• Scullion @ Lost Lane, Dublin

    June 20, 2019 - By 

    The pre-show murmur before the second of Scullion’s sequence of three “Down in the City” shows at Lost Lane is somewhat muted but polite and convivial. Critically it is dry. Just prior to doors opening the heavens did the same and most of our audience seem to have been caught in the deluge at some point en route to the venue. The mild drenching seems to have brought out an “us-against-the-world” attitude in the attendees, which always makes conversation a little easier and it’s clear everyone is very happy to be safely ensconced in Lost Lane’s cozy space. Scullion are…

  • Docs Ireland: The Inventor

    June 19, 2019 - By 

    An “invention” is, of course, not just a product you make, it’s a story you tell, a fancy you fashion. This linguistic slipperiness runs through Alex Gibney’s The Inventor: Out for Blood in Silicon Valley, his gripping critique of StartUpLand, a place pathologically allergic to plain speaking. Gibney’s Enron: The Smartest Guys in the Room (2005) is one of the definitive portraits of corporate American group-think, flagging up the delusional market faith that would help decimate economies a couple of years later. The dangerous sway of belief and magical thinking are recurring preoccupations of the film-maker— his previous film was…

  • Docs Ireland: 2040

    June 14, 2019 - By 

    The screening of 2040 was packed with schoolchildren thanks to the involvement of Into Film, a Northern Irish charity focused on film as an educational tool, and it’s easy to see why Docs Ireland extended the invite. The film, presented and directed by Australia’s Damon Gameau, is a layperson’s guide to the causes of, and urgently needed possible solutions to, rapid climate breakdown, and a love letter to his daughter and the possible futures she will inhabit. There is a breezy pedagogical tone to the film, in which Gameau, via to-camera testimony, narration and slightly hokey visual aids, outlines the physical…

  • Docs Ireland: The Silence of Others

    June 14, 2019 - By 

    “Spain is covered in mass graves.” Buried wells of grief and pain stir underneath Spain’s transition from decades-long dictatorship to holiday destination democracy in Robert Bahar and Almudena Carracedo’s El silencio de otros (The Silence of Others), a sobering, difficult documentary with deep resonance for our own state and its preoccupation with protocols of remembering and forgetting. Mass executions, concentration camps, torture stations, stolen babies. Francoist Spain was a horror story, one that occupies less space in cultural memory than comparable collections of atrocities. Part of the reason for this is the so-called Pact of Forgetting, a bill passed following…

  • Cate Le Bon – Reward

    June 8, 2019 - By 

    The songs on Cate Le Bon’s fifth album, Reward, came about as the result of time spent in a cottage in England’s rural Lake District, where she lived for a year in almost total isolation. Retreating from several years of going through the looped motions of touring, writing, and recording, there in nature and solitude Le Bon spent her days learning how to build furniture from scratch and her nights pouring over a second-hand piano, where she found herself writing the most introspective and personal songs of her career. Unsurprisingly then, location plays a vital part in Le Bon’s writing,…

  • Days Gone (Sony, PS4)

    June 7, 2019 - By 

    If you follow videogames media, you will no doubt already be aware of the polarised reception to Sony’s latest AAA exclusive title, Days Gone. Those in the positive camp have praised the intense atmosphere of this open world meets survival horror adventure while naysayers have criticised a release that contains more bugs than the Oval Office. Both sides of the debate have been particularly rabid in either their praise or their lambasting and, as is often the case, the truth resides somewhere in the middle. While there is much to enjoy about Days Gone, that enjoyment is all too often hamstrung by frustration, repetition…

  • In Their Thousands – Acrasia

    June 7, 2019 - By 

    Donegal’s In Their Thousands are no overnight story, it’s fair to say: brothers Aidan and Declan McClafferty have been playing music with their cousin Ruari Friel since childhood, and have been performing as In Their Thousands, alongside bassist Marty Smyth, for around a decade or so. These years of shared experience permeate through, the band’s debut long player. The 13 songs collected within feel distinctly ‘lived-in’ – from the collective setbacks, small victories and long nights of the soul detailed in their lyrics, to the ease of the band’s confident, unshowy playing. The title track and lead single, a recent…

  • Gloria Bell

    June 7, 2019 - By 

    Gloria Bell is something of a gear change for Sebastián Lelio after his Oscar-winning A Fantastic Woman. That film was a sobering deep dive into transphobia that drew fire from trans critics for dog piling woes upon a trans woman with little substance to back it up. Gloria Bell, an American remake of Lelio’s own 2013 film Gloria, is a much more nuanced and life affirming proposition The film’s opening act is a master class in patient character building. We follow Gloria, a fifty something year-old divorcee, as she sings love songs in the car, checks in on her distant…

  • Papi Chulo

    June 7, 2019 - By 

    2016’s Handsome Devil, a minor hit and the second film from Irish director John Butler, turned on issues of gay estrangement and unlikely male friendship. It balanced melodrama and excesses — like Andrew Scott’s literature teacher and his ‘Oh Captain, My Captain’ grandstanding — with a genuinely sweet consideration of the loneliness and alienation that comes with being young, gay and wayward. Butler channelled his own difficult queer history into a generally broad treatment, a heightening and blending of Irish cinematic tones. Papi Chulo takes Butler out of the island for the first time, but operates along similar thematic and tonal lines for its story of…

  • Forbidden Fruit 2019 – Day Three

    June 4, 2019 - By 

    As people begin filtering into IMMA for the final time of the June bank holiday weekend, there is an easiness in the air. The audience is noticeably more mature than those of days gone by and most certainly of a more relaxed disposition. There’s not so much a hum of excitement, but rather a coolness- a feeling that says, “take it easy folks, have a nice one”. Easing the crowd into the day on the mainstage is Glasshouse, a chamber ensemble performing the music of Bon Iver, for a moderately sized crowd. Their interpretations of Justin Vernon’s work is a…