Back in the mists of time (2020) Treehouse Live emerged as an essential online series shining a bright light on the far-too-often neglected North West scene. This year, the series returns for its highly-anticipated second season, shot and recorded by the tight-knit Treehouse team in an undisclosed location by the breathtaking beach of Rossnowlagh on the coast of South Donegal. Over the next while, the team will be drip-feeding some wonderful live performances from the series featuring artists spanning the North West and a little further afield. In the weeks to come, you can expect episodes featuring Donegal acts Neptune M. and…
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It’s just two days until the release of Letterkenny psych outfit Tuath’s new Research and Development EP. Frontman Robert Mulhern gives us the lowdown on some key music that has shapes both his sounds, and his outlook on music. Soccer96 – I Was Gonna Fight Fascism I hadn’t seen any lyric-addled S96, but they came out with this track “I Was Gonna Fight Fascism” last year and we just couldn’t believe that someone out there was doing sarcasm so well. We love it – the whole band couldn’t stop listening to it for months. It made lockdown much more craic. It was…
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Fresh off the nihilism train and galvanised against unfettered capitalism and government-sanctioned mass property development, Donegal’s finest, Tuath are back with ‘That Looks Like A Good Spot For Some Luxury Apartments’, the final single from their forthcoming Research and Development EP. The band pushing the extremes and cranking tension between glossy production and pointed critique, it’s drawn from all manner of establishment-bothering works – from Adam Curtis’ culture-jamming neoliberal explorations and Mark Fisher’s theory of the ‘slow cancellation of the future’ that’s been happening since around 1994, through to one of the last truly anarchic and anti-capitalist movements in music, vaporwave. The single’s accompanying satirical cover…
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Without a doubt our favourite hauntological, psychogeography peddler around, Donegal experimental electronic auteur Aengus Friel, AKA Shammen Delly has released his mythological magnum opus, created in the midst of lockdown. This latest heady, hazy trip-hop-influenced concoction was recorded at his own ‘Red Dunge’, inspired by country & Irish legend Big Tom‘s 70s little-known wilderness years: “This is a vivid reimagined vision of a time when Big Tom and his Mainliners were leaders of ‘The Peoples Temple’ in Monaghan back in the late 70’s and would travel around the country summoning new followers for the sacred dances around stone circles and beaches. His followers…
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Everyone’s favourite rural slack power-pop escapists, Ramelton’s Aul Boy are back with new EP Making Strange. As ever, the wry quartet, led by Fionn Robinson, runs the gamut from jangle-pop ditties to experimental pocket orchestras [the masterful ‘Buttercup’]. Recorded at Donegal’s Attica Studios by Orri McBrearty, with some wonderful artwork from Daniel McGarrigle, it’s available on digitally & on CD. Aul Boy launch Making Strange tonight at Bennigan’s, Derry, and tomorrow night at Letterkenny’s Swilly Inn. Making Strange by Aul Boy
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Having been called psych, noise rock, trip-hop, industrial, and any other lysergic-laced subgenre under our dying sun, Letterkenny’s Tuath continue to defy classification. They remain as shapeshifting an entity as the likes of Mr Bungle, Ween, and Primus – the latter of whose bulbous low-end shares a lot in common with their pulverising, singular new ‘doomer metal’ single ‘Pay Ur Taxes!’. The release, part of the forthcoming The Fuckening EP, sees frontman Robert Mulhern continue to laugh into the void, distilling their 2020 modus operandi into one easy to understand – unless you’re a conglomerate – mantra. Mulhern has submitted to us an essay on the origin…
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Slack Ramelton indie rock outfit Aul Boy are back with another intricately crafted lounge-pop gem in new single ‘Because’. We’re delighted to unveil its very much on-brand video, which captures the dressing-gown-clad Aul Boy himself roaming in glorious Super 8. Channelling the interminable wilderness period of the twenty-something in the ‘forgotten county’, it gladly shuts its eyes in the face of reality, escaping into a sea of wonderful Grandaddy-recalling synth arpeggios, melancholy & chord mastery. ‘Because’ is the first single to be taken from their forthcoming Making Strange EP, recorded at Attica Studios [SOAK/Villagers]. Download it on a name-your-price basis here.
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The seed of Donegal emo-tinged alt punk trio Fierce Pit Bosses has been growing the North West for a while now. Starting out as the folk-punk vessel for Eoin Gillespie’s kitchen sink small-town listlessness, he hit early the emotional notes of the likes of Jeff Rosenstock, before the project grew into a righteously fierce (sorry) live outfit. With Tuath’s Robert Mulhern at the helm on production, their debut Sharks in the Bathtub EP captures the raw, fizzing energy of Hüsker Dü, as buzzsaw guitars, snare & cymbal clatter collide with pop sensibility, and the irresistible sound of a young band with a beating heart on their sleeves. The EP is launched at Letterkenny’s Central Bar this Saturday, January 19, with support…
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Elaborated and delivering upon the promise laid down by his solo bedroom debut EP Blue Ghosts, Fionn Robinson, aka Aul Boy – now expanded to become fully fledged band – has given us a first peep of the video for their new latest single, ‘Wait’. Featuring Bjørn Patzwald, Peadar Coll & Jeremy Howard, the song is a wry, tongue-in-cheek, slice-of-life (“I’m not buying milk for two, baby“) distillation of Mac DeMarco, or Terror Twilight-era Pavement were they late-risers from Donegal. And, much like Mac reclaimed the vieux jeu Steely Dan, Aul Boy’s heartfully reclaimed Hendrix blues noodling works much to the song’s strength. The song was recorded and mixed by Percy Robinson…
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Arguably the northern province’s foremost purveyors of hepped-up-on-goofballs psychedelia, the bilingual Tuath, have a new single, ‘Cuz Why?!’ and we’re delighted to premiere it here. As opposed to the usual shoegaze & trip-hop-laced excursions the band are used to – watch the video for their last single, ‘Youth‘ – filtered through frontman Robert Mulhern’s psychedelic lens, this song adds post-punk to their considerable palette. Mulhern has drawn a consistent thematic throughline through Tuath, of the questioning of accepted ideals & organised ideology. They continue to effuse their worldview with a half-maniacal cackle, half-nihilistic-shrug, helped along by its kitchen sink absurdist imagery. He says of the…