (both Ireland), Edgardo Rudnitzky…