• Wild Rocket – Dissociation Mechanics

    July 20, 2017 - By 

    Wild Rocket have been ploughing their own particular psych rock furrow for the past few years, standing out in the Irish metal scene as one of the slower, sludgier bands around. Their first album, Geomagnetic Hallucinations, was an assured debut, while their second, Dissociation Mechanics, toys further with the form, extending track lengths and burrowing further into their krautrock-meets-metal idiom. The album’s lead track, ‘Caught In Triangle Again’, is one that’s least representative of the whole album. It opens with a loping groove, guitars and bass doubling the riff, accented by synth and joined by vocals that come straight from…

  • Dunkirk

    July 20, 2017 - By 

    Dunkirk, one of the summer’s most hyped and star-strewn aspiring blockbusters, is about that iconic crossroads moment of the early Second World War: the attempted evacuation in 1940 of nearly half a million British, French and Belgian soldiers from the titular French beach. Cut off from air support, surrounded by the German army, bombed to breaking point by the Luftwaffe – and with the safe haven of Dover less than thirty miles away – the Allies face catastrophe. A desperate evacuation strategy is mounted over land, sea and air that enlists not only the Allied forces but also British civilians…

  • Galway Film Fleadh: Maudie

    July 19, 2017 - By 

    The real-life tale of an arthritic misunderstood woman who finds meaning and recognition through art, Maudie could’ve have easily fallen victim to award-baiting faux-sensitivity. But much like the paintings produced by Nova Scotia artist Maud Lewis (1903–1970), now celebrated as one of Canada’s most famous folk artists, the biopic remains bright, simple, optimistic and a little childish. Dublin-born director Aisling Walsh (Song for a Raggy Boy, The Daisy Chain and numerous TV projects such as Dylan Thomas feature A Poet in New York) keeps a firm hand on Lesley Crewe’s script, which traces Lewis’ marriage, fame and eventual illness. Crewe,…

  • Mura Masa – Mura Masa

    July 19, 2017 - By 

    On his self-titled debut Alex Crossan aka Mura Masa makes intelligent, sophisticated pop writing seem utterly effortless. He does this by seemingly always making the correct creative decisions whether that’s the choice of collaborator, the length of a song or the minutiae of layering across a bar, a chorus or an entire single. This talent or knack or aptitude or god given gift is present right from opener ‘Messy Love’ into the late stages of the album but is transcendent in conjunction with the immense talent of the contributors. Despite being her second best appearance on the album, ‘Nuggets’ featuring…

  • Sunn O))) @ Limelight 1, Belfast

    July 18, 2017 - By 

    If comedian Martin Mull’s much-misappropriated saying “Writing about music is like dancing about architecture” holds any weight, attempting to sum up the equally ecstatic and obliterating experience of witnessing Sunn O))) at their most potent feels a bit breakdancing about brutalism or trying to riverdance about Mycenaean revivalism. Trickier still, trying to make anything resembling a few vaguely coherent mental notes for the purpose of this review (which, for this writer, proves an experiential trek veering between total oblivion and wildly fluctuating interior monologue) is a laughable prospect – the tripped-out, coeliac plexus-crushing equivalent of the tail trying to wag the dog.…

  • Sun Collective – Sun Collective

    July 18, 2017 - By 

    Over the course of its musical history, Ireland has had a symbiotic relationship with the art of folk music from stalwarts like Luke Kelly, The Clancy Brothers and Planxty to recent greats like Declan O’Rourke, Villagers, The Gloaming and Lisa Hannigan. As culture moves however, the prevalent ties to tradition that once permeated the country’s musical culture have been seen to fray ever-so-slightly. Mass-produced pop-rock dominates Irish ticket sales, festival main stages and radio airplay, shoving aside a genre so formative to parts of the Irish identity. In the midst of this it becomes crucial to find new ways of recontextualising…

  • The Graduate

    July 18, 2017 - By 

    Fifty years have passed since the original release of The Graduate, the film that launched Dustin Hoffman as a star, innovated the pop music movie soundtrack and confirmed Mike Nichols’ genius with 1967’s Best Director Oscar. The highest grossing film at the U.S. box office that year, its success helped to usher in a new wave of young Hollywood filmmakers and the most creative decade in American cinema history followed during the 1970s. While the film’s historical cinematic significance is without dispute, The Graduate remains a thoroughly modern film – in both its themes and style – that demands to…

  • Longitude 2017

    July 18, 2017 - By 

    With an increasingly younger and more hectic audience, Longitude takes to Marley Park for its fifth year. Originally established as an indie pop festival drawing headliners such as Vampire Weekend and Yeah Yeah Yeahs, line ups have taken a sharp left turn over the last couple years turning Longitude into Ireland’s primary two-day hip-hop party with a Sunday addition of a folk day. The increased crowds and popularity of the festival cause serious issues on the Friday with entrance queues lasting hours and constant mini human landslides being led by the post-Leaving Cert demographic filing through the gates. Dua Lipa’s…

  • War for the Planet of the Apes

    July 17, 2017 - By 

    Like the cinematic equivalent of the ‘evolution of man’ graphic, each installment of the Planet of the Apes prequels has stood that bit taller than the last in terms of scope and ambition, as the franchise inches closer to the simian supremacy of Charlton Heston’s sixties space odyssey. 2014’s Dawn of the Planet of the Apes remains a stunning achievement in summer film-making, thanks to its expectation-defying mix of tragic fraternal conflict, lush botanic texture and a totally compelling hero. On Andy Serkis’ conflicted, motion-captured face was writ large the practical limits of Caesar’s longed-for apetopia and its non-violent covenant.…

  • Galway Film Fleadh: The Big Sick

    July 14, 2017 - By 

    Pakistani-American comic Kumail Nanjiani and writer Emily V. Gordon, married co-hosts of popular podcast ‘The Indoor Kids’, have mined the dramatic beginning of their real-life relationship for the wonderfully large-hearted and funny The Big Sick. Directed by Michael Showalter (Wet Hot American Summer, They Came Together) and produced by Judd Apatow, it’s the big, crowd-pleasing romance of the summer and a welcome return to form for the Hollywood rom-com. Kumail (Silicon Valley) plays a less successful version of himself, a Chicago comic driving an Uber on the side and doing 5 minute bits at the local comedy club, angling, alongside his friends Bo Burnham and Aidy Bryant (Saturday Night Live), for…