Photo by Tim van Veen You can’t help but admire the audacity of Le Guess Who? After an almost household-friendly 2016 lineup, they made a point of aiming their powers of tastemaking further toward the underground, with a broad range of curators that give as accurate a microcosm of the festival as you’d hope – Perfume Genius, Jerusalem In My Heart, Grouper, James Holden, Han Bennink, Basilica Soundscape & Shabazz Palaces. This comes accompanied by everything a fan of music & the arts could dream of, including the world’s largest record fair, the smaller Le Mini Who? festival. Every festival…
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We’ve said it before, and we’ll say it again: Dublin quartet Autre Monde are one of the very best indie bands in the country at the moment – the proof being scattered all over their eponymous debut physical release, out now on borderline-iconic Dublin indie label Popical Island. Barely allowing us to sit upon their opening (acclaimed, by our reckoning) batch of singles – available on Bandcamp – the act are undeniably referential to contemporary pop & art-rock from the mid-sixties through today. Indeed, they make an art out of mining genuine originality from a breadth of genre touchstones like Talking Heads, Can or Pavement, simultaneously giving a nod to underground movements like CBGBs new wave…
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Laying comfortably in the shadow of Amsterdam is the chilled-out university town of Utrecht, where the red light district is gladly a distant memory, and typically Dutch architecture and culture are in great supply. While this particularly from of citywide festival can be tough to pull off, Le Guess Who? has developed and diversified every year, offering something for everyone. A holiday-planner’s dream, it boasts the artistic ambition with none of the associated pretentiousness. Many of the performances take place in the impressive TivoliVredenburg or multitude of other venues within walking distance. Most music starts after 5pm, offering the chance to visit the Rietveld Schröder House, tour the…
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Power-pop act Half Forward Line are a Galway-based trio of Irish garage rock relative luminaries, spearheaded by the self-deprecative lyrical mastery of So Cow‘s Brian Kelly. Their debut album, The Back of Mass, comes out on October 27. The band also features Oh Boland‘s Niall Murphy on bass and Ciaran O’Maoláin on drums – who, incidentally, recorded the album over the course of two days in the lounge of a derelict rural Irish pub. As ever, Kelly delivers eleven tightly-woven slices of life in an increasingly-disconnected world that is modern Ireland, typically banged out in under a half-hour. Dizzying, anxious bubblegum pop and the pristine chord progressions Teenage Fanclub somehow never wrote hyperactively lay the path…
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Following its digital release earlier in the year, Cork psych-tinted post-punk outfit Any Joy release their debut album, Cycles on vinyl. The five piece, formed at the start of this year by Oisin Dineen, self-released the album earlier in 2017 digitally, Cycles. With all the hallmarks of a great post-punk indie rock record – glistening guitars, anxiety-fuelled lyrics centred around the cyclical nature of thought – its psychedelic hue, peppered with documentary samples & unexpected instrumentation while maintaining a healthy minimalism that avoids any air of pomposity, à la Parquet Courts; you can add Any Joy to the list of essential post-punk & psychedelic bands from a city…
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Dublin’s foremost purveyors of wit-pop and satirists of modern day Ireland, Shrug Life, release their long-awaited album, titled ¯\_(ツ)_/¯ – fitting, really, given that bass player Keith Broni is the world’s first emoji translator. The jangle-pop trio are notable for having some of the most pointed lyrics on the island, courtesy of frontman Danny Carroll – who penned the album’s most recent single, the Repeal-themed ‘Your Body’. This is the band’s first lengthy release since 2015 debut EP The Grand Stretch on Popical Island. The album was produced by ‘veteran wildcard’ Fiachra McCarthy (also known for Dott, Squarehead & So Cow), with its artwork coming…
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The astutely-named debut EP, Buzzfeed Depression Quiz, from Limerick indie rockers Eraser TV now has an accompanying video for its nine minute centrepiece, ‘Golden Boy’. A composition reminiscent in scope and mood to David Pajo’s Papa M, or slowcore greats Codeine, ‘Golden Boy’ never drags as much as it could; Functioning as something as a Freebird as far as rock epics go, it bucks the trend by saying more in its sole lyric than all the confederate flagwavers the ’70s could muster. The video itself eschews a potentially overdriven narrative or the dreaded ‘live performance video’ in favour of grainy, intensely frisson-inducing archival footage of war, giving the song…
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It’s been seven years since their debut album, Future Static Prologue, but Ballina-formed, Dublin-based shoegazey alt. rockers Chirps are finally gearing to follow it up with a second LP, from which we’re delighted to premiere first single ‘Pink Noise’. Featuring members of esteemed noisemakers like Hands Up Who Wants To Die, Wild Rocket, Crowhammer and Oilbag, their new album has been in the works over the last few years, gradually recorded by John ‘Spud’ Murphy – who’s also behind many of the finest independent Irish releases in recent years. A definite progression from previous work, Chirps have clocked up an astounding number of nods toward underground subgenres – most evidently shoegaze,…
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Just released is Limerick post-punk noise-pop act Eraser TV‘s debut EP, the wryly-titled Buzzfeed Depression Quiz, that tells you all you need to know about the wry wit of the trio. Featuring zero short, snappy numbers and a nine-minute epic celebration of languor, no compromise has been made on the EP, filled with all the trimmings, creases, and slightly-off guitar lines you’d hope from a band with nothing to lose. Buzzfeed Depression Quiz is a completely unselfconscious release, and is all the better for it. The EP was recorded and produced by Chris Quigley, self-released and available on Bandcamp on a pay-what-you-like basis. Stream below:…
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Never ones to sit on an idea for too long, pragmatic, scuzzy South Dubliners Slouch have followed up previous double A-side their whiteboyfilingcabinetfaxmachinestapler release from March with another, titled It’s Not a Man Abandons Post. A lethargically-paced brace that reaffirms what we learned from its predecessor – that you’d never get a hard day’s work out of the lads – It’s Not a Man… sees Slouch really lean into their name on this one, conjuring more slack indie rock by way of Weezer and the Seattle sound this time around, the Loctite rhythm section proving more than adequate foil for Conor Wilson’s Xanax’d-out vocal. The release is the…