Bob Mould has announced a solo show for Dublin. The ex-Hüsker Dü and Sugar frontman will play a solo electric show at Whelan’s on January 19 2022. Tickets are priced €29.50 and go on sale this Friday (July 23) at 10am. The show, which coincides with the upcoming release of his Distortion: Live vinyl boxset, sees Mould perform solo versions of music from across his 40+ career, including some Hüsker Dü classics.
We should all be eternally grateful to the Numero Group. Their tireless efforts to ensure that some of the great quasi-lost nuggets of our popular culture get rediscovered and granted a level of respect that they were deprived of upon their initial release. Their reissues and remasters are rich and varied, encompassing the likes of hardcore luminaries Unwound as well as forgotten soul star and transgender icon Jackie Shane. While the label has been working at an awe-inspiring level, they’ve recently outdone themselves. Savage Young Dü is a 69 track tome tracking the early years of the seminal Hüsker Dü, one…
From the moment you press play, you know that you’re in for something special. Those drums, militaristic and intensely precise, ushers you into this false sense of rigidity and form. Then that bass comes in with its thick tone and fuzzy edges, blurring the sound and removing focus while never losing time. We have a second to breathe and adapt before that guitar comes in. Phasered and distorted to all hell with a piercing shrill undertone, its presence is pushing this carefully constructed structure to brink collapse. This wall of sound is finally scaled by an almost nonsensical barking vocal…
As part of this year’s The Cathedral Quarter Arts Festival, we’re very happy to present a special celebration of boundlessly influential U.S. three-piece Hüsker Dü at Voodoo Belfast on Monday, May 5. As well as hosting a one-off screening of Every Everything: The Life, Times and Music of Grant Hart, Hüsker Dü drummer, songwriter and visionary, Belfast-based punk and rock n’ roll bands, No Matter, The Groundlings (headliners) and alt-rock three-piece, Abandcalledboy will play three sets balanced between original material and their very own takes on classic Hüsker Dü material. In Every Everything, The Life, Times and Music of Grant Hart,…
In some ways, it must sort of suck being a person like Grant Hart. Amongst a subset of people you had reached a level of respect and adoration reserved only for deities. Your work was critically acclaimed and sold impressively for underground scene. The music you wrote not only inspired a generation but brought about a sea change within the mainstream. And yet you never quite cracked it. You teetered close within the 90s with Nova Mob’s Last Days of Pompeii album – buy it – and your own solo work, but ultimately never got the fame you so rightfully…
With Husker Du’s drive and aspiration was going to come into conflict with the orthodoxy of hardcore, for the world at large, their meteoric development was continuing to deliver the goods, and their second album of 1985 would somehow manage to raise the bar even further. Flip Your Wig boasted improved production values, giving the band a sparkling and clean sound for the first time, as well as highlighting the intensely creative and rewarding songwriting rivalry that existed between Bob Mould and Grant Hart. The two men had been peppering the albums with gem after gem, but Flip You Wig…
The wonderful thing about a deplorable culture like that of the 1980s is that the counterculture is sure to be interesting; this brings us to SST Records, one of the landmark independent record labels filed away in the lower, yet equally storied recesses of popular music. Originally purposed as Solid State Transmitters – a small electronics business formed by a 12 year old soon-to-be founding member & guitarist of pioneering hardcore act Greg Ginn – SST Records opened for business in 1978 as a way for Ginn to release and distribute his own material with Black Flag, and shortly thereafter…
The sky is the colour of a television tuned to a dead channel. The ground is muddy and wet, and the detritus from wrecked automobiles are all around. Three figures stand, apart, but somehow together, and the air has the static charge of electricity. This is the Zen Arcade, and anything can happen here. When it was released in 1984, Hüsker Dü’s Zen Arcade immediately stood out as being something new. Previously, the band had been one of the initial glut of American bands inspired by the thrilling rush of punk, taking the form and making it harder, faster, more aggressive, becoming…