The trajectory of O Emperor is rooted in familiar origins. They did what schoolmates do and formed a band. That band were picked up by Universal shortly after, landing them a #6 in the Irish album charts. They took their time and constructed a studio for the follow-up. here’s a point where the Radioheads & Beatles’ of this world effortlessly toe the line between artistic and commercial success, and its often the dependence and freedom of a studio itself to bring out the alchemy present in the band. Those moments where everything seems to magically synergise at once can’t be replicated…
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Ahead of its next takeover in London, Belfast and Dublin on March 23, we talk awareness, action and momentum with Jess Brien, Anna Cafolla, Isis O’Regan, Hollie Boston and Cait Fahey of Room For Rebellion, a “political party” who host synchronised events in aid of Abortion Support Network. Go here to buy tickets for Room for Rebellion Hi guys. Take us back to the roots of Room for Rebellion. When and how did it come about? Room For Rebellion was first set up by Isis who felt implored to do something about the state of women’s healthcare in Ireland. Anna and…
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Bray’s Wyvern Lingo chat to Nicole Glennon about being women in the Irish music industry,their camaraderie, activism and plans for the future. What does it mean to each of you to be a woman in 2018? Caoi: It’s socially more acceptable as a woman to dress in a garish fashion..? I don’t think about being a woman. The day our album was released, we were loading the van after our sold out gig in the Button Factory in Temple Bar, and some random prick walking past smacked my ass. When I ran after him, punched him in the back and screamed at…
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Established in March 2016, Girls Rock School Northern Ireland offers workshops and mentoring in electric guitar, bass, drums and vocals to women and girls of all ages. Taking inspiration and mentorship from it’s sister school Girls Rock School Edinburgh, it was the very first collective of its kind in the whole of Ireland. Since then, there is now also Girls Rock Dublin; just as Girls Rock camps and schools have been popping up across the world since the very first camp was held in Portland in 2001. GRSNI welcomes participants who self-identify as female, trans and/or gender non-conforming; they are…
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We grab a few words with Belfast DJ, producer and jack of all trades Phil Kieran about his experience soundtracking East Belfast Boy – an EdgeFest production currently on at Belfast’s the MAC – his forthcoming EP, Polyrhythmic, and more. Hi Phil. You’ve written the music for East Belfast Boy as part of this year’s EdgeFest. How did the collaboration come about and what attracted you to the project? I was approached by Emma Jordan who is the director of the play, we have been friends for years. I mentioned to her last year I would love to have a go at…
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Following the release of their second album, A Blind Arcade, on 23rd February, Ben Connolly of Berlin-based alt-folk trio All The Luck In The World chats to Nicole Glennon about contrasting studio spaces, sonic experimentation and the importance of originality. TTA: A Blind Arcade has just been released. How are you feeling about it? BC: Overall we’re really excited about it. We put a lot into this record and then had to sit on it for almost two years, so there’s a sense of relief in knowing that the songs are finally going to make their way to people. I would say that…
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There is an ambient apposition at work through the debut single from Dowry, the solo moniker of multi-instrumentalist and composer Éna Brennan. In É unfolds with measured purpose, the instrumental track building gently in tension as it moves from a drone base through subtle orchestral counterpoints towards its dramatic, understated conclusion. Éna creates her sounds with violin and a loop pedal, inviting the listener to become entangled in the earthier low tones, and the ghostly high register notes that pull away from their mire like will-o’-the-wisps. It’s that same emotional evocation that we’ve encountered on Éna’s earlier compositions, and in…
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Formed in 2011, and based in New York City, Exploding In Sound Records is a tapestry of idiosyncrasy. Pile, for example, are regularly cited as the world’s greatest rock band. Big Ups’ Before A Million Universes was very possibly 2016’s finest noise rock record. The bubbling, emotional cacophony of Ovlov’s 2013 Am has developed its own posthumous devoted cult following, leading to the band reuniting for a second album; not to mention the label’s ability to function as an early outlet and jumping point for Speedy Ortiz, Porches, LVL UP and Palehound. It’s a community. Bands share members, shows and tours together, and there’s a very genuine…
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With their aim of filling the void of independent bands having their music released on vinyl, Cal Byrne talks to Shane Byrne of Dundalk’s new-fangled Pizza Pizza Records about wax, big plans, keeping it DIY, world domination and – very important – favourite pizza toppings. What’s your favourite pizza topping? Plain cheese with a garlic dip is always a good call. Difontaines, Dark Horse Pizza (who sponsored our recent fundraiser by the way) or Tonys in Dundalk. Their garlic dip is class. That, or spinach & feta. 10/10 What inspired you to make Pizza Pizza records? I really like vinyl, and…
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Ahead of playing alongside him at Bullitt in Belfast on Friday, February 9, DJs Jonny Carberry and Black Bones talk starting out, crate-digging, rare gems, returning home, imprints and more with Belfast-born, London based selector and DJ Brian Morrison AKA Brian Not Brian. I think I first heard one of your mixes back in 2014, for one my fav labels Blackest Ever Black – I remember seeing the ‘Brixton via Belfast’ tag somewhere and thinking ‘Belfast! Class!’. Can you tell us a little about your life (and musical interests) in Belfast, and when and why you decided to move to London? Well, I’m actually…