With the World Cup, the glorious weather and the afterwork buzz there is sense of anticipation around Dublin’s Iveagh Gardens on this balmy Friday night. It’s a beautiful part of the city and it is wonderful walking through the trees to see the food tents and all the happy faces of this vastly mixed crowd. The four man band of Eels take to the stage just after 8.30pm. They take no prisoners by lashing into it some cover versions of The Who classic ‘Out In The Street’ then rather strangely and brilliantly ‘Raspberry Beret’, by the one and only Prince.…
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A lone figure sits on a sand dune on the domineering backdrop screen, facing the waves as the ambient clamour of seascape sounds permeate the chatter and hum of 3arena; oh so gradually intensifying. “Come ye in from the bar”, it almost whispers, and crashes, until the air vibrates that bit more and a thrum of bass is joined by choir-like vocals. “Get in, ye bastards”, they seem to beckon in their serene siren voices. And the people come, pints in hand. He knows how to build an air of subtle expectation, does Roger Waters. Always did. There can’t be…
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The National just can’t seem to stay away from Dublin. Not ten months since their intimate double-bill at Vicar St., they made their return this Friday, nestled away in the leafy Donnybrook suburbs at the Energia/Donnybrook Stadium, for their own miniature two-day festival, with support acts including Lisa Hannigan, John Grant, Villagers and Rostam. The Friday gig featured the aforementioned Lisa Hannigan and John Grant, as well as Jay Som, and Preoccupations. Not your typical outdoor venue, this weekend was an opportunity for Donnybrook Stadium to showcase itself as one – with surprisingly strong acoustics, and the high suburban trees…
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Two years have passed since Metá Metá’s memorable gig at the Crescent Arts Centre as part of Moving On Music’s Beat Root festival. The São Paulo band’s incendiary performance that evening was all the more remarkable given the absence of saxophonist Thiago França forced to spend the night in a Belfast hospital due to a virus. Without him, vocalist Juçara Marçal, guitarist/vocalist Kiko Dinucci, electric bassist Marcelo Cabral and drummer Sergio Machada served up a heady brew of indie rock laced with Afro-Brazilian and psychedelic colors. Back to full strength for its return trip to Belfast, Metá Metá greets Black…
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A lute and drum kit doesn’t sound like a combination that should really work, but in this post-genre age almost anything goes. And, when the musicians in question are veritable virtuosos, as is the case with Cretan laouto player George Xylouris and Australian-born, New York-based drummer Jim White, then the results are nothing short of spectacular. This duo already had a dozen European gigs under its belt in support of its third album, Mother (Bella Union, 2017), which was just as well, as the late arrival of the lute-like lauto-temporarily lost in transit-meant there was no time for a sound-check.…
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The first signs of 6 Music’s leg of the Biggest Weekender have been appearing at venues all over Belfast this last week. Gigs, seminars, panels and outside broadcasts cropping up daily, heralding the 2 days at Titanic Slipways. For day 1 of festivities, the city, bathed in uncharacteristically glorious weather, conspires to show off just when everyone happens to be paying attention. As the flow of people moving through the city and over the Lagan grows, a Cup Final atmosphere begins to build, smiles and easy conversation with anyone willing to respond are the order of the day, and in…
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Both the Yeah Yeah Yeahs and Beck have crafted careers built on distinct sonic styles. Their music captured time and place; Beck encapsulates an era within the 90s pushing towards innovation by blending genres within one record, whilst Yeah Yeah Yeahs defined the New York dance-punk sound of the early 2000s. Their cult statuses, born from albums like Odelay and Fever To Tell, respectively, gives them mass-appeal to a myriad of music fans. The pairing of these artists for this one off joint headline arena gig, then, feels appropriate given the impact their music has made on an incalculable number…
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Ben Folds is a consummate master of contrast. Equally adept at playing plaintive ballads as he is at belting out looney tunes rock and roll, he comes across as a younger, only slightly less grizzled Randy Newman. Folds’ lyrics certainly have the same bite, and are similarly coupled with ear-worm melodies that belie the sardonic nature of the subject matter hiding in plain sight. So, during this evening’s lengthy set the audience is treated to particularly poetic versions of ‘Still Fighting It’, a beautiful tableau of a father-son relationship, and ‘Fred Jones Part 2’, another of Folds’ character studies whose…
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This evening sees Brighton based musical magpies The Go! Team bring their kaleidoscopic, crate digging pop to Custom House Square as part of the Cathedral Quarter Arts Festival. With a stellar archive of hits at their disposal, a crack nine piece band and high energy support from dance pop chameleons The Correspondents, tonight’s performance promises to kick the weekend off with an amphetamine rush of sound and colour. Purveyors of the much-maligned dance subgenre ‘electro swing’, The Correspondents are prone to mixing campy cabaret stylings and big band samples with pummelling drum and bass work outs which could well make…
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Hunters Moon presents An Evening of Experimental Performance + Sound took place in the gallery room of A4 Sounds, an art space off Dorset Street in Dublin’s north inner city. The night began in relaxed fashion, as Little Movies, the duo of Ben Donohue and Morgan Buckley, sat on stage facing each other across their modular synths. It looked like a game of Battleship and sounded like an alternate-universe take on ‘Dueling Banjos’. Two opposing banks of sound played out throughout the performance: one, a series of rippling waves, floating bubbles that shifted and grew to different shapes and sizes;…