• Getting Re-Acquainted: Ariel Pink’s Haunted Graffiti – Round & Round

    September 11, 2013 - By 

    A year is a long time in the world of pop music, and it’s hard to believe that an incredible three years has passed since the release of Ariel Pink’s game-changing album Before Today. Before that, he’d been a lo-fi oddball, a seemingly deliberately obscure artist as likely to be responsible for a piece of unlistenable mucking about as he was for a warped slice of vintage FM pop music. Before Today changed all that, and ‘Round & Round’ was the moment when his peculiar genius asserted itself. Over a bed of hazy Hall & Oates-esque synths, Pink and the rest…

  • Everything Sucks #005.5: Local Music Rant

    August 30, 2013 - By 

    If you’ve read the original column that was here and were offended in any way by my statements, I apologise. Opinion has been pretty much down split evenly from what little I’ve seen of it, some in agreement, some not so much. I hope to address this now. To those who have differed with it, I say this. To patronise or look down on anyone was not the intention. Far from it, in fact. The tone of the rant was fairly crass, but that was the point. My regular column here is an angry rant. As such, a certain humour…

  • Dan Hegarty: Obsessive Compulsions

    August 19, 2013 - By 

    He sports one of the most splendid moustaches that you’re likely to see, and he’s proven that he can pen a tune or two over the years. Jerry Fish has brought us one of the catchiest tunes of 2013 in ‘Barefoot & Free’. He’s enlisted the services of R.S.A.G on drums, and put together a pretty funky video to go with it! If you’re going to the Electric Picnic, make sure to pay a visit to his ‘The Jerry Fish Electric Sideshow’ stage at Electric Picnic’s Trailer Park.   We all have the potential to become slightly obsessive about things;…

  • Farewell, Cellar Bar

    August 8, 2013 - By 

    Featuring the thoughts of different people associated with local music or indebted to the establishment in various ways, our reviews editor and PigsAsPeople axeman Stevie Lennox gives his thoughts on and pays tribute to legendary hub of Mid-Ulster/Northern Irish music culture, Draperstown’s Cellar Bar. ___ Well, it’s been a rough few months. With Auntie Annie’s having closed house with no sign of a return, Glasgowbury announcing that this year’s was the final one and now Draperstown’s Cellar Bar – the only decent refuge for anyone seeking original music anywhere near Mid-Ulster. Having dealt with Ryan Lagan and the staff in the…

  • Everything Sucks #004: Ten Years of Out On A Limb

    August 2, 2013 - By 

    Out on a Limb Records is ten years old this year. A testament to the staying power and DIY spirit of the Limerick indie, its roster reads like a who’s who of independent music in Ireland since its foundation, with survivors like Rest and Elk sharing room with staples like Jogging, Windings (above) etc. and a heritage with names like Giveamanakick, Waiting Room and other bands important to the development and proliferation of Irish DIY culture. Without OOAL, who knows what the scene would be like south of the border? It doesn’t bear thinking about. It was ten years ago, on a…

  • Dan Hegarty: Time Travel

    August 2, 2013 - By 

    I’m still trying to figure out where the past couple of weeks have gone. The much anticipated Longitude festival has been and gone. Some of the highlights included Mark Lanegan Band, Foals, MØ, Half Moon Run, and excellent performances by our very own Young Wonder, MMOTHS, and The Cast Of Cheers. Bring on Castlepalooza, Indiependence, Oxegen, and Electric Picnic! Proving that geography is no obstacle, Cork/Sydney duo In Valour have been working on new material. They’ve also made a video for new track ‘Slow Crunch’. The visuals are stunning, as is the track.   Speaking of Cork, The Vincent(s) are…

  • Everything Sucks #003: Millenials

    July 25, 2013 - By 

    So the latest bored-old-hack thing du jour is to label children of the ’80s “millennials” and get stuck into them for the same shit bored old hacks did to Generation X, etc. etc. So far, so very every reactionary article, and while a lot of them have valid points (narcissism and selfies, for example), it’s mostly just the same old same: “kids these days and their technology/music/haircuts (delete as applicable), aren’t they silly/weird/unfamiliar to our audience!”. The counter-arguments build up in your head as you read, and you know you’re fighting a losing battle with the decrepits that churn out…

  • Life Through A Lens

    July 23, 2013 - By 

    Isn’t technology mindblowing? I’m typing this collection of words onto a page, in whichever font I choose, displayed on a screen, which is attached to a bunch of plastic and metal with electricity running through it which is wirelessly connected to an international network containing all the information ever, which I can’t even see. Crazy. Thanks to technology, the world of entertainment has been changed forever. Sure, it has its pros and cons but it has certainly made things a lot easier. There is no need to leave your house to do most things. You can buy albums, watch movies,…

  • The Chancer’s Guide To… Beck

    July 16, 2013 - By 

    Beck has been quiet for an uncharacteristically long time. During the five years since the Dangermouse produced Modern Guilt he has formed a Record Club in which he and a bunch of musician friends re-record classic albums (Skip Spence – Oar; INXS – Kick to name but two). He also completed Song Reader, a 20 song album only available on sheet music (meaning you need to gather together your own musician friends and play the songs yourselves if you want to hear them). Finally though, new music, written and recorded by Beck, is beginning to filter through. With two albums apparently…

  • Classic album: Can – Future Days

    July 15, 2013 - By 

    Think of a colour. Think of another colour. Think of things that are the first colour, and imagine them in the second colour. Then think of them in a different shape. This – confusing as it might be – goes some way to explaining the creative processes behind a record like Future Days, a record that simply couldn’t sit back and accept things the way they are. And, in a testament to its success, people are still thinking about things in a different way to this very day. Can aren’t an easy band to get into. But then again, if something…