• 2018 in Film: 35 Highlights of The Year

    December 21, 2018 - By 

    To mark the end of 2018, we’ve sent our film writers rummaging through their scrapbooks for the year’s highlights. Here are the moments, scenes, performances and film-making achievements that we just couldn’t shake. 1. The ballroom scene in The Square In The Square, Ruben Östlund sets about unpicking the false civility of the modern urban beta male (Cales Bang’s museum director) with slow precision. But then, about two-thirds of the way through, he sets off a firework, in which a hulking performance artist (Terry Notary) goes full simian during a high society dinner, baboon screeches, smashing crockery and eventually grabbing a woman…

  • The Thin Air’s Top 50 Irish Releases of 2018 (#25-1)

    December 14, 2018 - By 

    Each December, when we sit down to compile, order (and re-order) our end-of-year lists, a few familiar patterns emerge: though an undeniable bastion of forward-moving sound – and despite what the UK’s more kneejerk music press have been sold as of late – Dublin is not Ireland; there’s always enough feature-length curios released across the calendar year to warrant, if we were so audacious, a Top 200 Releases; and, more than ever, the self-released EP continues to hold its own in the face of even the most monied, PR-wielded long-player. This year was no different. In fact, it was a textbook…

  • The Thin Air’s Top 50 Irish Releases of 2018 (#50-26)

    December 13, 2018 - By 

    Each December, when we sit down to compile, order (and re-order) our end-of-year lists, a few familiar patterns emerge: though an undeniable bastion of forward-moving sound – and despite what the UK’s more kneejerk music press have been sold as of late – Dublin is not Ireland; there’s always enough feature-length curios released across the calendar year to warrant, if we were so audacious, a Top 200 Releases; and, more than ever, the self-released EP continues to hold its own in the face of even the most monied, PR-wielded long-player. This year was no different. Delve into #50 to #26…

  • The Thin Air’s Semi-Alternative Christmas Playlist

    December 10, 2018 - By 

    To celebrate our collective itchy feet awaiting the onset of socially acceptable daytime drinking, half-arsed cracker pulling and hastily-concocted post-pub sandwiches, here’s our annual Semi-Alternative Christmas Playlist – featuring everyone from Yo La Tengo, Big Star and Mazzy Star to The Fall, Mark Kozelek and Deerhoof.

  • Album Stream: Trick Mist – Both Ends

    November 30, 2018 - By 

    We’ve been big fans of Trick Mist here at TTA for quite some time. We first became aware of him back when he lived in Manchester, after he released the lush, dark single ‘Crumbs Abound’. Since, he has travelled across India and South-East Asia, before ending up back to Ireland and relocating to Cork to write his debut LP Both Ends.  Released today (30th November) via Dundalk’s Pizza Pizza Records, this LP serves as the culmination of two years’ work, incorporating his trademark violin manipulations with electronic and organic soundscapes. In October, he released the video for album track ‘Abroad In The…

  • Listen Back To This Week’s Death Culture Blues on Dublin Digital Radio

    November 23, 2018 - By 

    We returned to Dublin Digital Radio last night for our weekly two-hour show, Death Culture Blues. As ever, it was 120 minutes of cosmic and cosy sounds, this week featuring the likes of Yo La Tengo, Spark Sparkle, Wire, The Monochrome Set, Spacemen 3, Liars, Stereolab, BEAK> Faust and more. Miss it? Never fear. Stream below now and tune in this coming Thursday (November 30th), where our reviews editor Eoin Murray will be serving up only the very best experimental, ambient, electronic and cosmic sounds from 8-10pm.

  • Outburst Queer Arts Festival 2018 Film Review

    November 21, 2018 - By 

    Christopher Honoré’s Sorry Angel is an AIDS film where the presence of the virus comes through in tone and colour rather than political sentiment. The writer and director bathes the interiors and costuming of his cross-generational French romance in hues of blue. It is the colour of melancholy, of the autumn sky just before the light gives out — and, crucially, of hospital wards. Jacques (Pierre Deladonchamps) is a mildly successful but emotionally withdrawn Parisian novelist (imagine!) who is HIV positive but still in reasonably good health. But it’s the 1990s, and so his condition is more or less fatal. He has…

  • Preview: Idris Ackamoor & The Pyramids

    November 22, 2018 - By 

    For some people, genius is a bottomless well that flows from within and permeates everything it touches. Like our first co-presented show with Moving On Music back in October – Peter Brotzmann’s Full Blast – we’re delighted to bring an artist to the Belfast, who, despite decades between his inaugural cultural moment and now, continues to create music of astonishing relevance. Idris Ackamoor is a saxophonist, sometime keytarist & artistic director of afro-jazz ensemble The Pyramids. An Angel Fell by Idris Ackamoor and the Pyramids The Pyramids were founded in the early 70s through Antioch College as part of Cecil Taylor’s Black Music Ensemble. Embarking on the kind of pilgrimage that’s the stuff of musical…

  • Preview: Manchester Collective – Pierrot Lunaire

    November 13, 2018 - By 

    And now for something completely different. On Tuesday, November 20, we’re once again teaming up with Belfast’s premiere promoters of forward-thinking sonic events, Moving On Music, for a very special performance. Doubling up as the latest event in the consistently rewarding Tempered contemporary music series, Manchester Collective will present a brand new English interpretation of Arnold Schoenberg’s free atonal melodrama, Pierrot Lunaire, at the Sonic Arts Research Centre. Having formed in 2016 order to, in their words, “create radical human experience through live music for everyone”, this is an unmissable opportunity to experience Manchester Collective’s vision and thrilling approach first-hand. Featuring a…

  • “Like a funeral.” – Nirvana’s MTV Unplugged in New York Turns 25

    November 12, 2018 - By 

    On November 18th 1993, the three members of Nirvana sat down on the stage of the Sony Music Studios in New York, and recorded their own epitaph. Of course, they couldn’t have known that at the time, nor could the TV show producers, the gathered audience, or the guest musicians accompanying the band for this stripped back performance. But through the murky fog of hindsight, the resulting performance and live album seem infused with death, a haunted, haggard journey through one man’s misery, a journey that would end with his own death a few months later. As the world struggled…