• Morrissey – Low in High School

    November 22, 2017 - By 

    To say that Steven Patrick Morrissey is a different artist to the one so many of us flocked to in our teens seems a platitude at this stage. In The Smiths, Morrissey’s marriage of equal parts teenage melodrama, small town misery and genuine wit struck a chord somewhere between Paul Weller, Oscar Wilde and Holden Caulfield. There have been plenty of smart-arsed indie singers since, but not one can hold a candle to what this man was when at his best.  The persona of a sensitive, working class and vehemently anti-Tory frontman is long gone though, and has given way to an increasingly…

  • The War on Drugs – A Deeper Understanding

    September 2, 2017 - By 

    Sun Kil Moon miserabilist Mark Kazolek famously dismissed the The War on Drugs “beer commercial lead guitar shit” shortly after the release of 2014’s instant-classic third LP Lost In The Dream. Despite being desperately unfair to the Philadelphia outfit – effectively a vehicle for frontman Adam Granduciel since the departures of founding members Kurt Vile and Steve Gunn – it does tap into the band’s own internal paradox: their music is undoubtedly rooted in the stadium-filling giants of 80s rock, from Granduciel’s Dylanesque purrs and Mark Knopfler-style lead guitar, while ambient flourishes recall U2’s Eno lead pre-Joshua Tree experimentalism. The…

  • The Districts – Popular Manipulations

    August 21, 2017 - By 

    Since their self-released debut made a critical splash and got the then high-school band signed to Fat Possum, The Districts have seemed to belong to a different age: the Pennsylvania group’s penchant for plaid shirts and moody guitar theatrics evoked the likes of Pearl Jam and even Crazy Horse, while singer Rob Grote’s vocals recalled the early 2000s indie of Wolf Parade, Arcade Fire and My Morning Jacket. A Flourish And A Spoil, their sophomore effort, was a minor triumph which found Grote singing tales of small town heartbreak over garagy riffs that The Replacements would be proud of. Popular…

  • NEOMADiC – The NEOMADiC Tape

    August 14, 2017 - By 

    As sub-genres go, Irish hip hop may have once sounded like a wilfully obscure one. In the past two or three years however it has grown to become a scene that is healthier and stronger than ever before, making it impossible to ignore. Rejjie Snow is a legitimate global star in the making, if his Joey Bada$$ featuring mixtape The Moon & You is anything to go by, with fellow Dub Damola not far behind. Limerick’s Runsangano Family are fast becoming one of Ireland’s most celebrated domestic acts. Dublin duo NEOMADiC then drift comfortably into this vibrant and diverse scene, forming when MC…

  • Tyler, The Creator – Flower Boy

    July 27, 2017 - By 

    Any artist that enjoys strong commercial success in their teens will, to a degree, grow up in public, and this is especially true for Tyler, the Creator. As the de-facto leader of the anarchic rap collective turned media empire Odd Future, he’s been baiting, and duly receiving worldwide media attention for the best part of a decade, both positively for his growing sophistication as a rapper and producer, and negatively for, well, just about everything. Odd Future were truly an exercise in controversy, and while their punk-inspired, stage-diving live shows may have had them banned from New Zealand, it was…

  • Preview: Stendhal Festival 2017

    June 12, 2017 - By 

    Ahead of its return to Ballmully Cottage Farm in Limavady on August 11 and 12, Stendhal Festival organisers Ross Parkhill and John Cartwright talk to Caolan Coleman about this year’s outing, the festival’s expansion to date and the current health of Irish music. Go here to buy tickets to Stendhal Festival 2017 My friend came home from university the other week clutching a letter marked ‘Medical Emergency’ that turned out to be from you guys. How important is clever marketing to a smaller festival like yours? Ross: We are always up for trying new things, keeps things interesting. Nothing beats…

  • Dan Auerbach – Waiting On A Song

    June 8, 2017 - By 

    Poor Dan Auerbach. Since the first Black Keys album arrived fifteen years ago, he’s been consistently portrayed as an ersatz Jack White. It was pretty inevitable, of course, as both singer-guitarist in a two-piece garage band and vinyl-loving champion of all things retro-rock, with Auerbach painted as the workmanlike copyist of White, the true artist. And while it’s true that none of Auerbach’s work has approached the heights of Elephant or White Blood Cells, he doesn’t have dodgy Bond themes or baffling collaborations with the Insane Clown Posse to explain away either. And, to be fair, he has produced a few…

  • Rejjie Snow – The Moon & You

    May 24, 2017 - By 

    “Free mixtape this month. Just for the fans. Everybody else can suck my d**k.” In spite of his tweets, there’s no way Rejjie Snow’s The Moon & You is going to avoid attention from critics. Since his early YouTube videos blew up as a teenager, the Drumcondra rapper has become  something of a critical darling: his off-kilter style found frequent comparisons to Earl Sweatshirt, and his debut EP Rejovich topped the iTunes chart ahead of Kanye West and J Cole upon its 2013 release. It might seem strange that a Dublin rapper would hold such high international regard, but Snow is truly…

  • Atomic Dogfather: George Clinton On His Legacy, Rejuvenation and Continued Relevance

    May 1, 2017 - By 

    Since pulling psychedelic rock and pounding soul together and giving birth to funk in the late 60s, George Clinton has had arguably one of the biggest single influences on 20th century American music. In his 70s heyday he lead a revolving roster of fifty musicians (including the legends Bootsy Collins, Edie Hazel and Bernie Warrell), recording floor-filling pop as Parliament and Hendrix-esque guitar jams as Funkadelic, while creating outrageous stage shows that put other 70s arena-rock behemoths to shame. Prince and the Red Hot Chili Peppers (Clinton produced their sophomore album) carried on his work through the 80s, while early…

  • Kendrick Lamar – DAMN.

    April 20, 2017 - By 

    Kendrick Lamar has a lot resting on DAMN. He is, of course, in a “good place” artistically at the moment, to say the least: he’s widely considered the greatest rapper in the game at the minute, off the back of two instant-classic albums and frequently stunning guest verses across various musical landscapes (appearing on songs from jazz bassist Thundercat, mega-producer DJ Khaled and pop-rock also-rans Maroon 5 in the past year). 2015’s To Pimp A Butterfly‘s seismic impact created fans in David Bowie and Barack Obama and enemies in the right-wing press, and found it’s single ‘Alright’ being adopted at Black Lives…