With five albums in little over five years, Neil Brogan’s work ethic is admirable. And that’s just with Sea Pinks – add to that the albums and EPs he drummed on with Girls Names before his 2013 departure, an excellent recent EP with post-punk quartet Cruising and a low key solo EP as Winterlude early this year and you wonder where he finds the time. With more and more small bands operating part-time in today’s unsteady music business, longer gaps between releases are increasingly common, but the release of Dreaming Tracks in late 2014 still feels like only yesterday, and…
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It’s surprising that Toronto’s METZ didn’t come to Ireland when touring their self titled 2012 debut, given the appetite in this country for the sort of noise rock they trade in. So after a reportedly thrilling appearance at Electric Picnic this year, it’s nice to see them wrap up the current leg of their European tour behind even better follow up II with a stop off in Whelan’s. Sadly Protomartyr, who accompanied them on the UK dates aren’t present tonight, but Co. Galway’s Oh Boland more than make up for that. Their hook laden garage pop feels like it could…
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Having founded the first Rough Trade shop in London two years earlier, Geoff Travis first launched the independent label of the same name in 1978, at a time when an abundance of new underground acts inspired by the DIY ethic of punk were just dying to be heard. The shop and its distribution network were already providing a valuable retail outlet for these artists to get their records on sale, so starting a label seemed like the logical next step. Despite being at the heart of the post-punk and alternative scenes throughout the 1980s, by the dawn of the 90s…
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Most of the recent reviews for their full length debut Holding Hands With Jamie have said the same thing: no other band sounds like Girl Band. And it’s true. Sure, there are echoes of noise-rock, post-punk, krautrock and techno but they’re mixed together in such a way that no label can accurately capture the enthralling racket this Dublin quartet makes, while frontman Dara Kiely sings, speaks, shouts and screams surreal non-sequiturs over the top, sounding like the Irish lovechild of Steve Albini and Mark E Smith. While Kiely’s lyrics, when audible, initially appear to be hilariously odd – packed full…
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Although the current line up of Girls Names have been playing live for well over two years now, aside from a cover of Brian Eno’s ‘Third Uncle’, new album Arms Around A Vision (and recent single ‘Zero Triptych’ – a track that would have made a perfect centrepiece to the album had it not been perversely left off) marks the debut of Gib Cassidy behind the drums in place of founder member, Sea Pinks’ Neil Brogan, as well as guitarist Philip Quinn’s full integration into the band, having only appeared on synth duty for two tracks on 2013’s The New…
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Once impressively prolific, new music by Sufjan Stevens comes along at a much slower pace these days, so the anticipation for tonight’s show, the first of two sold out shows at The Helix and the opening date his European tour, has been building for a while. After an support set from bluesy mother and son duo Madisen Ward and the Mama Bear, Sufjan and his unassuming looking band take to the stage, and it’s immediately clear that we’re in for a very different show from when he last visited these shores four years ago. For a start, we’re all seated,…
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Despite being the accepted standard for radio play etc., sometimes there’s something unsatisfactory about the three-to-four minute pop song. It can, on occasion, feel like one idea has been dragged out a bit longer than it should have been, with superfluous guitar solos, incongruous bridges and unnecessary third verses, simply because it’s deemed that anything below this length is unacceptable. The best musicians, though, have the confidence and self awareness to keep things brief if they can say all they need to say in one or two minutes (or even less). Such tracks can easily be mistaken for throwaways, but…
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Founded in 1989 by Chris Lombardi in his New York apartment, before Gerard Cosloy came on board the following year, it’s remarkable how quickly Matador Records became one of the most influential record labels operating in the indie world. As well as signing US bands, the label also became a reliable source for British bands on small UK labels to expand their international reach. Now part of the Beggars Group, recently operating in London as well as New York, and still going strong with the same two managers at the helm, Matador inspires such devotion that Pavement and Guided By…
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Not all bands survive long enough to have a twentieth anniversary tour, at least without reforming first. What’s remarkable about Mogwai is that they still feel like a current band, not yet reduced to being a mere heritage act, and so it’s difficult to conceive that they’ve been around that long (in the same way that it’s difficult to conceive that the mid 90s were quite that long ago, even for those of us young enough to have been in primary school at the time). As such it’s genuinely exciting to see what way tonight’s set will go, with such…
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In the latest installment of Front of House, Cathal McBride chats to Davy Matchett of Belfast’s Third Bar Artist Development. Co-ran with Snow Patrol’s Gary Lightbody, Third Bar have mentored, managed and planned single and album campaigns for the likes of Desert Hearts, Robyn G Shiels, Ed Zealous, Wonder Villains, A Plastic Rose and many more. Photos by Ryan Richards. Hi Davy. Can you tell us a little bit about yourself and Third Bar? Certainly. My name is Davy Matchett and I have been following Manchester United since 1985, Ards Football Club since 1986 and going to gigs since 1987. My first…