Tonight from 6pm to 8pm sees the preview of Rebecca Dunne’s Static in Pallas Projects + Studios. Dunne is an artist who focuses on sound art, with her exhibitions frequently taking on immersive and interactive roles with their audiences. In Static we are advised that Dunne will present “a feature length picture available in surround sound”, which promises to continue and extend this narrative within her work. The exhibition is due to continue Pallas’ recent pop-up show template and close this Saturday after a three day run – helping to firmly establish the immediacy and visceral nature of the works. Full…
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This week recent NCAD graduate Julia Dubsky is having a preview of works in Temple Bar Gallery + Studios. Dubsky has had a studio in the building since April of this year as part of Temple Bar Gallery + Studio’s Graduate Residency Programme. A multitude of influences exists in the artist’s work, and recent months have seen her complete “a term at the Royal Drawing School in London; three months studio practice in Berlin; [and] a short artist residency in Tehran;” The preview is titled Vera and is open daily to viewers until this Saturday 16th September from 2pm to 6pm. Enterance to Studio 16…
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Vera Klute, Cloud – Courtesy of the Artist This Friday sees the launch of the RHA Gallery’s Autumn programme with four new exhibitions opening. In Gallery I is Vera Klute, Ronnie Hughes’ work is displayed in Galleries II and III with Janet Mullarney in the RHA Foyer; and finally, the work of Susan Connolly is on show in the RHA’s Ashford Gallery. Klute presents Plunge, a multimedia exhibition that makes use of both video and sculpture. Her work sees her discuss the everyday rituals and habits of people, and the transmutation of the normal to the abnormal. More details on Plunge can be found online…
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This Wednesday sees the opening of a new exhibition featuring the work of German printmaker Käthe Kollwitz. Titled Life, Death and War, the show consists of 40 prints selected from the Staatsgalerie Stuttgart art museum. As alluded to in the show’s title, the exhbition features pieces from Kollowitz’s Death series (1934-37), her two war series: Peasant War (1902-08) and War (1921-22) as well as her two other major art cycles Revolt of the Weavers (1893-98) and Proletariat (1924-25). During the opening decades of the 20th Century, Kollwitz (1867-1945) established herself as one of the finest and highly regarded printers of the era, achieving this during a period…
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Details have just been announced of an open submission to coincide with the opening of the Gallery of Photography’s new Osman Suite. Named after the gallery’s founder John Osman, the space is located in the newly extended bookshop. To celebrate the gallery has teamed up Irish photography magazine: Junior. Launched last year, the duo behind the publication released issue two earlier this summer and so far the magazine has featured the works of emerging and acclaimed Irish photographers including Mark McGuniness, Darragh Soden, Cait Fahey and Thérèse Rafter. Junior and the Gallery of Photography’s brief for this open submission is ‘Irish-ness’, and have advised…
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Dublin’s foremost purveyors of wit-pop and satirists of modern day Ireland, Shrug Life, release their long-awaited album, titled ¯\_(ツ)_/¯ – fitting, really, given that bass player Keith Broni is the world’s first emoji translator. The jangle-pop trio are notable for having some of the most pointed lyrics on the island, courtesy of frontman Danny Carroll – who penned the album’s most recent single, the Repeal-themed ‘Your Body’. This is the band’s first lengthy release since 2015 debut EP The Grand Stretch on Popical Island. The album was produced by ‘veteran wildcard’ Fiachra McCarthy (also known for Dott, Squarehead & So Cow), with its artwork coming…
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Edgardo Rudnitzky – VanishingMusic, 2014 (Wood, Brass, Paper, Music Box – CourtesyOfTheArtist) Opening this Saturday in Wexford Arts Centre is HAMMER | ANVIL | STIRRUP – an exhibition featuring local, national and international artists. The work that has been included in this exhibition focuses on the role of sound in art and, taking leave from Salome Voegelin’s Listening to Noise & Silence: Towards a Philosophy of Sound Art, looks at the idea “that sound art must remain a strategy of listening rather than an instruction to hear”. The practices of the four artists presented in this show, David Beattie and Richard Carr (both Ireland), Edgardo Rudnitzky…
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Absinthe hour – oil on Canvas, 2017 I first encountered the work of Eleanor McCaughey in 2015 when I saw her solo exhibition Image is Everything in Dublin’s Eight. There McCaughey collated and presented an Americana she had fictionalised using found photographs that depicted American diplomats and their families during the Cold War years. In that show hints existed to the new shift in direction her practice was about to take, and in the intervening years I voyeuristically watched this evolution through social media – peppering it with real life contacts at various exhibition openings. It was at one of those recent…
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The self-titled, self-produced debut album from Wexford quartet Ger Fox Sailing is a richly-woven, nicely eclectic collection of songs from a band who have just set out their stall and then some. From the contemplative precision of ‘Nowhere Without You’ and the poppier tangents of ‘What It Is’ to blistering closer ‘Best Friend’ via a stream of scuzz-laden, occasionally prog-leaning rock, reverberations from the likes of Longpigs, Incubus, Queens of the Stone Age, Grandaddy and, in parts, Northern Irish alt-rock band Pocket Promise (though we suspect the latter is something of a total coincidence) coalesce with the band’s own brand of deft,…
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Ballymena/Belfast occult-loving stoner-doom outfit Elder Druid have announced details of their debut album, Carmina Satanae – the Latin Term for Songs of Satan. The LP was recorded live in the studio by certified heft-bringer Niall Doran at Start Together Studios in Belfast over 3 days in August. As well as inevitable genre touchstones like Sleep & Electric Wizard, the iron lungs of frontman Gregg McDowell lends it a fury matched only by the likes of Down. Eight tracks strong, two of which are fresh recordings from their prior Magicka EP, they look set to make a significant dent on the UK & Irish doom scenes, having already toured…