• A Mother Brings Her Son To Be Shot

    September 12, 2018 - By 

    “It smashes the head open like a melon.” 11 year-old Kevin Barry is in his kitchen, holding a hatchet up for the camera. He turns to his makeshift armoury. Here, he demonstrates, is how you throw a saw at someone running away. Kevin Barry is the youngest child in the O’Donnell family, who live in Derry’s Creggan estate, estranged from official ‘city of culture’ pride. His older brother, Philly, is currently exiled in Belfast, on orders of the neighbourhood’s Republican paramilitary enforcers. For his apparently drug-fuelled anti-social behaviour, Philly was sentenced by a secret vigilante panel and blasted in the back…

  • Crazy Rich Asians

    September 12, 2018 - By 

    Romantic comedies get a bad rep because the obstacle between the lovers is a joke. There’s a misunderstanding, a misreading of a text message, and then a sudden spiral that only a dramatic gesture in the final scene can fix. Hence the trope that almost all rom-com conflicts could be resolved with an honest conversation. But in Crazy Rich Asians, adapted from Kevin Kwan’s novel by Peter Chiarelli and Adele Lim’s script, the romance comes up against a legitimately formidable roadblock: the Asian mother-in-law, and the cultural baggage of a whole other world. The heart-first ethos of the genre is…

  • The Nun

    September 7, 2018 - By 

    A creaky convent horror in desperate need of absolution, The Nun is the latest in Warner Brothers’ credibility-stretching attempts to hoover up audience good will for The Conjuring.  Over two central films the franchise has become an accidental financial juggernaut for WB, its relatively straightforward scares crafted with confident professionalism by director James Wan, who has an eye for tension, and boosted by the amiable chemistry of Patrick Wilson and Vera Farmiga as betrothed Ghostbusters Ed and Lorraine Warren. The Conjuring 2 was especially solid, distinguished by an 1980s red brick terrace atmosphere. Its weakest moments were when it went full…

  • Ólafur Arnalds – Re:member

    September 4, 2018 - By 

    Despite an exhaustive back catalog brimming with collections, mixtapes, EPs and scores, it is worth noting that Re:member is only BAFTA award winning Icelandic composer and pianist Ólafur Arnalds’ fourth full length studio album. Since debuting in the late ’00s, the now 31 year-old artist has carved an identity as a serial collaborator, and has worked extensively with Erased Tapes labelmate Nils Frahm, German classical pianist Alice Sara Ott and Haukur Heiðar Hauksson, not forgetting Janus Rasmussen for his melodic techno side-project, Kiasmos. Usually synonymous with crafting spacious and contemplative melancholic soundscapes – check out his chilling soundtrack to Broadchurch – Arnalds has turned to technology…

  • Idles – Joy As An Act Of Resistance

    September 3, 2018 - By 

    Urgent. Vital. Important. Essential. Interchangeable words that are denoted to music or artists that are deemed to be definite of the mood of the times. Albums and previously unseen and untold stories that break boundaries down, songs that transcend their form, artists whose messages become immortalised. Punk music and its offshoots have their fair share of such acts, but these words’ meanings have become denatured over time. Now, anything even vaguely resembling depth or that is tangentially outspoken is commonly misconstrued as politically charged or timely (sorry, not sorry, Macklemore, Justin Timberlake). Idles, a five-piece Bristol band who navigate the furious simplicity…

  • Purgatorio: Walking For Waiting For Godot @ Happy Days Enniskillen Beckett Festival

    August 31, 2018 - By 

    “We are all born mad. Some remain so.” It’s been a wait alright. Six years, in fact, for the first English presentation of Waiting for Godot at the Happy Days International Enniskillen Beckett Festival. Had Vladimir and Estragon – Samuel Beckett’s beloved vagabonds from his landmark play – had to wait six years in vain for Godot to arrive, they surely would have hanged themselves from that famous tree. Previous editions of the festival have seen renditions in Yiddish, German and French – the language of the original manuscript – and now, like buses, two performances in English by different…

  • Oh Sees – Smote Reverser

    September 1, 2018 - By 

      Oh Sees (aka Thee Oh Sees, OCS and too many other variations to mention), are not only one of the most prolific bands active today – seemingly locked in an endless battle of releases against protégés Ty Segall and King Gizzard & the Lizard Wizard – but they’re also a rare example of a band that has by and large only gotten better as their career has progressed, even as their album tally has gone well into double figures. Though many long term fans miss the ‘classic’ lineup that disbanded after 2013’s excellent Floating Coffin, when Dwyer relocated from…

  • Interpol – Marauder

    August 28, 2018 - By 

    Last year Interpol embarked on a worldwide tour in celebration of the 15th anniversary of Turn On The Bright Lights. It’s impossible to deny just how important that album was to both fans and to music in general. In the wake of 9/11, it placed the band at the centre of a slew of era defining artists coming out of New York. Covered in a shroud of mystery, the band managed to tug at the heart-strings of indie lovers with the likes of ‘NYC’ and ‘The New’. They replicated this emotional prowess on 2004s Antics cementing Interpol as one of the…

  • To All The Boys I’ve Loved Before

    August 31, 2018 - By 

      There’s little in life as complicated and intense as first love. The near-universality of this experience makes it the perfect source material for film. To All The Boys I’ve Loved Before is the latest Netflix original film and it happens to be a cute, screwball coming of age story wrapped inside a rom-com for the digitally native teen. Based on the successful YA novel by Jenny Han, five love letters (never intended to be seen by the objects of affection) find their way out of a hatbox and into the world. When Lara Jean (Lana Condor) realizes her crushes…

  • The Old Tune @ Happy Days Enniskillen Beckett Festival

    August 27, 2018 - By 

      One of the great things about the Happy Days Enniskillen Beckett Festival – and there are many – is the opportunity to experience rarely performed Samuel Beckett plays. The Old Tune, for one, doesn’t get too many run outs. Perhaps that’s because it’s comedic portrayal of two elderly men struggling with memory and the onslaught of modernity is considered too light for serious Beckett actors and directors – anxious to sink their teeth into the meatier existential stuff. However, in the hands of nuanced actors Barry McGovern and Eamon Morrisey, and with the subtle guidance of Director Conall Morrison,…