Is it strange to surf during a siege? The optics of a modern-day siege, and the visual poetics associated with the Gaza Strip, get scrambled and re-infused in Andrew McConnell and Garry Keane’s Gaza, closing night film of the Docs Ireland festival. Born out of McConnell’s “Gaza Surf Club” photography project, the film is a rare postcard from a desperate shoreline. “There is a barrier separating the people of Gaza from life itself”, muses a theatre performer, who provides poetic commentary on the struggle of those living in the ravaged Mediterranean enclave. Habitually designated as the world’s largest open-air prison, the Strip…
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2016’s Handsome Devil, a minor hit and the second film from Irish director John Butler, turned on issues of gay estrangement and unlikely male friendship. It balanced melodrama and excesses — like Andrew Scott’s literature teacher and his ‘Oh Captain, My Captain’ grandstanding — with a genuinely sweet consideration of the loneliness and alienation that comes with being young, gay and wayward. Butler channelled his own difficult queer history into a generally broad treatment, a heightening and blending of Irish cinematic tones. Papi Chulo takes Butler out of the island for the first time, but operates along similar thematic and tonal lines for its story of…
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DOCS IRELAND – a brand new documentary film festival – launches this summer, and will be showcasing some of the best new international and Irish music documentaries from 12-16 June in Belfast. At the festival’s launch Co-Chair of Docs Ireland, Brian Henry Martin, said: “It’s more important than ever that we celebrate those brave and creative voices who seek out the truth no matter what it is or where it takes them.” As for documentarians, also read songwriters, their counterparts in demystifying social truths and private worlds. The festival includes new films on PJ Harvey (pictured, top), Chilly Gonzales and…
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Digging up the past is dirty business. Northern Irish indie The Dig, the first feature from brothers Andy and Ryan Tohill, brings viewers out to the bog, for a grubby, mucky, effective drama of guilt and redemption. Written by Stuart Drennan and assisted by NI Screen, the film stars Moe Dunford as Ronan Callahan, a convicted murderer with a memory problem who returns to his small Irish village and finds the father of his apparent victim (Lorcan Cranitch) on an obsessive quest to unearth his daughter’s body. Flagged by Emily Taafe as the victim’s sister, and Francis Magee as a menacing Sergeant, the repentant Ronan picks…
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“It’s not about how many times you get hit, it’s abut how many times you get back up.” A flash of Rocky Balboa machismo seems inevitable in Float Like A Butterfly, another dose of feel-good Irish quasi-realism from the producers of Once and Sing Street. But Carmel Winters’ film, her second after 2010’s Snap, complicates the sentiment, delivering it in a moment of desperation, as a proud Traveller forces his meek son into a seaside fistfight he’s wholly untrained for. For the teenage Frances (Hazel Doupe), fighting is a means of asserting herself in a world where hostility comes from…
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Opening the 19th Belfast Film Festival, Mark Cousins, newly installed Chairperson and mega-watt generator of cinematic enthusiasm, advertised the rectangular frame of Movie House Dublin Road as a place where Belfast will “meet the world”. For the inaugural night, at least, the world is the other side of Ulsterbus 273. Northern Ireland’s second city, and the experiences of the women living there, is receiving fresh attention with the success of Lisa Magee’s likeable Derry Girls, and is joined by Tess McGowan and Shelly Love’s A Bump Along The Way, a broad, sometimes difficult local indie with a sympathetic eye for feminine…
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The Irish bog is fertile metaphorical soil. It’s dank, ancient, unforgiving. It brings you down and sucks you in and swallows you up. It is our countryside version of Jordan Peele’s sunken place. In The Dig, filmed in soggy Northern Irish landscapes, the bog represents obsession, or death, or the past; ideal terrain for a moody murder-mystery drama drenched in male guilt. Written by Stuart Drennan, whose 2014 film Breaker also turned on questions of memory and buried secrets, and marking the feature directorial debut of Belfast-born brothers Andy and Ryan Tohill, The Dig gets much out of its basic premise…
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The release last month of Mary Queen of Scots marked the twentieth on-screen role for Saoirse Ronan, who has, especially in the past few years, carved for herself a reputation as one of Ireland’s most talented and versatile actors. Press interviews with the 24 year-old, who first appeared as a 10 year-old on RTE’s The Clinic, often invoke her dual geographical upbringing—born in New York to Irish parents, later raised in Carlow and then Dublin—as a way to talk about the complexities of belonging, a theme which, it will be clear, runs through her work. Here is each of Ronan’s credited films, excluding voice…
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A quick search for Irish horror films yields recent films like The Killing of a Sacred Deer and The Little Stranger. And fine films they may be, but they are categorised as Irish due to the presence of the Irish actors; Colin Farrell and Barry Keoghan in the first instance and Domhnall Gleeson in the latter. While both of those films are respectably creepy choices (Sacred Deer is particularly uncomfortable watching), the list below contains some lesser-known Irish horror films set in Ireland with a predominantly Irish cast and crew. There are plenty of other great ones out there, but here…
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“It smashes the head open like a melon.” 11 year-old Kevin Barry is in his kitchen, holding a hatchet up for the camera. He turns to his makeshift armoury. Here, he demonstrates, is how you throw a saw at someone running away. Kevin Barry is the youngest child in the O’Donnell family, who live in Derry’s Creggan estate, estranged from official ‘city of culture’ pride. His older brother, Philly, is currently exiled in Belfast, on orders of the neighbourhood’s Republican paramilitary enforcers. For his apparently drug-fuelled anti-social behaviour, Philly was sentenced by a secret vigilante panel and blasted in the back…